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i during<br />
Waive Wage Freeze<br />
For Studio Talent<br />
WASHINGTON — The film industry has<br />
won its battle for a temporary waiver of the<br />
wage freeze as applied to contractual talent,<br />
including actors, directors, writers, producers<br />
and others.<br />
W. Willard Wirtz, executive director of the<br />
Wage Stabilization Board, ruled late Wednesday<br />
C7) that the industry could maintain its<br />
present wage contract setup for talent, subject<br />
to review by the board itself, it was<br />
learned. Government sources said that the<br />
"interim relief" requested by the Motion P>icture<br />
Ass'n of America and west coast industry<br />
representatives in a series of conferences<br />
with Wirtz was granted in a letter handed to<br />
Hollywood attorneys Maurice Benjamin and<br />
Arthur Preston, who represented the Ass'n of<br />
Motion Picture Producers in the negotiations.<br />
The letter, addressed to MPAA, AMPP,<br />
Screen Actors Guild and Screen Directors<br />
Guild, stressed that the waiver of the freeze<br />
is in accordance with Wage Regulation 5,<br />
which deals with merit and length of service<br />
increases, promotions, transfers and new employment.<br />
TEXT OF RULING RELEASESD<br />
The Wage Stabilization Board released the<br />
text of its ruling granting interim relief to<br />
film studio contractual talent pending final<br />
review of the subject by the board.<br />
The board listed these classifications of<br />
talent as coming under the ruling: Actors,<br />
actresses, extras, producers and associate<br />
producers; directors and producer directors;<br />
assistant directors, including technical directors;<br />
dance directors, writers, song writers,<br />
composers, musicians, art directors, wardrobe<br />
designers, cameramen, sound engineers and<br />
film editors.<br />
Wirtz told the industry "it is contemplated<br />
at the problems in this field will be the<br />
ly subject of separate treatment in the<br />
ievelopment of a salary stabilization program<br />
as contrasted with the wage stabilization<br />
program."<br />
Karl:<br />
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Wirtz said that in the meantime, with<br />
:gard to contracts which were in effect<br />
'anuary 25, date of the wage freeze, employers<br />
can pay whatever the terms of the<br />
contract required, including options and<br />
^periodic increases.<br />
^H "These seem to constitute merit and/or<br />
^Bength of service increases within the<br />
^Hneaning of wage stabilization regulation<br />
^lumber 5," Wirtz stated. Contracts signed<br />
^Rfter January 25, the letter continued, can be<br />
considered as new or changed jobs or for<br />
promotion or transfer purposes under the<br />
terms of Regulation Number 5.<br />
TO FOLLOW 1950 PRACTICE<br />
In fixing talent pay, the employer must<br />
follow the same practice in determining the<br />
pay scale as he did in 1950 the letter explained<br />
"compensation must be in balance<br />
with the compensation paid to comparable<br />
talent," Wirtz added.<br />
Explaining this particular ruling he said<br />
it would apply to new contracts and to contracts<br />
replacing or modifying existing contracts.<br />
He cited as an example of the ruling's<br />
application "the case of significant enhancein<br />
the talent value of an employe<br />
an existent contract."<br />
SENATOR TO VARIETY CLUB—<br />
Senator Pat McCarran of Nevada is<br />
shown at the Hotel Flamingo in Las<br />
Vegas receiving his membership card to<br />
Variety Tent 39 from Jack Walsh, right.<br />
Bennie Goffstein, left, chief bariier and<br />
a prime mover in establishing the Las<br />
Vegas tent, looks on with approval.<br />
Dale Evans Set to Star<br />
In 'South of Caliente'<br />
HOLLYWOOD—For the first time in a<br />
year. Dale Evans will team with her husband,<br />
Roy Rogers, in the sagebrush star's next for<br />
Republic, "South of Caliente."<br />
Miss Evans took time out for motherhood<br />
and during the interval was replaced in the<br />
Rogers oaters by Penny Edwards.<br />
Plan Army Camp Shows<br />
HOLLYWOOD—First step toward formulating<br />
a united show business front in planning<br />
entertainment for the armed forces was<br />
taken when a joint meeting of the Hollywood<br />
Coordinating Committee and the recently<br />
reactivated USO Camp Shows organization<br />
was held at the headquarters of the Screen<br />
Actors Guild. George Murphy, HCC president,<br />
and Abe Lastfogel, Camp Shows board<br />
chairman, presided.<br />
Tentative plans for pooling<br />
the HCC and USO efforts were discussed.<br />
Army Inducts Operator<br />
LOVINGTON, N. M. — Walter Williams,<br />
operator at the Lea Theatre, has been called<br />
into the service. Bobby Haley, son of Alvah<br />
Haley, theatre manager, has replaced him.<br />
Install New Sound at Rex<br />
ELGIN, ORE.—Mr. and Mrs. Kenneth<br />
Kinzer, manager of the Rex Theatre, have<br />
installed new sound and projection equipment.<br />
Wm. Selw"yn Switches to Mono.<br />
HOLLYWOOD—Succeeding Fred Messenger,<br />
who recently resigned, William Selwyn<br />
has been named casting director for Monogram<br />
and Allied Artists. Selwyn was formerly<br />
casting chief for Samuel Goldwyn.<br />
New Owner to Plymouth Theatre<br />
PAYETTE, IDA.—J. Dexter Whalen has<br />
purchased the Plymouth Theatre from James<br />
L. Jewell, who has operated it since 1949.<br />
Influenza and Lent<br />
Hit Grosses at L. A.<br />
LOS ANGELES—A bad siege of influenza<br />
and the Lenten season combined to strike<br />
sharply at first run boxoffices. Four bills<br />
managed to attain 110 per cent, but in most<br />
other situations the take was under normal.<br />
Still among the leaders, in its tenth record<br />
week, was "Born Yesterday."<br />
(Average Is 100)<br />
Chinese, Lcs Angeles, Loyola, Uptown, Wilshire<br />
—I'd Climb the Highest Mountain (20th-Fox),<br />
Fingerprints Don't Lie (LP) 75<br />
£gyptian, Loew's State Three Guys Named Mike<br />
(MGM), Outlaws of Texas (Mono), at State only 110<br />
El Rey—Seven Days to Noon (Maylux), 2nd wk. 90<br />
Fine Arts Cyrano de Bergerac (UA), advanced<br />
prices, 15th wk 105<br />
Four Star ^Manon (Discina), 4th wk - 75<br />
Hillstreet, Pantages—Bom Yesterday (Col), 10th<br />
wk 110<br />
Hollywood, Downtown Paramounts Molly (Para);<br />
Quebec (Para) 55<br />
Orpheum, Hawaii The Flying Missile (Col); A<br />
Yank in Korea (Col) 110<br />
United Artists, Culver, Studio City, Rilz, Vogue<br />
Tomahawk (U-1), 2nd wk 70<br />
Warners Hollywood, Downtown, • Wiltern Lightning<br />
Strikes Twice (WB) 110<br />
Three Denver Downto'wners<br />
Hit 200 Column<br />
DENVER—First run business was generally<br />
good, with three houses doing 200 per cent<br />
and four being pegged at 150. "Vengeance<br />
Valley" is staying at the Broadway.<br />
Aladdin, Tabor, Webber Storm Warning (WB);<br />
Blondie Goes to College (Col) 150<br />
Broadway Vengeance Valley (MGM) 200<br />
Denham September Affair (Para) 150<br />
Denver, Esquire Tomahawk (U-I); Bowery<br />
Battalion (Mono) 200<br />
Orpheum Payment on Demand (RKO); Law of<br />
the Badlands (RKO), 2nd wk 85<br />
Paramount California Passage (Rep); Belle Le<br />
Grand (Rep) IOC<br />
"Yesterday' Hits 186<br />
At Frisco in 7th Week<br />
SAN FRANCISCO— Still among the honored<br />
three for its seventh consecutive week,<br />
"Born Yesterday" claimed top honors last<br />
week with a loud 185 per cent. An amazingly<br />
strong record, the film claimed first spot<br />
honors for six of its seven weeks booking.<br />
Second spot honors went to the second week<br />
of "Valentino."<br />
Golden Gate Payment on Demand (RKO); Double<br />
Deal (RKO) 160<br />
Orpheum—Valentino (Col), 2nd wk 165<br />
Paramount The Redhead and the Cowboy (Para) ISO<br />
St. Francis—The Enforcer (WB) 150<br />
United Artists—Bom Yesterday (Col), moveover<br />
7th wk 185<br />
Warfield—Vengeance Valley (MGM), 2nd wk 100<br />
'Kim' Second Week Takes Honors<br />
With 175 in Seattle<br />
SEATTLE— "Kim" held the lead among<br />
local first run theatres, with 175 in its second<br />
week at the Music Hall. "A Yank in Korea"<br />
took in 140 at the Blue Mouse to gain second<br />
spot in its opening week.<br />
Blue Mouse—A Yank in Korea (Col) 140<br />
Liberty Target Unknown (U-1) 110<br />
Music Box—Trio (Para) 100<br />
Music Hall—Kim (MGM), 2nd wk _ 175<br />
Orpheum—The Enforcer (WB) 90<br />
Release 'Mexico' April 12<br />
HOLLYWOOD—With the appointment of<br />
Edward J. Peskay as his sales representative<br />
on the two films, producer Irving Allen will<br />
deliver his recently completed "New Mexico"<br />
and a musical featurette, "The Return<br />
of Gilbert and Sullivan," to United Artists<br />
for distribution. The national release date on<br />
"New Mexico" has been set as April 12. Allen<br />
has arranged no distribution as yet on a<br />
third vehicle, "Slaughter Trail."<br />
BOXOFFICE :<br />
: March<br />
10, 1951 53