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Northern Alliance - BFI

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Directors, started in 1989 and produced six to ten short films a year on budgets of<br />

up to £40,000. 71<br />

From the late 1980s until its absorption within the UK Film Council, British Screen<br />

Finance 72 also funded between three to ten short films per year, typically contributing<br />

around 40% to budgets of £50,000-100,000. 73 It also helped fund short film<br />

programmes with national and regional partners, including broadcasters like Anglia<br />

Television (First Take), Sgrîn Wales (Screen Gems) and Channel 4 (Short Sharp<br />

Shocks).<br />

As well as the <strong>BFI</strong> and British Screen, there was a plethora of short film schemes<br />

across the UK supported by a wide range of agencies. The pattern of support across<br />

the UK was very uneven; some regions offered several different strands and very<br />

substantial levels of support, while others provided only very small, one-off grants. In<br />

all, 21 separate short film schemes 74 were in operation not including very local, lowscale<br />

strands. 75<br />

“There is a long tradition of short filmmaking in the UK. In the past, shorter films<br />

weren‟t called 'shorts' – but 'films'! There was Len Lye and the Post Office; artists<br />

working with film and commercials films… and then BBC‟s 10 x 10 changed things,<br />

short films became more uniform in length and purpose.”<br />

UK Film Council strategic partner<br />

A notable feature of the short film landscape before the UK Film Council was<br />

instituted, was the wide-scale participation of broadcasters in short film support. Not<br />

only did both the BBC and Channel 4 support national short film schemes, 76 but<br />

many of the regional ITV companies were also active supporters of short film. 77 As a<br />

result, short films were broadcast on what would now be regarded as prime<br />

terrestrial TV slots. This included work by first time directors, especially in the case of<br />

71 By 1999.<br />

72 British Screen Finance was a leading UK public sector investor in shorts during the ten years<br />

leading up to the establishment of the UK Film Council, which subsequently undertook responsibility for<br />

its portfolio.<br />

73 British Screen helped fund short films by new directors including Mark Herman (Unusual<br />

Ground Floor Conversion, 1988), Philip Ridley (The Universe of Dermot Finn, 1988) and Peter Cattaneo<br />

(Dear Rosie, 1990).<br />

74 Source: Lowdown - Low Budget Funding Guide 1997/98, 1998/99 & 1999/00; <strong>BFI</strong>.<br />

75 Two examples are the Wandsworth Film and Video Making Award and the Croydon Film Fund.<br />

76 Through the BBC's 10 x 10 series, and Channel 4's Short and Curlies.<br />

77 Usually through partnerships with regional arts boards and other predecessor bodies of the<br />

regional screen agencies.<br />

Page 63

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