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A prolific painter of portraits before and after the French Revolution ...

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ch07.qxd 12/2/04 11:59 AM Page 345<br />

explaining:<br />

<strong>the</strong> writing process<br />

345<br />

PEER RESPONSE<br />

The instructions that follow will help you give <strong>and</strong> receive constructive advice<br />

about <strong>the</strong> rough draft <strong>of</strong> your explaining essay. You may use <strong>the</strong>se guidelines<br />

for an in-class workshop, a take-home review, or a computer e-mail response.<br />

Writer: Before you exchange drafts with ano<strong>the</strong>r reader, write out <strong>the</strong> following<br />

on your essay draft:<br />

1. Purpose Briefly, describe your purpose, genre, <strong>and</strong> intended audience.<br />

2. Revision plans What do you still intend to work on as you revise<br />

your draft?<br />

3. Questions Write out one or two questions that you still have about<br />

your draft. What questions would you like your reader to answer?<br />

Reader: First, read <strong>the</strong> entire draft from start to finish. As you reread <strong>the</strong><br />

draft, answer <strong>the</strong> following questions:<br />

1. Clarity What passages were clearest? Where were you most confused?<br />

Refer to specific sentences or passages to support your response.<br />

How <strong>and</strong> where could <strong>the</strong> writer make <strong>the</strong> draft clearer?<br />

2. Evidence Where does <strong>the</strong> writer have good supporting evidence<br />

(specific examples, facts, analysis, statistics, interview results, or citations<br />

from sources)? Where does <strong>the</strong> writer need additional evidence?<br />

Refer to specific sentences or passages to support your response.<br />

3. Organization Summarize or briefly outline <strong>the</strong> main ideas <strong>of</strong> <strong>the</strong><br />

essay. Where was <strong>the</strong> organization most clear? Where were you confused?<br />

Refer to specific passages as you suggest ways to improve <strong>the</strong><br />

draft.<br />

4. Purpose Underline sentences that express <strong>the</strong> purpose or contain <strong>the</strong><br />

<strong>the</strong>sis <strong>of</strong> <strong>the</strong> essay. Does your underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> essay’s purpose<br />

match <strong>the</strong> writer’s statement about purpose? Explain. How might <strong>the</strong><br />

writer clarify <strong>the</strong> <strong>the</strong>sis?<br />

5. Reader’s response Overall, describe what you liked best about <strong>the</strong><br />

draft. Then identify one major area that <strong>the</strong> writer should focus on<br />

during <strong>the</strong> revision. Does your suggestion match <strong>the</strong> writer’s revision<br />

plans? Explain. Answer <strong>the</strong> writer’s own question or questions about<br />

<strong>the</strong> draft.<br />

If your students complain<br />

that <strong>the</strong>ir peers do not give<br />

good advice during revision<br />

workshops, two activities<br />

may help. First, model <strong>the</strong><br />

workshop process on your<br />

own draft. (Make sure your<br />

draft is really rough <strong>and</strong> has<br />

clear problems.) If students<br />

are comfortable critiquing<br />

your draft, <strong>the</strong>y will be<br />

more effective in reviewing<br />

each o<strong>the</strong>r’s drafts. Second,<br />

have students practice<br />

identifying key features<br />

(<strong>the</strong>sis, map, specific examples,<br />

paragraph hooks, definition,<br />

<strong>and</strong> so on) in a<br />

draft. Often, students give<br />

poor advice because <strong>the</strong>y<br />

cannot yet identify rhetorical<br />

features in writing. A<br />

fur<strong>the</strong>r benefit <strong>of</strong> this exercise<br />

is that identifying<br />

features (ra<strong>the</strong>r than evaluating)<br />

does not require<br />

students to give negative<br />

criticism <strong>and</strong> thus makes<br />

<strong>the</strong>m more comfortable in<br />

peer groups. Once students<br />

can correctly identify features,<br />

<strong>the</strong>n return to a regular<br />

revision workshop.<br />

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