EARLY BRONZE AGE DAGGERS IN CENTRAL ... - Bilkent University
EARLY BRONZE AGE DAGGERS IN CENTRAL ... - Bilkent University
EARLY BRONZE AGE DAGGERS IN CENTRAL ... - Bilkent University
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Not all of the drawings of the daggers from Central Anatolia are sufficient to<br />
make firm conclusions on their typology. One example would be a dagger from the<br />
Ankara collection (Cat. No: 43) which has a drawing suggesting a wide midrib in its<br />
cross section drawing, but the general drawing of the blade either suggests a line on<br />
the actual blade, or a center of the blade was indicated. There is another line at the<br />
shoulder level of the blade. Various drawing techniques create complications in the<br />
interpretation of the material.<br />
Another issue to consider is the provenance of the daggers. A number of<br />
daggers presented in the catalog have questionable provenance. These collections of<br />
daggers are divided into two groups: Museum collection and Private collection. Some<br />
of the museum collection daggers are from what is called the “Ankara Collection”.<br />
The daggers (Cat. No: 40-44) from the Ankara collection are included in the<br />
discussion due to the reason that the collection, which was purchased in 1965 by<br />
Özgüç, contained other cultural artifacts allowing us to make an educated suggestion<br />
on the origin of the daggers. Another dagger which has an unclear provenance is the<br />
dagger find (Cat. No:14). This dagger was purchased in 1971 by Özgüç as well and<br />
included in discussions in this study. Many other daggers from looted graves came<br />
into the possession of museums. Collection of five daggers (Cat.No: 35-39) in Çorum<br />
Museum has their provenance recorded as Yenihayat. T. Yıldırım (2001) conducted a<br />
survey at the said location and was able to confirm the existence of an EBA III<br />
cemetery, contemporary with the daggers in Çorum Museum. A dagger in Haluk Perk<br />
Museum (Cat. No: 13) has its provenance recorded as Çadır Höyük. On the other<br />
hand, the private collection (Sadberk Hanım Museum) published by Çetin Anlağan<br />
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