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_________________________ Works Cited Pynchon, Thomas. Gravity’s Rainbow. New York: Penguin, 1973. Print. Hurley, Patrick J. “Pynchon, Grimm And Swinish Duality: A Note On The Pig Image In Gravity’s Shadow.” Pynchon Notes 46-49.(2000): 208-210. MLA International Bibliography. Web. 30 Aug. 2011. Le Vot, Andre. “The Rocket And The Pig: Thomas Pynchon And Science Fiction.” Caliban 12.(1975): 111-118. MLA International Bibliography. Web. 30 Aug. 2011. Orban, Katalin. “Werebeavers Of The World, Unite? Animals On The Verge Of Readability In Thomas Pynchon’s Novels.” Animal Magic: Essays on Animals in the American Imagination. 96-111. Joensuu, Finland: Faculty of Humanities, <strong>University</strong> of Joensuu, 2004. MLA International Bibliography. Web. 30 Aug. 2011. Weisenburger, Steven. A Gravity’s Rainbow Companion. Athens, Georgia: U of Georgia P, 1988. Print. White, Allon. “Pigs And Pierrots: The Politics Of Transgression In Modern Fiction.” Raritan: A Quarterly Review 2.2 (1982): 51-70. MLA International Bibliography. Web. 30 Aug. 2011. The Passionate Breast: Positing the Medieval Breast as a Site of Chastity and Humanity BY ASWINI SIVARAMAN 162 | Caputo
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Spring 2012 Department of English C
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Spring 2012 Editor Michael Koger Me
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Editor’s Note: Another year means
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“What makes a man a ‘sophist’
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posits a “shipwrecked” island s
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in the Dissoi Logoi is an example o
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“getting use to one another” re
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where emphasis or interpretation wi
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Voices Voiced by Other Voices: How
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is the combination of stylistic uni
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ments Alex’s voice. Jonathan’s
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mentary. Besides these brief interj
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Foer raises the question, “Whose
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Desiring Unity in a Fragmented Worl
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primarily a feminine act and intell
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y means of sexual intercourse. This
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After Eve submits to Adam, her rela
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himself to the land, which is, as p
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Beowulf’s Wife and Mother: A Look
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and Wealhþeo in Beowulf as example
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geaf me treasure ond symbel, sibbe
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Ongenþeow are presented to us as p
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_________________________ Works Cit
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and territories of both” (13). Bh
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also to bypass God. Through the cre
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dream sequence, therefore, has seve
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places the monster within any sort
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Derrida’s conflation of differenc
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“blond,” “wiry,” and “hea
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of the overwhelming external ugline
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monster could no longer lurk in the
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Page 132: Critics are divided over the specif
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Page 144: unknown,” the speaker reminds the
Page 148: Waterways and Lifeways: The Ethics
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Page 156: as Silko notes in her story about F
Page 160: Only the night-blooming datura, jim
Page 164: _________________________ Works Cit
Page 168: whereas the pig sustains it, a bina
Page 172: Continuing the motif of pig as sacr
Page 176: Slothrop’s wisdom is a key: he re
Page 182: The above works as a fine example t
Page 186: Yet, in both narratives, the common
Page 190: questionably nonhuman” (Shostak 3
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