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Untitled - California State University, Long Beach

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When one is exposed to Thomas Pynchon’s vast and complex 1973<br />

novel Gravity’s Rainbow, he or she is soon made aware of its labyrinthine<br />

and encyclopedic nature—hundreds of characters (including Pavlovian<br />

psychiatrists, Argentine anarchists, missile-worshipping Hereros,<br />

masochistic ghosts, and too many more) slip in and out of the text,<br />

crisscrossing at any given time, while historiographic digressions of<br />

subjects both grand and inane (from corporate instigation of WWII to<br />

light bulb manufacturing) pull the reader deeper and deeper into the<br />

paranoiac black hole of Pynchon’s text. Though most would-be readers<br />

of Gravity’s Rainbow abstain from the book for this very reason (and<br />

most who do attempt it put it down in early surrender), the few who<br />

do fully subject themselves to Pynchon’s experiment (and you will come<br />

out altered) are guided by a master writer through a darkly comical and<br />

complex world only he could have created. It is popularly presumed that<br />

the most complex object in Gravity’s Rainbow is also its focal point: the<br />

V-2 rocket—a driving force that thrusts the characters into movement<br />

as Tyrone Slothop and others search for the elusive rocket “00000.”<br />

However, an animal study of the novel reveals a force that subverts the<br />

monolithic symbolism of the rocket, counterbalancing 00000 in the<br />

Zone: the pig. At the simplest polarization, the rocket obliterates life<br />

Caputo | 151

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