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Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker

Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker

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<strong>Notes</strong> <strong>for</strong> The <strong>Lifebox</strong>, <strong>the</strong> <strong>Seashell</strong>, <strong>and</strong> <strong>the</strong> <strong>Soul</strong>, by <strong>Rudy</strong> <strong>Rucker</strong><br />

What is a little deflating is to not score some huge advance. But I really do want to<br />

write this goddamn tome, I think. My (latest) White Whale.<br />

Certainly <strong>the</strong>re would be some of my loyal readers, now <strong>and</strong> in <strong>the</strong> future, who would<br />

be wistful if my fabled computer tome never got written. Including me, I guess, me as reader<br />

of my own work.<br />

If I don’t do this, <strong>the</strong>n what?<br />

September 15, Email to Greg (on Gratitude)<br />

[Greg Gibson is a writer friend who tends to spend years crafting his writing<br />

proposals so as to garner a big advance.]<br />

Well, I'm gonna just write this book <strong>for</strong> a modest amount that seems to be as good as<br />

<strong>the</strong> proposal will bring in. Having some offers is better than none, <strong>and</strong> I've seen quite a few<br />

of my writer friends in <strong>the</strong> "no offer" bin <strong>the</strong>se days. I'm working on generating <strong>the</strong> emotion<br />

of gratitude, always a good one vis-a-vis life. The pub is Four Walls Eight Windows<br />

(4W8W), who published my collections Seek! <strong>and</strong> Gnarl!, also reprinted Hacker <strong>and</strong> <strong>the</strong><br />

Ants <strong>and</strong> White Light. I see <strong>the</strong>ir books in all kinds of stores, <strong>the</strong>y're a notch above small<br />

press, I'd say. Owned by <strong>the</strong> one guy, John Oakes, which makes <strong>the</strong>m more spontaneous in<br />

<strong>the</strong>ir decision-making.<br />

A difference between our situations is that I have this one specific book that I want to<br />

write, <strong>and</strong> <strong>the</strong>se days you're more after <strong>the</strong> eidolon of <strong>the</strong> book <strong>the</strong> publishers want. I<br />

currently have a kind of odd working title, The <strong>Lifebox</strong>, The <strong>Seashell</strong> <strong>and</strong> <strong>the</strong> <strong>Soul</strong>. The<br />

feeling being that publishers <strong>the</strong>se times don't want to hear about computers. Of course <strong>the</strong>y<br />

figured out my book is about computers, <strong>and</strong> that it's wide-ranging, <strong>and</strong> that I'm a weird old<br />

man, that I don’t see rosy futures or (flipside of banality) view with alarm, that I’m left coast,<br />

<strong>the</strong> usual problems. Now that <strong>the</strong>y've seen <strong>the</strong> proposal, it's not like I can change <strong>the</strong> slant<br />

<strong>and</strong> send it around again, not as long as it's still fundamentally <strong>the</strong> same book.<br />

It'll be about what I've learned <strong>and</strong> speculated about computers in <strong>the</strong> last twenty<br />

years, with <strong>the</strong> anticipation that, in <strong>the</strong> process, I'll reach some new insights <strong>and</strong> higher<br />

integrations. Like any o<strong>the</strong>r adventure, I don't really know in detail what I'll see be<strong>for</strong>e I set<br />

out.<br />

Writing this letter to sell myself on <strong>the</strong> project as much as you...<br />

I'm ready. Rearranged my bookcase, moving <strong>the</strong> new ref books into place. Life's<br />

empty when I'm not carrying a foetus in my brain/womb. No little kicks to <strong>the</strong> medulla. I<br />

can't go without my endorphinic fix no longer.<br />

Meanwhile: What is a computation? (Section 1.1).<br />

Sign me, Grateful Writer<br />

September 16, 2003. 4W8W Again.<br />

So now Oakes made a final offer, better than I got <strong>for</strong> my last novel at least, <strong>and</strong> it’s<br />

as high as we’ll get. Russell is letting him keep English rights.<br />

September 21, 2003. Anxious.<br />

I feel anxious about having enough stuff <strong>for</strong> <strong>the</strong> book, or if it’s worth writing. If none<br />

of all those publishers wanted it, how good is it? Who cares about <strong>the</strong> computational<br />

p. 122

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