Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker
Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker
Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker
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<strong>Notes</strong> <strong>for</strong> The <strong>Lifebox</strong>, <strong>the</strong> <strong>Seashell</strong>, <strong>and</strong> <strong>the</strong> <strong>Soul</strong>, by <strong>Rudy</strong> <strong>Rucker</strong><br />
quantum mechanical view to <strong>the</strong> classical.<br />
Dumping on Entanglement<br />
Entanglement is a popular topic <strong>for</strong> quantum mechanical mystery-mongering. But<br />
it’s easy to read too much into it. If you heat a large flat pan of water, steam bubbles will<br />
appear at <strong>the</strong> same time on opposite sides of <strong>the</strong> pan. This doesn’t necessarily mean that<br />
<strong>the</strong>re’s a magical faster-than-light entanglement between distant pairs of bubbles. It can<br />
simply mean that <strong>the</strong> bubbles are <strong>the</strong> result of a lower-level common cause.<br />
Unfinished Summary of Chapter Two<br />
• Physical computations involve very many states, <strong>and</strong> we speak of <strong>the</strong>m as analog.<br />
Although ma<strong>the</strong>matics speaks of infinite ranges of real numbers, its enough to think<br />
of analog computations as involving very many possible values.<br />
• A physical computation is usually unrepeatable.<br />
• A computation can incorporate quantum indeterminacy <strong>and</strong> still have a definite rule.<br />
Human language <strong>and</strong> <strong>the</strong> hierarchy of programming languages.<br />
By way of making automatism seem reasonable, I show how programmers have<br />
worked out a hierarchy of languages in order to bridge <strong>the</strong> gap between bytes <strong>and</strong> reality, <strong>and</strong><br />
I explain some of <strong>the</strong> ways in which <strong>the</strong> real world can be simulated by software.<br />
There are layers upon layers of languages used <strong>for</strong> controlling computers. The lowerlevel<br />
languages are more closely related to <strong>the</strong> machine, while <strong>the</strong> higher-level languages are<br />
more abstract, more appropriate <strong>for</strong> describing human thoughts.<br />
Human language itself includes low-level <strong>and</strong> high-level features. Let’s clarify <strong>the</strong><br />
distinction by saying a bit about human language be<strong>for</strong>e we talk about <strong>the</strong> languages of <strong>the</strong><br />
machines.<br />
One of <strong>the</strong> first things a child learns is names <strong>for</strong> simple body sensations. Cold, wet,<br />
hungry, tired. And <strong>the</strong> names of objects. Mommy, h<strong>and</strong>, water, bed, sun. And simple verbs.<br />
See, st<strong>and</strong>, walk, cry. Slowly <strong>the</strong> child learns to make a few simple sentences.<br />
Occasionally I’ve lived in a <strong>for</strong>eign country <strong>and</strong> made conversation in my hosts’<br />
language. When doing this, I often think a game of Lotto that my children had. The game<br />
consisted of a hundred pairs of glossy square cards, each card blank on one side <strong>and</strong> with a<br />
color photo of some object on <strong>the</strong> o<strong>the</strong>r side. Mommy, h<strong>and</strong>, water, bed, sun. Clumsily<br />
talking a <strong>for</strong>eign language is like having a pocketful of <strong>the</strong> Lotto squares <strong>and</strong> h<strong>and</strong>ing <strong>the</strong>m to<br />
someone one by one. Tomorrow sun swim eat sausage.<br />
By contrast, when you gracefully speak your native language, it’s like singing or<br />
dancing. The ideas just flow out. And if you happen to be speaking with a close friend or a<br />
loved one, <strong>the</strong> language even begins to feel like telepathy. Your thoughts jump back <strong>and</strong><br />
<strong>for</strong>th. Describing a conversation between two lovers in one of his books, Vladimir Nabokov<br />
writes something like, “We had one of those conversations in which <strong>the</strong> words leave no trace<br />
of memory. It was like a duet in an opera, <strong>the</strong> emotions riding on wings of song.”<br />
Be<strong>for</strong>e starting in on programming languages, I need to mention a distinction between<br />
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