Devanayaka Pancasat (Part 2) - Ibiblio

ADDITIONAL
OBSERVATIONS:
PerumAL in KurEsar’s words is “Thunga MangaLa guNAspadhan” (the abode of
superior and auspicious guNas that bless the bhakthAs with SrEyas and
prEyas). That wondrous Lord in archA form at Dhivya desams with unmatched
glories (“adhbhutham mahath aseema bhUmakam nisthulam kimchidh vasthu”)
displays not only His own dhivya soundharyam but also adds beauty to the
beautiful aabharanams used in adorning Him like the makara kuNdalams, golden
sevvippoo in the form of woven Thaazhampoo leaves. Because of their
association with His dhivya Mukham, these aabharaNams have attained a
special status of auspiciousness (“thvadhgathataya subheebhUyam yaathA”).
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PerumAL’s ThirumEni is not created by anyone (akruthathvatham). The
aabharanams like the ear rings (karna kuNDalam), svarNa karNapooram and
RathnAngi are made by BhakthAs with great devotion with His anugraham and
thus are “kruthathvatham”". When the akruthathvatham joins with the
kruthathvatham, the combined effect is multifold and indescribable. That is
why we present Aabharanams to perumAL following the sacred steps of our
AchAryaas. Swamy Desikan acknowledges in this slOkam that the combination
of the two (the limbs with the natural beauty of its own constituting the face
of the Lord and the aabharaNams associated with them) serves as an
aabharanam of a unique kind for his mind (madeeyam svAntham vibhUshayathi).
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