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A prolific painter of portraits before and after the French Revolution ...

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ch07.qxd 12/2/04 11:57 AM Page 303<br />

chapter<br />

Explaining<br />

ou have decided to quit your present job, so you write a note to your boss<br />

giving thirty days’ notice. During your last few weeks at work, your<br />

boss asks you to write a three-page job description to help orient <strong>the</strong><br />

person who will replace you. The job description should include a list <strong>of</strong> your current<br />

duties as well as advice to your replacement on how to execute <strong>the</strong>m most efficiently.<br />

To write <strong>the</strong> description, you record your daily activities, look back through<br />

your calendar, comb through your records, <strong>and</strong> brainstorm a list <strong>of</strong> everything you<br />

do. As you write up <strong>the</strong> description, you include specific examples <strong>and</strong> illustrations<br />

<strong>of</strong> your typical responsibilities.<br />

s a gymnast <strong>and</strong> dancer, you gradually become obsessed with losing<br />

weight. You start skipping meals, purging <strong>the</strong> little food you do eat,<br />

<strong>and</strong> lying about your eating habits to your parents. Before long, you<br />

weigh less than seventy pounds, <strong>and</strong> your physician diagnoses your condition:<br />

anorexia nervosa. With advice from your physician <strong>and</strong> counseling from a psychologist,<br />

you gradually begin to control your disorder. To explain to o<strong>the</strong>rs what<br />

anorexia is, how it is caused, <strong>and</strong> what its effects<br />

are, you write an essay in which you explain your<br />

ordeal, alerting o<strong>the</strong>r readers to <strong>the</strong> potential<br />

dangers <strong>of</strong> uncontrolled dieting.<br />

‘‘<br />

Become aware <strong>of</strong><br />

<strong>the</strong> two-sided nature<br />

<strong>of</strong> your mental<br />

make-up: one<br />

thinks in terms <strong>of</strong><br />

he connectedness <strong>of</strong><br />

things, <strong>the</strong> o<strong>the</strong>r<br />

thinks in terms <strong>of</strong><br />

parts <strong>and</strong><br />

sequences.<br />

’’<br />

— GABRIELE LUSSER<br />

‘‘<br />

RICO,<br />

AUTHOR OF WRITING<br />

THE NATURAL WAY<br />

What [a writer]<br />

knows is almost<br />

always a matter <strong>of</strong><br />

<strong>the</strong> relationships he<br />

establishes, between<br />

example <strong>and</strong><br />

generalization,<br />

between one part <strong>of</strong> a<br />

narrative <strong>and</strong> <strong>the</strong><br />

next, between <strong>the</strong><br />

idea <strong>and</strong> <strong>the</strong><br />

counter idea that<br />

<strong>the</strong> writer sees is<br />

also relevant.<br />

’’<br />

— ROGER SALE,<br />

AUTHOR OF<br />

ON WRITING<br />

303

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