May 2011 - Illuminating Engineering Society
May 2011 - Illuminating Engineering Society
May 2011 - Illuminating Engineering Society
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BAR BASQUE/FOODPARC<br />
Photo: Philip Koether Architects Rendering: Syd Mead Inc. Sketch: Syd Mead Inc.<br />
A CONCEPT TAKES SHAPE<br />
The sequence shows the progression from<br />
Mead’s early concept for FoodParc, to a<br />
more developed rendering, to the final<br />
installation, where fluorescents backlight<br />
computer chip-style acrylic ceiling panels and<br />
theatrical fixtures produce abstract colored,<br />
moving images on the white floors and walls.<br />
terrace on the opposite side of the windows.<br />
The illuminated architecture adds warmth to<br />
the edgy décor, making the red fuselage the<br />
perfect place for guests to enjoy a glass of<br />
wine . . . poured from a built-in, self-service<br />
wine vending machine, of course.<br />
BASQUE TO THE FUTURE<br />
For a wider beverage selection, patrons<br />
can visit the Whiskey Bar at the end of the<br />
restaurant. Though the bar is a continuation<br />
of the futuristic red lounge and dining<br />
area, its conceptual design also pays homage<br />
to the Basque region of Spain. Rising<br />
behind the bar, a glass wall with an applied<br />
leaf pattern represents the region’s famous<br />
Bilbao tree. Initially, the wall design<br />
called for four layers of glass. After four<br />
panes were valued engineered down to<br />
one, the team was tasked with maintaining<br />
the perception of depth achieved in the<br />
original rendering and “had to mix sources<br />
to create the layered effect,” says Hennes.<br />
Three colors of light were combined to<br />
create the appearance of depth: Cool-white<br />
LEDs uplight the bottom of the glass panel,<br />
red LEDs graze down from the top and recessed<br />
blue fluorescent T5s illuminate the<br />
whiskey bottle glass storage display in the<br />
background. The LED-backlighted acrylic<br />
bar provides additional ambient illumination,<br />
while a half-hidden hologram created by a<br />
ceiling-mounted framing projector adds a<br />
decorative surprise to a nearby column.<br />
The Bilbao tree reappears in the private<br />
dining room, where it is depicted in a painting<br />
by artist Andrew Schoultz. Unlike the<br />
rest of the interior, the private dining room<br />
was not included in Mead’s concepts. “We<br />
wanted to keep the same space-agey feel<br />
so that it looked like it belonged, but we<br />
didn’t want it to be a continuation of the<br />
red room,” says Bettridge. CBBLD distinguished<br />
the space by creating a custom<br />
chandelier. Suspended next to a fiber-opticilluminated<br />
skylight, circular mirrored reflectors<br />
of different diameters are hung at<br />
varying lengths. Light from stem-mounted<br />
MR16 monopoints bounces off the reflectors<br />
and illuminates the dining room below.<br />
FUTURISTIC FOODCOURT<br />
Nature-inspired accents and sci-fi interiors<br />
are an unlikely combination, but they<br />
complement each other at FoodParc, the<br />
downstairs restaurant. What else would<br />
you expect from an eatery that boldly<br />
pairs quirky gourmet snacks like pastrami<br />
egg rolls and artisanal bacon burgers with<br />
cafeteria-style dining?<br />
“It’s interesting because on one hand the<br />
architecture is very techy looking, but on<br />
the other a lot of the patterns are very natural<br />
and leafy,” says Hennes. “Syd really<br />
liked the idea of a dappled quality of light,”<br />
so CBBLD created foliage patterns using<br />
robotic theatrical fixtures (Martin) with<br />
150-W T6 metal halide lamps. Mounted in<br />
the black ceiling space between hanging<br />
translucent acrylic panels, the luminaires<br />
project abstract, moving, color-changing<br />
patterns onto the white floors and paneled<br />
walls. A similar leaf pattern is echoed<br />
on the multi-colored glass feature walls,<br />
which are grazed by warm-white LEDs.<br />
FoodParc’s “techy” elements are likewise<br />
enhanced by lighting. Fluorescents with<br />
specular bottom louvers backlight undulating,<br />
hanging, acrylic ceiling panels to reveal<br />
their computer chip-style patterns. “We<br />
didn’t try to evenly light the panels,” says<br />
Hennes. “We didn’t mind that the light would<br />
be a little stripey looking,” since the intention<br />
was to create the impression of light shin-<br />
66 <strong>May</strong> <strong>2011</strong> | LD+A www.ies.org