Untitled - California State University, Long Beach
Untitled - California State University, Long Beach
Untitled - California State University, Long Beach
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_________________________<br />
Notes<br />
1<br />
Michael Schoenfeldt references Louis Martz, Anthony Raspa, and A. D. Cousins as the<br />
main critics reading Donne in light of Catholicism; P. M. Oliver adds Helen Gardner<br />
to this list (Schoenfeldt 582, Oliver 110). Oliver also credits Barbara K. Lewalski<br />
and John Stachniewski as key scholars in placing Donne’s poetry in the Protestant,<br />
specifically Calvinist sphere (121, 137).<br />
2<br />
Anne-Marie Miller Blaise cites major critics under the banner of “Anglo-Catholic”<br />
influence as Louis Martz, Heather Asals, and Amy M. Charles, and those who think<br />
Herbert “Calvinist” as Joseph H. Summers, Barbara K. Lewalski, and Richard Strier<br />
(Blaise 18).<br />
3<br />
It is interesting that in Herbert’s lifetime the word “icon” could mean a metaphor,<br />
specifically “a simile” (OED). Much like a simile, when Herbert’s poetry acts as an<br />
icon it motions to the reader to compare two things, often the literal and the spiritual.<br />
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Works Cited<br />
Blaise, Anne-Marie Miller. “‘Sweetnesse Readie Penn’d’: Herbert’s Theology of Beauty.”<br />
George Herbert Journal 27.1 (2003): 1-21. Web.Cruickshank, Frances. Verse and<br />
Poetics in George Herbert and John Donne. Surrey, England: Ashgate, 2010. Print.<br />
Donne, John. “A Hymn to Christ, at the Author’s Last Going into Germany.” Ed. John<br />
P.Rumrich and Gregory Chaplin. Seventeenth-Century British Poetry: 1603-1660.<br />
New York: Norton, 2006. 77. Print<br />
---. “Sonnet XIII.” Ed. John P. Rumrich and Gregory Chaplin. Seventeenth-Century<br />
British Poetry: 1603-1660. New York: Norton, 2006. 73. Print<br />
Herbert, George. “Aaron” Ed. John P. Rumrich and Gregory Chaplin. Seventeenth-<br />
Century British Poetry: 1603-1660. New York: Norton, 2006. 283. Print<br />
---. “Love II.” Ed. John P. Rumrich and Gregory Chaplin. Seventeenth-Century British<br />
Poetry: 1603-1660. New York: Norton, 2006. 227-33. Print.<br />
---. “Love III.” Ed. John P. Rumrich and Gregory Chaplin. Seventeenth-Century British<br />
Poetry: 1603-1660. New York: Norton, 2006. 291. Print.<br />
---. “The Flower.” Ed. John P. Rumrich and Gregory Chaplin. Seventeenth-Century British<br />
Poetry: 1603-1660. New York: Norton, 2006. 280-1. Print<br />
---. “The Sacrifice.” Ed. John P. Rumrich and Gregory Chaplin. Seventeenth-Century<br />
British<br />
Poetry: 1603-1660. New York: Norton, 2006. 245. Print.<br />
“icon, n.” OED Online. September 2011. Oxford UP. Web. 15 October 2011.<br />
“mark, v.” OED Online. September 2011. Oxford UP. Web. 15 October 2011.<br />
Oliver, P.M. Donne’s Religious Writing: A Discourse of Feigned Devotion. London:<br />
<strong>Long</strong>man, 1997. Print.<br />
Schoenfeldt, Michael. “‘That Spectacle of Too Much Weight’: The Poetics of Sacrifice in<br />
Donne, Herbert, and Milton.” Journal of Medieval and Early Modern Studies 31.3<br />
(2001): 561-84. Print.<br />
“spell, v.2.” OED Online. September 2011. Oxford UP. Web.12 December 2011.<br />
130 | Keery<br />
Keery | 131