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A prolific painter of portraits before and after the French Revolution ...

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ch07.qxd 12/2/04 11:59 AM Page 341<br />

explaining:<br />

A Startling Statement, Fact, or Statistic<br />

<strong>the</strong> writing process<br />

341<br />

Embalming is indeed a most extraordinary procedure, <strong>and</strong> one must wonder<br />

at <strong>the</strong> docility <strong>of</strong> Americans who each year pay hundreds <strong>of</strong> millions <strong>of</strong><br />

dollars for its perpetuation, blissfully ignorant <strong>of</strong> what it is all about, what<br />

is done, how it is done.<br />

—“To Dispel Fears <strong>of</strong> Live Burial,” Jessica Mitford<br />

A Statement from a Book<br />

The American novelist John Barth, in his early novel The Floating Opera,<br />

remarks that ordinary, day-to-day life <strong>of</strong>ten presents us with embarrassingly<br />

obvious, totally unsubtle patterns <strong>of</strong> symbolism <strong>and</strong> meaning—life in<br />

<strong>the</strong> midst <strong>of</strong> death, innocence vindicated, youth versus age, etc.<br />

—“I’m O.K., but You’re Not,” Robert Zoellner<br />

A Striking Question or Questions<br />

Do non-human animals have rights? Should we humans feel morally<br />

bound to exercise consideration for <strong>the</strong> lives <strong>and</strong> well-being <strong>of</strong> individual<br />

members <strong>of</strong> o<strong>the</strong>r animal species? If so, how much consideration, <strong>and</strong> by<br />

what logic?<br />

—“Animal Rights <strong>and</strong> Beyond,” David Quammen<br />

A Common Error or Mistaken Judgment<br />

There was a time when, in my search for essences, I concluded that <strong>the</strong><br />

canyonl<strong>and</strong> country has no heart. I was wrong. The canyonl<strong>and</strong>s did have<br />

a heart, a living heart, <strong>and</strong> that heart was Glen Canyon <strong>and</strong> <strong>the</strong> golden,<br />

flowing Colorado River.<br />

—“The Damnation <strong>of</strong> a Canyon,” Edward Abbey<br />

Combined Strategies<br />

Last December a man named Robert Lee Willie, who had been convicted<br />

<strong>of</strong> raping <strong>and</strong> murdering an 18-year-old woman, was executed in <strong>the</strong><br />

Louisiana state prison. In a statement issued several minutes <strong>before</strong> his<br />

death, Mr. Willie said: “Killing people is wrong....It makes no difference<br />

whe<strong>the</strong>r it’s citizens, countries, or governments. Killing is wrong.”<br />

—“Death <strong>and</strong> Justice,” Edward Koch<br />

L EAD-IN ,THESIS, AND E SSAY M AP The introduction to an explaining<br />

essay—whe<strong>the</strong>r one paragraph or several—usually contains <strong>the</strong> following features:<br />

TEACHING TIP<br />

Teachers may usefully distinguish<br />

between <strong>the</strong> writer’s<br />

<strong>the</strong>sis sentence <strong>and</strong> map<br />

(a working version intended<br />

to help <strong>the</strong> writer<br />

focus on a subject <strong>and</strong> start<br />

a draft) <strong>and</strong> a reader’s <strong>the</strong>sis<br />

<strong>and</strong> map (a revised version<br />

intended to help <strong>the</strong> reader<br />

construct meaning). The<br />

distinction helps some writers<br />

as <strong>the</strong>y compose <strong>and</strong><br />

revise.<br />

PROFESSIONAL COPY—NOT FOR RESALE

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