17.06.2014 Views

Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker

Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker

Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

<strong>Notes</strong> <strong>for</strong> The <strong>Lifebox</strong>, <strong>the</strong> <strong>Seashell</strong>, <strong>and</strong> <strong>the</strong> <strong>Soul</strong>, by <strong>Rudy</strong> <strong>Rucker</strong><br />

American home, (d) a minifiction.<br />

I have begun thinking about some bragging memoir-style openers to start chapters or<br />

sections with. Here’s a few c<strong>and</strong>idates, classed by <strong>the</strong> chapter <strong>the</strong>y might appear in.<br />

1. “I recently finished a novel about <strong>the</strong> life of <strong>the</strong> Old Master Peter Bruegel. In some<br />

ways, writing <strong>the</strong> book was like spending two years in <strong>the</strong> Sixteenth Century. One<br />

crashingly obvious fact that I came to know right down in my bones is this: human nature<br />

doesn’t change.”<br />

2. “As a young man, I spent several afternoons discussing philosophy with Kurt<br />

Gödel...” Re languages, “As Bill Gosper used to say to me...”<br />

3. “When I first met Stephen Wolfram...”<br />

4. “When billionaire John Walker carried his M<strong>and</strong>elbrot set machine into my house I<br />

was impressed...”<br />

5. “I’ll never <strong>for</strong>get <strong>the</strong> afternoon that I went to Tim Leary’s house in Hollywood,<br />

took apart his computer, <strong>and</strong> installed my CAM-6 board so that he could look at cellular<br />

automata.”<br />

6. “When I was channeling Jack Kerouac in Tucson at <strong>the</strong> Genomics conference...”<br />

7. “My old writer friend William Gibson has an amazing notion: ‘<strong>the</strong> universe is<br />

created without regard to human notions of “outcomes,” that events are patterned in <strong>the</strong>ir<br />

own way, <strong>and</strong> fear <strong>and</strong> expectations are just an aspect of seeing it through human eyes.’”<br />

8. “Ted Nelson’s Xanadu friend with <strong>the</strong> zit on his nose...”<br />

9. “Nick Herbert is ...”<br />

August 6, 2003. Brockman on Version 4.<br />

Today I got some delayed email.<br />

“Getting better, I remain concerned about <strong>the</strong> page <strong>and</strong> a half proposal ("summary").<br />

There's not enough going on to inspire publishers to pay <strong>the</strong> kind of money we both are<br />

looking <strong>for</strong>. And I worry that too much is tired <strong>and</strong> superficial (i.e. discussions of computer<br />

as word processor) <strong>and</strong> not going anywhere. How about slowing <strong>the</strong> process down, taking a<br />

week <strong>and</strong> going deeper <strong>and</strong> longer.<br />

“My comment re: physics, which Russell passed on to you was derived from <strong>the</strong> fact<br />

is that all <strong>the</strong> key players (Lloyd, Wolfram, Deutsch, etc.) are all physicists <strong>and</strong> not computer<br />

scientists. Computation is physics. In that regard, <strong>the</strong> focus on "computers" come off as<br />

lightweight, but when you focus on "computation" you hit your stride. Also <strong>the</strong> above<br />

mentioned are a cutting edge of sorts <strong>and</strong> publishers are interested in "new" <strong>and</strong> "next". To<br />

<strong>the</strong> extent that you position this as a next step following Wolfram's book, you have a winner.<br />

But <strong>the</strong> discussions about freeing oneself from <strong>the</strong> computer are not going to fly in <strong>the</strong><br />

marketplace.”<br />

And <strong>the</strong>n I phoned Brockman, <strong>and</strong> he said about <strong>the</strong> same stuff. Also that I shouldn’t<br />

be turning around my new proposals so often, I should think more, take my time, don’t be<br />

lazy, don’t rush it.<br />

It’s really an issue of fear. I’m afraid I have nothing to say, or that I can’t cast my<br />

ideas in a commercial <strong>for</strong>m. I’m afraid to work hard on <strong>the</strong> proposal, afraid to change, to<br />

rethink my ideas, afraid that <strong>the</strong> harder I look into myself <strong>the</strong> less I’ll find <strong>the</strong>re.<br />

Well, I’ll spend a few days on Version 5.<br />

p. 119

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!