Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker
Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker
Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker
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<strong>Notes</strong> <strong>for</strong> The <strong>Lifebox</strong>, <strong>the</strong> <strong>Seashell</strong>, <strong>and</strong> <strong>the</strong> <strong>Soul</strong>, by <strong>Rudy</strong> <strong>Rucker</strong><br />
Children B Passing on in<strong>for</strong>mation. DNA +<br />
nurture + teach + love.<br />
I often think that <strong>the</strong> best thing I ever did<br />
(or luckiest thing that happened to me)<br />
was to have three children.<br />
Studying ma<strong>the</strong>matical logic. Meeting<br />
Logic M Rules of deduction applied to<br />
axioms.<br />
Kurt Gödel.<br />
Mysticism P One The Perennial Philosophy, as Aldous<br />
Huxley called it. Seems obvious,<br />
uncluttered, true.<br />
Teaching H Passing on memes. Watereddown<br />
parenting.<br />
Space M Higher dimensions. Curved space.<br />
Spacetime. Sheets of spacetime.<br />
Infinity M Infinite sets make up <strong>the</strong> <strong>for</strong>ms of<br />
reality. We can, like, pixilize <strong>the</strong><br />
world.<br />
Altruistic social good. Learn on <strong>the</strong> job.<br />
Good work hours. Per<strong>for</strong>mance art.<br />
My first teaching job, I lectured on this.<br />
I wrote two books on 4D, <strong>the</strong> best known<br />
is The Fourth Dimension.<br />
My <strong>the</strong>sis work was on Set Theory. I<br />
liked finding infinity in ma<strong>the</strong>matics as<br />
this seemed almost like mysticism <strong>and</strong><br />
<strong>the</strong>ology. My Infinity <strong>and</strong> <strong>the</strong> Mind.<br />
Fitness B The body Jogging, cross-country skiing, cycling,<br />
yoga, back-packing. Runner’s high.<br />
Pleasure of <strong>the</strong> rushing motion.<br />
Wringing out <strong>the</strong> pain with yoga.<br />
Publishing H Teaching without face-to-face. Constant struggle to get in print.<br />
Blogging lets everyone do it!<br />
Fractals M Infinitely detailed self-similar<br />
patterns. (Syn<strong>the</strong>size infinity <strong>and</strong><br />
space). Gnarly.<br />
Cellular<br />
Automata<br />
Artificial<br />
Life<br />
M<br />
A<br />
Very simple locally based rules<br />
that act in parallel, <strong>the</strong> same rule<br />
everywhere. Gnarly patterns <strong>and</strong><br />
behaviors emerging. Gliders.<br />
Autonomous agents, don’t need<br />
synchronization. Interacting.<br />
Simulations. Use genetic<br />
algorithms to evolve. Improve<br />
DNA-like genomes by fitness<br />
proportional reproduction. Fitness<br />
= gnarliness?<br />
Chaos M Deterministic yet unpredictable<br />
(in practice) processes. W<strong>and</strong>er<br />
around upon a characteristic<br />
attractor occasionally hopping to a<br />
new attractor. Gnarly things have<br />
fractal “strange” attractors. Why?<br />
The M<strong>and</strong>elbrot set. A new paradise.<br />
And I needed <strong>the</strong> microscope of a<br />
computer to explore it. Fractal patterns<br />
seem to go h<strong>and</strong> in h<strong>and</strong> with chaotic<br />
motions.<br />
Life, Brian’s Brain, Vote, Ranch.<br />
Visiting Toffoli <strong>and</strong> Wolfram in 1985<br />
was a conversion experience. Writing<br />
CAs in assembly language. Using <strong>the</strong><br />
CAM-6. Working with John Walker at<br />
Autodesk to make <strong>the</strong> <strong>Rudy</strong> <strong>Rucker</strong>’s CA<br />
Lab package. Creating <strong>the</strong> CAPOW<br />
package with my students at SJSU.<br />
The exciting early Artificial Life<br />
conferences. My Artificial Life Lab<br />
package from <strong>the</strong> Waite Group. The<br />
simulated robotic evolution in my *Ware<br />
novels: in<strong>for</strong>mation evolves away from<br />
<strong>the</strong> robot hardware to soft plastic moldie<br />
limpware to <strong>the</strong> freeware of intergalactic<br />
wave signals.<br />
The 1980s computer scene in Cali<strong>for</strong>nia.<br />
Key insight: Look at <strong>the</strong> motions of<br />
objects in nature, e.g. swaying branches.<br />
Looking at a tree combines Nature <strong>and</strong><br />
Chaos, not to mention Self as you reflect<br />
on diggin’ it. Creating <strong>the</strong> James<br />
Gleick’s Chaos <strong>the</strong> Software package at<br />
Autodesk, (which includes fractals).<br />
Love P Opening my heart. The universe loves itself. Yosemite<br />
vision. Love is practical in any situation:<br />
nothing else really works.<br />
1969 23<br />
1970 24<br />
1970 24<br />
1972 26<br />
1974 28<br />
1976 30<br />
1978 32<br />
1980 34<br />
1984 38<br />
1985 39<br />
1988 42<br />
1988 42<br />
1992 46<br />
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