15.08.2014 Views

Boxoffice-March.10.1951

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

i<br />

[<br />

ment<br />

i during<br />

Waive Wage Freeze<br />

For Studio Talent<br />

WASHINGTON — The film industry has<br />

won its battle for a temporary waiver of the<br />

wage freeze as applied to contractual talent,<br />

including actors, directors, writers, producers<br />

and others.<br />

W. Willard Wirtz, executive director of the<br />

Wage Stabilization Board, ruled late Wednesday<br />

C7) that the industry could maintain its<br />

present wage contract setup for talent, subject<br />

to review by the board itself, it was<br />

learned. Government sources said that the<br />

"interim relief" requested by the Motion P>icture<br />

Ass'n of America and west coast industry<br />

representatives in a series of conferences<br />

with Wirtz was granted in a letter handed to<br />

Hollywood attorneys Maurice Benjamin and<br />

Arthur Preston, who represented the Ass'n of<br />

Motion Picture Producers in the negotiations.<br />

The letter, addressed to MPAA, AMPP,<br />

Screen Actors Guild and Screen Directors<br />

Guild, stressed that the waiver of the freeze<br />

is in accordance with Wage Regulation 5,<br />

which deals with merit and length of service<br />

increases, promotions, transfers and new employment.<br />

TEXT OF RULING RELEASESD<br />

The Wage Stabilization Board released the<br />

text of its ruling granting interim relief to<br />

film studio contractual talent pending final<br />

review of the subject by the board.<br />

The board listed these classifications of<br />

talent as coming under the ruling: Actors,<br />

actresses, extras, producers and associate<br />

producers; directors and producer directors;<br />

assistant directors, including technical directors;<br />

dance directors, writers, song writers,<br />

composers, musicians, art directors, wardrobe<br />

designers, cameramen, sound engineers and<br />

film editors.<br />

Wirtz told the industry "it is contemplated<br />

at the problems in this field will be the<br />

ly subject of separate treatment in the<br />

ievelopment of a salary stabilization program<br />

as contrasted with the wage stabilization<br />

program."<br />

Karl:<br />

i^^eve<br />

l^_tioi<br />

w<br />

Wirtz said that in the meantime, with<br />

:gard to contracts which were in effect<br />

'anuary 25, date of the wage freeze, employers<br />

can pay whatever the terms of the<br />

contract required, including options and<br />

^periodic increases.<br />

^H "These seem to constitute merit and/or<br />

^Bength of service increases within the<br />

^Hneaning of wage stabilization regulation<br />

^lumber 5," Wirtz stated. Contracts signed<br />

^Rfter January 25, the letter continued, can be<br />

considered as new or changed jobs or for<br />

promotion or transfer purposes under the<br />

terms of Regulation Number 5.<br />

TO FOLLOW 1950 PRACTICE<br />

In fixing talent pay, the employer must<br />

follow the same practice in determining the<br />

pay scale as he did in 1950 the letter explained<br />

"compensation must be in balance<br />

with the compensation paid to comparable<br />

talent," Wirtz added.<br />

Explaining this particular ruling he said<br />

it would apply to new contracts and to contracts<br />

replacing or modifying existing contracts.<br />

He cited as an example of the ruling's<br />

application "the case of significant enhancein<br />

the talent value of an employe<br />

an existent contract."<br />

SENATOR TO VARIETY CLUB—<br />

Senator Pat McCarran of Nevada is<br />

shown at the Hotel Flamingo in Las<br />

Vegas receiving his membership card to<br />

Variety Tent 39 from Jack Walsh, right.<br />

Bennie Goffstein, left, chief bariier and<br />

a prime mover in establishing the Las<br />

Vegas tent, looks on with approval.<br />

Dale Evans Set to Star<br />

In 'South of Caliente'<br />

HOLLYWOOD—For the first time in a<br />

year. Dale Evans will team with her husband,<br />

Roy Rogers, in the sagebrush star's next for<br />

Republic, "South of Caliente."<br />

Miss Evans took time out for motherhood<br />

and during the interval was replaced in the<br />

Rogers oaters by Penny Edwards.<br />

Plan Army Camp Shows<br />

HOLLYWOOD—First step toward formulating<br />

a united show business front in planning<br />

entertainment for the armed forces was<br />

taken when a joint meeting of the Hollywood<br />

Coordinating Committee and the recently<br />

reactivated USO Camp Shows organization<br />

was held at the headquarters of the Screen<br />

Actors Guild. George Murphy, HCC president,<br />

and Abe Lastfogel, Camp Shows board<br />

chairman, presided.<br />

Tentative plans for pooling<br />

the HCC and USO efforts were discussed.<br />

Army Inducts Operator<br />

LOVINGTON, N. M. — Walter Williams,<br />

operator at the Lea Theatre, has been called<br />

into the service. Bobby Haley, son of Alvah<br />

Haley, theatre manager, has replaced him.<br />

Install New Sound at Rex<br />

ELGIN, ORE.—Mr. and Mrs. Kenneth<br />

Kinzer, manager of the Rex Theatre, have<br />

installed new sound and projection equipment.<br />

Wm. Selw"yn Switches to Mono.<br />

HOLLYWOOD—Succeeding Fred Messenger,<br />

who recently resigned, William Selwyn<br />

has been named casting director for Monogram<br />

and Allied Artists. Selwyn was formerly<br />

casting chief for Samuel Goldwyn.<br />

New Owner to Plymouth Theatre<br />

PAYETTE, IDA.—J. Dexter Whalen has<br />

purchased the Plymouth Theatre from James<br />

L. Jewell, who has operated it since 1949.<br />

Influenza and Lent<br />

Hit Grosses at L. A.<br />

LOS ANGELES—A bad siege of influenza<br />

and the Lenten season combined to strike<br />

sharply at first run boxoffices. Four bills<br />

managed to attain 110 per cent, but in most<br />

other situations the take was under normal.<br />

Still among the leaders, in its tenth record<br />

week, was "Born Yesterday."<br />

(Average Is 100)<br />

Chinese, Lcs Angeles, Loyola, Uptown, Wilshire<br />

—I'd Climb the Highest Mountain (20th-Fox),<br />

Fingerprints Don't Lie (LP) 75<br />

£gyptian, Loew's State Three Guys Named Mike<br />

(MGM), Outlaws of Texas (Mono), at State only 110<br />

El Rey—Seven Days to Noon (Maylux), 2nd wk. 90<br />

Fine Arts Cyrano de Bergerac (UA), advanced<br />

prices, 15th wk 105<br />

Four Star ^Manon (Discina), 4th wk - 75<br />

Hillstreet, Pantages—Bom Yesterday (Col), 10th<br />

wk 110<br />

Hollywood, Downtown Paramounts Molly (Para);<br />

Quebec (Para) 55<br />

Orpheum, Hawaii The Flying Missile (Col); A<br />

Yank in Korea (Col) 110<br />

United Artists, Culver, Studio City, Rilz, Vogue<br />

Tomahawk (U-1), 2nd wk 70<br />

Warners Hollywood, Downtown, • Wiltern Lightning<br />

Strikes Twice (WB) 110<br />

Three Denver Downto'wners<br />

Hit 200 Column<br />

DENVER—First run business was generally<br />

good, with three houses doing 200 per cent<br />

and four being pegged at 150. "Vengeance<br />

Valley" is staying at the Broadway.<br />

Aladdin, Tabor, Webber Storm Warning (WB);<br />

Blondie Goes to College (Col) 150<br />

Broadway Vengeance Valley (MGM) 200<br />

Denham September Affair (Para) 150<br />

Denver, Esquire Tomahawk (U-I); Bowery<br />

Battalion (Mono) 200<br />

Orpheum Payment on Demand (RKO); Law of<br />

the Badlands (RKO), 2nd wk 85<br />

Paramount California Passage (Rep); Belle Le<br />

Grand (Rep) IOC<br />

"Yesterday' Hits 186<br />

At Frisco in 7th Week<br />

SAN FRANCISCO— Still among the honored<br />

three for its seventh consecutive week,<br />

"Born Yesterday" claimed top honors last<br />

week with a loud 185 per cent. An amazingly<br />

strong record, the film claimed first spot<br />

honors for six of its seven weeks booking.<br />

Second spot honors went to the second week<br />

of "Valentino."<br />

Golden Gate Payment on Demand (RKO); Double<br />

Deal (RKO) 160<br />

Orpheum—Valentino (Col), 2nd wk 165<br />

Paramount The Redhead and the Cowboy (Para) ISO<br />

St. Francis—The Enforcer (WB) 150<br />

United Artists—Bom Yesterday (Col), moveover<br />

7th wk 185<br />

Warfield—Vengeance Valley (MGM), 2nd wk 100<br />

'Kim' Second Week Takes Honors<br />

With 175 in Seattle<br />

SEATTLE— "Kim" held the lead among<br />

local first run theatres, with 175 in its second<br />

week at the Music Hall. "A Yank in Korea"<br />

took in 140 at the Blue Mouse to gain second<br />

spot in its opening week.<br />

Blue Mouse—A Yank in Korea (Col) 140<br />

Liberty Target Unknown (U-1) 110<br />

Music Box—Trio (Para) 100<br />

Music Hall—Kim (MGM), 2nd wk _ 175<br />

Orpheum—The Enforcer (WB) 90<br />

Release 'Mexico' April 12<br />

HOLLYWOOD—With the appointment of<br />

Edward J. Peskay as his sales representative<br />

on the two films, producer Irving Allen will<br />

deliver his recently completed "New Mexico"<br />

and a musical featurette, "The Return<br />

of Gilbert and Sullivan," to United Artists<br />

for distribution. The national release date on<br />

"New Mexico" has been set as April 12. Allen<br />

has arranged no distribution as yet on a<br />

third vehicle, "Slaughter Trail."<br />

BOXOFFICE :<br />

: March<br />

10, 1951 53

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!