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Untitled - California State University, Long Beach

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Sacred Water is a short chapbook of stories and photographs that<br />

Leslie Marmon Silko self-published in 1993, shortly after the publication<br />

of Almanac of the Dead. In 1993, Silko explained to scholar Laura<br />

Coltelli how a work like Sacred Water emerged from the traumatic visions<br />

of Almanac of the Dead: “Sacred Water was meant as a soothing, healing<br />

antidote to the relentless horror let loose in this world. It was meant as<br />

a gift to readers who wrestled with Almanac of the Dead. Some of the<br />

readers were wrenched by Almanac and I wanted to give them something<br />

generous, yet truthful” (Coltelli 26). Indeed, there is something generous<br />

and comforting about the form and content of Sacred Water—hand-drawn<br />

and pasted glyphs; black-and-white photos of desert skies, waters, and<br />

rocks; Silko’s concise, deeply personal prose style; and even her ballpoint<br />

signature on the frontispiece. This book is, in a sense, the bioregional<br />

counterpart to Almanac and the localized forerunner to the transnational<br />

visions of Gardens in the Dunes. Where Almanac of the Dead traverses<br />

the Americas and Gardens in the Dunes traverses the globe, Sacred Water<br />

clearly demonstrates a highly localized ethic of environmental restoration<br />

through Silko’s personal recollections of and conjectures about the role of<br />

water in the lifeways of the Pueblo peoples.<br />

Sacred Water is fundamentally a set of stories about how cultures<br />

and places interact. Silko’s stories touch on the various elements of the<br />

Ely | 135

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