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Northern Alliance - BFI

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All of the entities in the table above deal to some degree with individual short films<br />

and the individuals who make them. To complete the picture of the UK Film Council‟s<br />

support for short filmmaking, the roles of two further units within the UK Film<br />

Council should be considered: its Monitoring Unit and the UK Partnerships<br />

Department. Neither is explicitly tasked with dealing with individual filmmakers or<br />

films, but both play important roles in the provision of the UK Film Council‟s support.<br />

The UK Film Council‟s Monitoring Department gathers and analyses information<br />

about the UK Film Council‟s activity, in order to aid the assessment of its<br />

effectiveness and inform its future practice. It does not, however, have lead<br />

responsibility for the collection of data or the development of systems to ensure such<br />

data is comprehensive. (See section 4.2 and Appendix XII for further discussion of<br />

this topic).<br />

In addition to the £5.9 million invested directly in short film programmes, the UK<br />

Film Council has made available significant blocks of funding for its partners to invest<br />

in short films. This has principally been via RIFE, administered by the UK Partnerships<br />

Department. The total amount of RIFE funding administered by Regional Screen<br />

Agencies to support short filmmaking is around £300,000 a year.<br />

3.5 The UK Film Council‟s activities in respect of access and diversity<br />

Diversity is a policy priority for the UK Film Council. This is reflected in the objectives<br />

of all the NCF‟s short schemes. 20 The numbers of awardees from ethnic minority<br />

backgrounds and people with a disability are increasingly represented 21 among<br />

filmmakers supported by the Digital Shorts programme in recent years.<br />

20 Digital Shorts guidelines to applications by strategic partners (2008) state: “By 2010 we hope<br />

that 50% of our applications and films will be made by female directors, 25% by minority ethnic directors<br />

and 4% by disabled directors.”<br />

21 Source: UK Film Council official collected statistics.<br />

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