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A prolific painter of portraits before and after the French Revolution ...

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ch07.qxd 12/2/04 11:58 AM Page 332<br />

332<br />

Chapter 7<br />

explaining<br />

• If you are doing a community-service-learning project, consider a writing<br />

project explaining <strong>the</strong> agency’s mission to <strong>the</strong> public or to a potential<br />

donor. You might also write an article for a local or campus newspaper explaining<br />

some aspect <strong>of</strong> <strong>the</strong>ir service or a recent contribution <strong>the</strong> agency has<br />

made to <strong>the</strong> community.<br />

• Consider writing an artistic, cultural, historical, or social explanation <strong>of</strong> a<br />

particular visual image or a set <strong>of</strong> visual images. One excellent Web site for<br />

famous photographs is <strong>the</strong> Pulitzer site at http://www.gallerym.com/<br />

pulitzerphotos.htm. Decide on a particular audience, genre, <strong>and</strong> context appropriate<br />

for <strong>the</strong> photograph.<br />

• Choose some current controversy to explain. Instead <strong>of</strong> arguing for one side<br />

or <strong>the</strong> o<strong>the</strong>r, however, explain <strong>the</strong> different points <strong>of</strong> view in this controversy.<br />

Who are <strong>the</strong> leading figures or groups representing each <strong>of</strong> several<br />

different positions? Choose a particular audience, genre, <strong>and</strong> context, <strong>and</strong><br />

explain what each <strong>of</strong> <strong>the</strong>se people or groups have to gain or lose <strong>and</strong> how<br />

<strong>the</strong>ir personal investments in <strong>the</strong> topic determine <strong>the</strong>ir position.<br />

COLLECTING<br />

RESOURCE NOTE<br />

As D’Angelo explains in A<br />

Conceptual Theory <strong>of</strong><br />

Rhetoric, rhetorical strategies—such<br />

as definition,<br />

process analysis, comparison,<br />

<strong>and</strong> causal analysis—<br />

are, simultaneously, modes<br />

<strong>of</strong> thinking, invention<br />

strategies, <strong>and</strong> patterns for<br />

arrangement. Invention<br />

(collecting) exercises anticipate<br />

arrangement (shaping)<br />

patterns, just as shapes<br />

are invitations for collecting<br />

<strong>and</strong> inventing.<br />

Q UESTIONS Once you have a tentative subject <strong>and</strong> audience in mind, consider<br />

which <strong>of</strong> <strong>the</strong> following will be your primary focus (all three may be relevant):<br />

• What something means or is<br />

• How something occurs or is done (or should be done)<br />

• Why something occurs or what its effects are<br />

To explain what something is, jot down answers to each <strong>of</strong> <strong>the</strong> following questions.<br />

The more you can write on each question, <strong>the</strong> more details you’ll have for your<br />

topic.<br />

• What are its class <strong>and</strong> distinguishing characteristics?<br />

• What is its etymology?<br />

• How can you describe it?<br />

• What examples can you give?<br />

• What are its parts or its functions?<br />

• What is it similar to? What is it not?<br />

• What figurative comparisons apply?<br />

• How can it be classified?<br />

• Which <strong>of</strong> <strong>the</strong> above is most useful to your audience?<br />

PROFESSIONAL COPY—NOT FOR RESALE

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