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May 2011 - Illuminating Engineering Society

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BAR BASQUE/FOODPARC<br />

Photo: Philip Koether Architects Rendering: Syd Mead Inc. Sketch: Syd Mead Inc.<br />

A CONCEPT TAKES SHAPE<br />

The sequence shows the progression from<br />

Mead’s early concept for FoodParc, to a<br />

more developed rendering, to the final<br />

installation, where fluorescents backlight<br />

computer chip-style acrylic ceiling panels and<br />

theatrical fixtures produce abstract colored,<br />

moving images on the white floors and walls.<br />

terrace on the opposite side of the windows.<br />

The illuminated architecture adds warmth to<br />

the edgy décor, making the red fuselage the<br />

perfect place for guests to enjoy a glass of<br />

wine . . . poured from a built-in, self-service<br />

wine vending machine, of course.<br />

BASQUE TO THE FUTURE<br />

For a wider beverage selection, patrons<br />

can visit the Whiskey Bar at the end of the<br />

restaurant. Though the bar is a continuation<br />

of the futuristic red lounge and dining<br />

area, its conceptual design also pays homage<br />

to the Basque region of Spain. Rising<br />

behind the bar, a glass wall with an applied<br />

leaf pattern represents the region’s famous<br />

Bilbao tree. Initially, the wall design<br />

called for four layers of glass. After four<br />

panes were valued engineered down to<br />

one, the team was tasked with maintaining<br />

the perception of depth achieved in the<br />

original rendering and “had to mix sources<br />

to create the layered effect,” says Hennes.<br />

Three colors of light were combined to<br />

create the appearance of depth: Cool-white<br />

LEDs uplight the bottom of the glass panel,<br />

red LEDs graze down from the top and recessed<br />

blue fluorescent T5s illuminate the<br />

whiskey bottle glass storage display in the<br />

background. The LED-backlighted acrylic<br />

bar provides additional ambient illumination,<br />

while a half-hidden hologram created by a<br />

ceiling-mounted framing projector adds a<br />

decorative surprise to a nearby column.<br />

The Bilbao tree reappears in the private<br />

dining room, where it is depicted in a painting<br />

by artist Andrew Schoultz. Unlike the<br />

rest of the interior, the private dining room<br />

was not included in Mead’s concepts. “We<br />

wanted to keep the same space-agey feel<br />

so that it looked like it belonged, but we<br />

didn’t want it to be a continuation of the<br />

red room,” says Bettridge. CBBLD distinguished<br />

the space by creating a custom<br />

chandelier. Suspended next to a fiber-opticilluminated<br />

skylight, circular mirrored reflectors<br />

of different diameters are hung at<br />

varying lengths. Light from stem-mounted<br />

MR16 monopoints bounces off the reflectors<br />

and illuminates the dining room below.<br />

FUTURISTIC FOODCOURT<br />

Nature-inspired accents and sci-fi interiors<br />

are an unlikely combination, but they<br />

complement each other at FoodParc, the<br />

downstairs restaurant. What else would<br />

you expect from an eatery that boldly<br />

pairs quirky gourmet snacks like pastrami<br />

egg rolls and artisanal bacon burgers with<br />

cafeteria-style dining?<br />

“It’s interesting because on one hand the<br />

architecture is very techy looking, but on<br />

the other a lot of the patterns are very natural<br />

and leafy,” says Hennes. “Syd really<br />

liked the idea of a dappled quality of light,”<br />

so CBBLD created foliage patterns using<br />

robotic theatrical fixtures (Martin) with<br />

150-W T6 metal halide lamps. Mounted in<br />

the black ceiling space between hanging<br />

translucent acrylic panels, the luminaires<br />

project abstract, moving, color-changing<br />

patterns onto the white floors and paneled<br />

walls. A similar leaf pattern is echoed<br />

on the multi-colored glass feature walls,<br />

which are grazed by warm-white LEDs.<br />

FoodParc’s “techy” elements are likewise<br />

enhanced by lighting. Fluorescents with<br />

specular bottom louvers backlight undulating,<br />

hanging, acrylic ceiling panels to reveal<br />

their computer chip-style patterns. “We<br />

didn’t try to evenly light the panels,” says<br />

Hennes. “We didn’t mind that the light would<br />

be a little stripey looking,” since the intention<br />

was to create the impression of light shin-<br />

66 <strong>May</strong> <strong>2011</strong> | LD+A www.ies.org

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