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01 Meditation Panel Preface.indd - United Nations Day of Vesak 2013

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Buddhist Philosophy and<br />

<strong>Meditation</strong> Practice<br />

Matr pa’s Tattvadaaka and Sahajavajra’s commentary Tattvadaakaka, along with Jñnakrti’s<br />

Tattvvatra and the songs <strong>of</strong> Saraha are employed to that end. 21 According to the Karmapa, Maitr<br />

pa’s understanding <strong>of</strong> Madhyamaka included the teaching <strong>of</strong> Saraha the elder and younger along<br />

with Ngrjuna and Candrakrti. 22 Quoting the Tattvadaaka, the Karmapa comments on the verse<br />

outlining the pramityna pith instructions, which are to be practised adorned with the words <strong>of</strong><br />

the guru. 23 The Karmapa calls Maitr pa’s understanding amanasikra-madhyamaka ‘non mentation<br />

Madhyamaka’, distinguishing three types:<br />

i. Practices focusing on Mantra-Madhyamaka<br />

ii. Practices focusing on Stra-Madhyamaka<br />

iii. And those focusing on the Alikakra-Cittamtra-Madhyamaka. 24<br />

The rst two (i and ii) were taught by Mar pa and Mi la ras pa, the second (ii) was emphasised<br />

by sGam po pa and the third (iii) is the one <strong>of</strong> the vajra songs (dohs) as propagated by Vajrapi<br />

<strong>of</strong> India, A su <strong>of</strong> Nepal and Kor Ni ru pa. 25<br />

Common strands and divergent interpetations<br />

When examining texts <strong>of</strong> varied genres written by Mi bskyod rdo rje, comprehending<br />

conceptualisation as in essence dharmakya could be identied as a central theme, although it<br />

may be explained in a more or less scholarly manner. This certainly bears similarity to sGam po pa’s<br />

material. 26 In the following, the Eighth Karmapa’s varied denitions <strong>of</strong> the Great Seal into tantric<br />

and non-tantric are briey considered. In his Madhyamaka commentary, the Eighth Karmapa reasons<br />

that this meditational theory and practice (lta sgom) <strong>of</strong> the Great Seal is so signicant because<br />

it is the effective antidote to subtle clinging and conceptualisation in meditation. It would be indeed<br />

important for removing latent tendencies <strong>of</strong> fabrication (prapañcnuaya) and badness (dauulya),<br />

when the experience <strong>of</strong> the gnosis <strong>of</strong> bliss and emptiness in tantric meditation appears. As such,<br />

it is taught because it removes all veils like the ‘single white sufcient remedy’ (dkar po gcig thub). 27<br />

When practising the mantra system, there would be the danger that the symbolic and actual<br />

(dpe don) ultimate awareness (jñna) <strong>of</strong> the third and fourth empowerments, would not be able to<br />

21<br />

Mathes (2006: 225).<br />

22<br />

Dwags brgyud grub pa’i shing rta, fol. 6a (p. 11).<br />

23<br />

Tattvadaaka 92: na skranirkre tathat jñtum icchata/ madhyam madhyam caiva guruvganalakt/.<br />

Mathes (2006: 209) translates: ‘Somebody who wishes to know suchness for himself [nds it] neither in terms <strong>of</strong> sakara<br />

nor nirakara; Even the middle [path] (i.e., Madhyamaka) which is not adorned with the words <strong>of</strong> a guru, is only middling.’<br />

According to Mathes (2006: 213–216), the Eighth Karmapa interprets ‘the words <strong>of</strong> the guru’ here as those <strong>of</strong> Ngrjuna,<br />

whereas ‘Gos lo ts ba comprehends it as the pith instructions <strong>of</strong> the guru, who embodies Prajñpramit.<br />

24<br />

Dwags brgyud grub pa’i shing rta, fol. 6a (p. 11). See also Ruegg (1988: 1248ff.); Brunnhölzl (2004: 52); Sherpa<br />

(2004: 172).<br />

25<br />

The Eighth Karmapa claimed to have emphasised the dohs as transmitted via Vajrapi in his teaching <strong>of</strong> the Great<br />

Seal (see Rheingans 2008: 160–164, and Mi bskyod rdo rje’i spyad pa’i rabs, fol. 9b/p.367). Though the Karmapa in<br />

the Madyamaka commentary accepts this Madhyamaka type, he argues against the Alikakra-Cittamtra (<strong>of</strong> Ratnkaranti)<br />

(Ruegg 1988: 1275).<br />

26<br />

See Rheingans (2008: 219–223), for a brief account <strong>of</strong> this strand in the instructions <strong>of</strong> the Eighth Karmapa; see also<br />

Rheingans (2<strong>01</strong>1). For the similarity to sGam po pa, see the Sherpa (2004: 188–293).<br />

27<br />

Dwags brgyud grub pa’i shing rta, fol. 6b (p. 12).<br />

181

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