Untitled - California State University, Long Beach

Table of Contents
001| Between Strangers: Sophistry and the Cosmopolitan Ideal
Mark Olague, California State University, Long Beach
023| Voices Voiced by Other Voices: How Heteroglossia
Complicates Narrative and Informs Meaning in Jonathan
Safran Foer’s, Everything is Illuminated
Samantha Mehlinger, California State University, Long Beach
043| Desiring Unity in a Fragmented World: Gender and
Reproduction in the Works of Milton and Cavendish
Rebecca Coleman, California State University, Long Beach
063| Beowulf’s Wife and Mother: A Look at the Missing Pieces
Kayleigh Sevi, California State University, Long Beach
079| Occupying the Third Space in Mary Shelley’s Frankenstein:
Finding a Fluid Identity in Other-Worldliness, Ugliness and
the Grandeur of Monstrosity
Kacie Wills, California State University, Long Beach
097| I See the Body Electric: A Corpus approach to describing
Problems of the Monstrous Body in Mary Shelley’s
Frankenstein
Jeremiah Allen, California State University, Long Beach
117| “Everlasting Night” and “Immortal Heat”: John Donne’s and
George Herbert’s Visions of Christian Faith
Emily Keery, California State University, Long Beach
135| Waterway and Lifeways: The Ethics of Water, Land, and
Restoration in Leslie Marmon Silko’s Sacred Water
Adrianna Ely, University of Montana
151| “’Oink, oink, oink!’”: Swinish Symbolism in Thomas Pynchon’s
Gravity’s Rainbow
Danilo Caputo, California State University, Long Beach
165| The Passionate Breast: Positing the Medieval Breast as a Site
of Chastity and Humanity
Aswini Sivaraman, New York University