Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker
Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker
Notes for the Lifebox, the Seashell, and the Soul - Rudy Rucker
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<strong>Notes</strong> <strong>for</strong> The <strong>Lifebox</strong>, <strong>the</strong> <strong>Seashell</strong>, <strong>and</strong> <strong>the</strong> <strong>Soul</strong>, by <strong>Rudy</strong> <strong>Rucker</strong><br />
Margolus, all of whom I know from <strong>the</strong> old CA days, <strong>and</strong> maybe even hook up with Deutsch<br />
in Engl<strong>and</strong>. Could of course talk to Wolfram, too.<br />
I started reading The Bit <strong>and</strong> <strong>the</strong> Pendulum, a fairly low-level book by a science<br />
journalist. He starts right in with an idea I’d been mulling over, that <strong>the</strong> computer is a<br />
popular machine whose presence has changed <strong>the</strong> mental paradigms we use. He mentions<br />
<strong>the</strong> clock <strong>and</strong> <strong>the</strong> steam engine as two earlier mind-changing machines. But I can’t go on<br />
reading this book, <strong>the</strong> man writes down too much, he over-simplifies.<br />
I’d like to do a bit more with <strong>the</strong> history of technology. The obvious move would be<br />
to say that each technology had it’s own particular concomitant world view. But I think it<br />
would be more fun to start out from a hard-core automatist stance, <strong>and</strong> say that each new<br />
technology was fundamentally an additional <strong>for</strong>m of “computation” in <strong>the</strong> broadest sense of<br />
<strong>the</strong> word. I love this kind of McLuhanesque play.<br />
Last night I was thinking about it all night in my dreams.<br />
Technology<br />
agriculture<br />
spinning <strong>and</strong> weaving<br />
smelting<br />
clocks, locks, etc<br />
steam engine<br />
<strong>the</strong> dynamo<br />
radio <strong>and</strong> television<br />
atomic power<br />
computers<br />
biotechnology<br />
Computation<br />
Seed produces a plant. Animals make animals.<br />
Fibers make yarn, yarn makes fabric.<br />
Heat turns rocks into slag <strong>and</strong> metal.<br />
System of gears does <strong>the</strong> same thing over <strong>and</strong> over.<br />
A “living” or autonomous machine that eats coal.<br />
Subtle invisible energy through wires.<br />
Subtle invisible waves through air.<br />
Treating <strong>the</strong> atom like a machine.<br />
Complicated repeatable patterns made of electricity.<br />
Tinkering with <strong>the</strong> genome.<br />
September 6, 2003. Selling <strong>the</strong> Book<br />
Talked to Russell Weinberger. John Oakes of Four Walls Eight Windows has made<br />
an offer <strong>for</strong> Four Walls Eight Windows, but many have turned it down. Russell sent me<br />
some of <strong>the</strong> rejection letters, which were dishearteningly blind to what I’m planning to do.<br />
I thought of <strong>the</strong> phrase, “I went to <strong>the</strong> demonstration, to get my fair share of abuse,”<br />
as Mick Jagger puts it in “You Can’t Always Get What You Want.”<br />
***<br />
Yesterday afternoon, about two hours after thinking of Mick’s phrase “I went down to<br />
<strong>the</strong> demonstration to get my fair share of abuse,” I turned on <strong>the</strong> car radio <strong>and</strong> heard, yes, You<br />
Can’t Always Get What You Want right from <strong>the</strong> start. Synchronicity! Hearing it I realized,<br />
indeed, I can’t always get what I want, but if try sometimes, I just might find, I get what I<br />
need. How true.<br />
Also I thought about why “get my fair share of abuse” rings so true <strong>for</strong> me. My<br />
projects have always been “greeted with howls of execration” (quote from last page of<br />
Camus, The Stranger). If people didn’t question <strong>and</strong> disagree with what I want to write, <strong>the</strong>n<br />
I wouldn’t be <strong>the</strong> same old Radical Ru. I’d be a sell-out. Even though I’m always imagining<br />
I’m going to sell out, I never seem to be able to figure out how.<br />
Actually, it’ll be good to work with Oakes again. He’ll be likely to give me carte<br />
blanche on <strong>the</strong> writing, which is always nice.<br />
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