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May 2011 - Illuminating Engineering Society

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BAR BASQUE/FOODPARC<br />

Stem-mounted MR16s illuminate circular mirrored reflectors to form a space-age chandelier in the<br />

private dining room at Bar Basque.<br />

Adding a “circuit-board” element to a corridor in Bar Basque’s narrow red interior, blue LED strip<br />

lights a textured horizontal reveal.<br />

Photo: Adrian Wilson Photo: Adrian Wilson<br />

the Basque region’s hearty cuisine (including<br />

“pintxos,” Basque tapas). In contrast,<br />

FoodParc, a modern, upscale food court on<br />

the first floor, features nature-patterned<br />

lighting projected onto a white backdrop.<br />

The two eateries are joined in the middle by<br />

a tiered seating area that can be used by<br />

patrons from either restaurant.<br />

A self-proclaimed non-conformist, Mead<br />

pushed design boundaries at both restaurants.<br />

New York City-based firms Philip<br />

Koether Architects and Cline Bettridge<br />

Bernstein Lighting Design, Inc. turned<br />

Mead’s other-worldly sketches into a reality.<br />

“It was up to us to interpret what Syd’s<br />

concepts meant and to deal with things<br />

like energy requirements and budget. We<br />

also had to look at what it took for people<br />

to look and feel good in these spaces,” says<br />

CBBLD principal Francesca Bettridge, who<br />

collaborated with senior associate Michael<br />

Hennes and associate Nira Wattanachote<br />

on the restaurant lighting. The team also<br />

designed lighting for common areas, such<br />

as stairwells, and the building’s façade.<br />

FROM RENDERING TO REALITY<br />

Known for his movie set designs, Mead<br />

has also created some rather unusual<br />

spaces, including the custom interior of a<br />

747 aircraft. At Bar Basque, he channeled<br />

that experience to create an airplane-inspired<br />

aesthetic, envisioning the long, narrow<br />

interior as a red fuselage with curved<br />

ceilings and circuit board-style accents.<br />

Translating Mead’s ideas into reality<br />

posed several challenges, however. In his<br />

sketches, the sole light sources are randomly<br />

clustered downlights “that aren’t<br />

something you see in our industry,” says<br />

Bettridge. “We really tried to capture the<br />

spirit of everything that he was doing, but<br />

64 <strong>May</strong> <strong>2011</strong> | LD+A www.ies.org

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