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Untitled - California State University, Long Beach

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Continuing the motif of pig as sacrificial substitute and furthering<br />

the association of Tyrone with Norse god Thor, the Plechazunga pig suit<br />

both disguises and protects Tyrone. As he wanders through the Zone in<br />

search of 00000, he stumbles into a town celebrating an arcane pagan<br />

tradition that leads him to his second symbolic identification with<br />

the pig; the townspeople surround him and tell him of the Pig-Hero,<br />

Plechazunga, sent down by the Norse god Thor to protect them from<br />

Viking invaders (577). They ask Tyrone to wear the Pig-Hero costume<br />

because he appears to be the only person fat enough to fit. He concedes:<br />

“The pig costume is a little startling—pink, blue, yellow, brought sour<br />

colors, a German Expressionist pig, plush outside, padded with straw<br />

inside. It seems to fit perfectly. Hmm” (578). It is no wonder that Tyrone<br />

is a perfect fit; after all, the pig is his totem animal. He partakes in the<br />

festivities until the Russians come in and brutally break it up—but he<br />

remains unharmed: “the first billy-clubs catch him in the straw padding<br />

over his stomach, and don’t feel like much. Civilians are going down left<br />

and right, but Plechazunga’s holding his own” (580). The pig symbol here<br />

both protects and disguises as Tyrone learns that the Russians are actually<br />

looking for him. Under—within—the protective symbol of the swine,<br />

Tyrone Slothrop flees from the town and continues to navigate the hostile<br />

Zone in search of the rocket.<br />

The costume protects him again as a sacrificial substitute when,<br />

during a raid at a brothel, Duane Marvey steps into it thinking that<br />

“no MP would bother an innocent funseeking pig” (617), but is sorely<br />

mistaken as he is apprehended by the MP, who assume he is Slothrop and<br />

castrate him. Slothrop, disguising himself in the Plechazunga costume<br />

to circumvent hostility in the Zone, appears to resonate with another<br />

Norse myth, one in which Thor is said to have disguised himself as Freyja<br />

(also spelled Freya), a goddess who rides a boar with golden bristles, thus<br />

enabling him to navigate a hostile zone in search his lost hammer (Munch<br />

156 | Caputo<br />

77). It is no coincidence, then, that Pynchon’s fictional Plechazunga myth<br />

is associated with Thor. Tyrone’s safety, like Thor’s, depends on a pigrelated<br />

disguise. Moreover, Thor’s association with Freyja the goddess is<br />

comically paralleled in Gravity’s Rainbow by Tyrone’s meeting with Frieda<br />

the pig, an encounter that establishes Slothrop’s connection to romantic<br />

pastoral imagery.<br />

Tyrone’s association with Frieda as his totem animal establishes<br />

the idea that the pig symbol is more than transgressive or sacrificial.<br />

Weisenburger suggests in Companion that Frieda is “named for Freya, the<br />

etymology of whose name gives us fried (peace). Frieda is an apt name<br />

for Pokler’s pig because the Teutonic goddess Freya often appears riding<br />

a sow or boar, sometimes one with golden bristles” (195). Weisenburger’s<br />

etymology of “Frieda” connects her with Freyja, goddess of love<br />

and peace (Rydberg 1020), adding dimension to the novel’s swinish<br />

symbolism. Too, Tyrone’s time with Freida is arguably the most peaceful<br />

and romantic of his Zonal experiences; his connection to “peace” and the<br />

romantic pastoral symbolized by Freida contrasts his earlier transgressive<br />

sexual encounter with Katje. He wakes one morning in the countryside<br />

to Freida licking his face, and rather than being repulsed by the pig that<br />

“grunts and smiles amiably, blinking long eyelashes” (583), he responds<br />

with deference: “‘Wait. How about this?’ He puts on the pig mask. She<br />

stares for a minute, then moves up to Slothrop and kisses him, snout-tosnout”<br />

(583). A passage of pastoral serenity follows as Tyrone and Frieda<br />

travel the countryside together in peace. She leads him to food, protects<br />

him from an attacking dog, and guides him to his next lead on his quest.<br />

Tyrone realizes the animal’s totemic relationship to him in an epiphany<br />

one night as they sleep together:<br />

Slothrop keeps waking to find the pig snuggled in a bed of<br />

pine needles, watching over him. It’s not for danger, or out of<br />

restlessness. Maybe she’s decided Slothrop needs looking after.<br />

Caputo | 157

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