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Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker

Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker

Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker

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<strong>Notes</strong> <strong>for</strong> The <strong>Lifebox</strong>, <strong>the</strong> <strong>Seashell</strong>, <strong>and</strong> <strong>the</strong> <strong>Soul</strong>, by <strong>Rudy</strong> <strong>Rucker</strong><br />

Children B Passing on in<strong>for</strong>mation. DNA +<br />

nurture + teach + love.<br />

I often think that <strong>the</strong> best thing I ever did<br />

(or luckiest thing that happened to me)<br />

was to have three children.<br />

Studying ma<strong>the</strong>matical logic. Meeting<br />

Logic M Rules of deduction applied to<br />

axioms.<br />

Kurt Gödel.<br />

Mysticism P One The Perennial Philosophy, as Aldous<br />

Huxley called it. Seems obvious,<br />

uncluttered, true.<br />

Teaching H Passing on memes. Watereddown<br />

parenting.<br />

Space M Higher dimensions. Curved space.<br />

Spacetime. Sheets of spacetime.<br />

Infinity M Infinite sets make up <strong>the</strong> <strong>for</strong>ms of<br />

reality. We can, like, pixilize <strong>the</strong><br />

world.<br />

Altruistic social good. Learn on <strong>the</strong> job.<br />

Good work hours. Per<strong>for</strong>mance art.<br />

My first teaching job, I lectured on this.<br />

I wrote two books on 4D, <strong>the</strong> best known<br />

is The Fourth Dimension.<br />

My <strong>the</strong>sis work was on Set Theory. I<br />

liked finding infinity in ma<strong>the</strong>matics as<br />

this seemed almost like mysticism <strong>and</strong><br />

<strong>the</strong>ology. My Infinity <strong>and</strong> <strong>the</strong> Mind.<br />

Fitness B The body Jogging, cross-country skiing, cycling,<br />

yoga, back-packing. Runner’s high.<br />

Pleasure of <strong>the</strong> rushing motion.<br />

Wringing out <strong>the</strong> pain with yoga.<br />

Publishing H Teaching without face-to-face. Constant struggle to get in print.<br />

Blogging lets everyone do it!<br />

Fractals M Infinitely detailed self-similar<br />

patterns. (Syn<strong>the</strong>size infinity <strong>and</strong><br />

space). Gnarly.<br />

Cellular<br />

Automata<br />

Artificial<br />

Life<br />

M<br />

A<br />

Very simple locally based rules<br />

that act in parallel, <strong>the</strong> same rule<br />

everywhere. Gnarly patterns <strong>and</strong><br />

behaviors emerging. Gliders.<br />

Autonomous agents, don’t need<br />

synchronization. Interacting.<br />

Simulations. Use genetic<br />

algorithms to evolve. Improve<br />

DNA-like genomes by fitness<br />

proportional reproduction. Fitness<br />

= gnarliness?<br />

Chaos M Deterministic yet unpredictable<br />

(in practice) processes. W<strong>and</strong>er<br />

around upon a characteristic<br />

attractor occasionally hopping to a<br />

new attractor. Gnarly things have<br />

fractal “strange” attractors. Why?<br />

The M<strong>and</strong>elbrot set. A new paradise.<br />

And I needed <strong>the</strong> microscope of a<br />

computer to explore it. Fractal patterns<br />

seem to go h<strong>and</strong> in h<strong>and</strong> with chaotic<br />

motions.<br />

Life, Brian’s Brain, Vote, Ranch.<br />

Visiting Toffoli <strong>and</strong> Wolfram in 1985<br />

was a conversion experience. Writing<br />

CAs in assembly language. Using <strong>the</strong><br />

CAM-6. Working with John Walker at<br />

Autodesk to make <strong>the</strong> <strong>Rudy</strong> <strong>Rucker</strong>’s CA<br />

Lab package. Creating <strong>the</strong> CAPOW<br />

package with my students at SJSU.<br />

The exciting early Artificial Life<br />

conferences. My Artificial Life Lab<br />

package from <strong>the</strong> Waite Group. The<br />

simulated robotic evolution in my *Ware<br />

novels: in<strong>for</strong>mation evolves away from<br />

<strong>the</strong> robot hardware to soft plastic moldie<br />

limpware to <strong>the</strong> freeware of intergalactic<br />

wave signals.<br />

The 1980s computer scene in Cali<strong>for</strong>nia.<br />

Key insight: Look at <strong>the</strong> motions of<br />

objects in nature, e.g. swaying branches.<br />

Looking at a tree combines Nature <strong>and</strong><br />

Chaos, not to mention Self as you reflect<br />

on diggin’ it. Creating <strong>the</strong> James<br />

Gleick’s Chaos <strong>the</strong> Software package at<br />

Autodesk, (which includes fractals).<br />

Love P Opening my heart. The universe loves itself. Yosemite<br />

vision. Love is practical in any situation:<br />

nothing else really works.<br />

1969 23<br />

1970 24<br />

1970 24<br />

1972 26<br />

1974 28<br />

1976 30<br />

1978 32<br />

1980 34<br />

1984 38<br />

1985 39<br />

1988 42<br />

1988 42<br />

1992 46<br />

p. 111

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