A prolific painter of portraits before and after the French Revolution ...
A prolific painter of portraits before and after the French Revolution ...
A prolific painter of portraits before and after the French Revolution ...
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ch07.qxd 12/2/04 11:59 AM Page 335<br />
explaining:<br />
<strong>the</strong> writing process<br />
335<br />
TEACHING TIP<br />
Review your topic for research possibilities. Four research strategies are direct<br />
observation, use <strong>of</strong> memories <strong>and</strong> personal experience, field research (including<br />
interviews <strong>and</strong> surveys), <strong>and</strong> library/Internet research. (See Chapter 6 for interview<br />
<strong>and</strong> survey techniques. See Chapter 12 on using <strong>and</strong> documenting<br />
sources.) Tips to remember: Make photocopies <strong>of</strong> all <strong>the</strong> sources that you plan<br />
to cite in your essay. When you make copies, be sure to write all relevant information<br />
on <strong>the</strong> photocopies, such as author, date, publisher, place <strong>of</strong> publication,<br />
journal title, <strong>and</strong> volume numbers. When you cite sources in <strong>the</strong> text,<br />
be sure to introduce your sources. Make sure your direct quotations are accurate<br />
word-for-word transcriptions.<br />
The best approach to<br />
teaching research is to keep<br />
practicing <strong>and</strong> reinforcing<br />
research strategies, such as<br />
ga<strong>the</strong>ring, evaluating, citing,<br />
<strong>and</strong> documenting<br />
sources. If you are teaching<br />
a more extensive research<br />
paper later in <strong>the</strong> term, you<br />
may also wish to require<br />
students to practice keeping<br />
a research log (see<br />
Chapter 12).<br />
R EADING When you find written texts about your subject, be sure to use your active<br />
reading strategies. You may need only a few sources if you reread <strong>the</strong>m carefully.<br />
Write out a short summary for each source. Respond to each source by analyzing its effectiveness,<br />
agreeing or disagreeing with its ideas, or interpreting <strong>the</strong> text. The quality<br />
<strong>of</strong> your underst<strong>and</strong>ing is more important than <strong>the</strong> sheer number <strong>of</strong> sources you cite.<br />
I NVESTIGATING Use sources available in <strong>the</strong> library, textbooks containing relevant<br />
information, or interviews with teachers, participants, or experts. Interview<br />
your classmates about <strong>the</strong>ir own subjects for this assignment: someone else’s subject<br />
may trigger an idea that you can write about or may suggest a fresh approach to <strong>the</strong><br />
subject that you have already chosen.<br />
SHAPING<br />
As you collect information <strong>and</strong> generate ideas from your collecting activities, be sure<br />
to narrow <strong>and</strong> focus your subject into a topic suitable for a short essay. You will not<br />
be able to cover everything you’ve read, thought, or experienced about your subject.<br />
Choose <strong>the</strong> most interesting ideas—for you <strong>and</strong> for your audience—<strong>and</strong> shape, order,<br />
<strong>and</strong> clarify those ideas.<br />
‘‘<br />
Readers may be<br />
strangers who have<br />
no immediate reason<br />
to care about your<br />
writing. They want<br />
order, clarity, <strong>and</strong><br />
stimulation.<br />
’’<br />
— ELIZABETH<br />
COWAN NEELD,<br />
TEACHER AND AUTHOR<br />
AUDIENCE AND G ENRE As you consider ways to organize <strong>and</strong> shape your explaining<br />
essay, think about a possible audience <strong>and</strong> genre. An essay directed at a general<br />
audience composed <strong>of</strong> peers like your classmates is just one possibility. A letter<br />
PROFESSIONAL COPY—NOT FOR RESALE