Untitled - UBC Library - University of British Columbia
Untitled - UBC Library - University of British Columbia
Untitled - UBC Library - University of British Columbia
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UNIVER!TYIjTJSItthUMBI<br />
The Musical Society<br />
“The man who hath no music in himself<br />
Is fl for treason, strategems and spoils.”<br />
‘1JE have no hesitation in saying that 1931 has ended the most brilliant<br />
‘7’7 and triumphal year that the Musical Society has ever experienced.<br />
Not only has it once more supplied the musical wants <strong>of</strong> students, but<br />
ventured into the field <strong>of</strong> Gilbert and Sullivan, and so successfully that<br />
the ensuing years should see a different musical comedy every spring.<br />
The Society was fortunate this year in possessing an abundance <strong>of</strong><br />
talent, and had it not been for this fortuitous state <strong>of</strong> affairs, productions<br />
<strong>of</strong> “Pirates <strong>of</strong> Penzance” would never have been possible. As it was, the<br />
opera was an overwhelming success, both financially and musically, and<br />
is a credit to C. Hadyn Williams, the conductor, and his organization.<br />
Principals <strong>of</strong> the cast were: Kay Reid as “Mabel;” McKay Ester as<br />
“Frederic;” Ian Douglas as the “Pirate King;” Robert Brooks as “Major<br />
General;” Frank Snowsell as “Sam,” the Pirate Lieutenant; Betty Smith<br />
as “Edith;” Cathie Bridgman as “Isabel;” Alice Rowe as “Kate;” Gordon<br />
Wilson as “Sergeant <strong>of</strong> Police.”<br />
During the fall term all effort was put forth into learning the<br />
choruses and no attempt was made at casting. At Christmas the try<br />
outs were held and at the opening <strong>of</strong> the spring term work went ahead<br />
with production, with Edgar C. Smith, <strong>of</strong> the North Shore Operative<br />
Society, as dramatic director. A great deal <strong>of</strong> credit is due Mr. Smith<br />
for his untiring patience with the chorus and principals, and his ready Wit<br />
saved many a rehearsal from failure. When rehearsals are such that<br />
members are loathe to cease, you have an ideal organization, and such<br />
was the case.<br />
During the year the activities <strong>of</strong> the Society were many and varied.<br />
New members were welcomed at a reception in Killarney early in the<br />
fall term. At Homecoming, the Musical Society responded with a<br />
collegiate version <strong>of</strong> the “Pie-Eyed Piper” which all averred was one <strong>of</strong><br />
the outstanding hits <strong>of</strong> the evening. The noon-hour recitals, which have<br />
always been the bright spots in the school year, were the best that have<br />
ever been presented. Probably the two most entertaining were on<br />
occasions when the Home Gas Symphony Orchestra, under the direction<br />
<strong>of</strong> Calvin Winter, with Frank C. Anders, announcer, presented a pro<br />
gramme <strong>of</strong> popular and semi-classical airs, and when the C.N.R.V. Salon<br />
Orchestra gave a magnificent recital <strong>of</strong> classical music, conducted by<br />
C. Haydn Williams, late in the spring term. Artists who appeared at<br />
different times included Marjorie Cornell, pianiste; C. J. Cornfield,<br />
Charles Shaw, Ira Swartz, Mrs. F. Hodgson, Louise Stirk, Gladys Letroy,<br />
Elfie Jussa and Muriel Farrel-Donnellan. Members <strong>of</strong> the Society who<br />
assisted on different occasions were: Harry Katznelson, promising violin<br />
(Coii/iuued on Page One Hundred and Forty-six)<br />
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