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Course Descriptions - Catalog of Studies - University of Arkansas

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<strong>Course</strong> <strong>Descriptions</strong><br />

MUHS5962 Choral History and Literature II (SP,<br />

Even years) Detailed study <strong>of</strong> choral history and literature<br />

from J.S. Bach to the present.<br />

MUHS5973 Seminar in Bibliography and<br />

Methods <strong>of</strong> Research (FA, SP, SU) A survey <strong>of</strong> the<br />

methods and materials <strong>of</strong> musical research, including bibliography,<br />

methods <strong>of</strong> analysis, and style in the presentation <strong>of</strong><br />

research results. Open to graduate students and to juniors in<br />

Honors.<br />

MUHS600V Master’s Thesis (1-6) (FA, SP, SU)<br />

MUHS601V Lecture-Recital (1-6) (IR) The production<br />

and presentation, under the direction <strong>of</strong> the teacher(s) <strong>of</strong> historic<br />

instruments involved and other members <strong>of</strong> a graduate<br />

committee, <strong>of</strong> a performance (45 minutes minimum playing<br />

time) displaying historic practices <strong>of</strong> performance, with lecture.<br />

The candidate will be responsible for making archival<br />

tape <strong>of</strong> the performance available to the library, with 2 copies<br />

<strong>of</strong> a transcript <strong>of</strong> the lecture in thesis form to be retained by<br />

the <strong>University</strong> library.<br />

(MUPD) MUSIC PEDAGOGY<br />

MUPD3801 Conducting I (FA) A study <strong>of</strong> the elementary<br />

techniques <strong>of</strong> conducting instrumental and choral<br />

groups. Prerequisite: MUTH 2603.<br />

MUPD3811 Conducting II: Instrumental Music<br />

(SP) Continuation <strong>of</strong> study <strong>of</strong> the technique <strong>of</strong> conducting<br />

instrumental music groups. Prerequisite: MUPD 3801.<br />

MUPD3861 Conducting II: Vocal Music (SP)<br />

Continuation <strong>of</strong> study <strong>of</strong> conducting with emphasis on techniques<br />

<strong>of</strong> choral conducting. Prerequisite: MUPD 3801.<br />

MUPD3871 Reed-Making (FA) The making <strong>of</strong> reeds<br />

for oboe, bassoon, or clarinet, including the processing <strong>of</strong><br />

cane from tubes. May be repeated for 2 hours.<br />

MUPD477V Special Topics in Pedagogy (1-4) (IR)<br />

Subject matter not covered in other sources. With permission,<br />

may be repeated for credit if topics are different. May be<br />

repeated.<br />

MUPD4781L Harpsichord Laboratory (IR) The tuning,<br />

care and repair <strong>of</strong> the harpsichord.<br />

MUPD481V Conducting (1-4) (FA, SP, SU) Private<br />

lessons <strong>of</strong> 1/2 hour, and one hour conducting laboratory<br />

each week. Development <strong>of</strong> skills in conducting symphony,<br />

opera, oratorio, ballet and band repertoire. May be repeated.<br />

MUPD4863 Piano Pedagogy (IR) Analytical study and<br />

discussion <strong>of</strong> the various approaches to piano pedagogy and<br />

its application in individual/class instruction. Involves demonstration<br />

<strong>of</strong> principles through actual teaching <strong>of</strong> beginning,<br />

intermediate and upper level students.<br />

MUPD499V Special Workshop in Music (1-2) (FA,<br />

SP, SU) Presented by visiting master artist-teachers in various<br />

fields <strong>of</strong> music performance, teaching and composition.<br />

For this level it is expected that the prospective students are<br />

pr<strong>of</strong>essionals in the given field seeking additional knowledge<br />

and insights from acknowledged pr<strong>of</strong>essionals.<br />

MUPD5202 Voice Pedagogy I (FA, SP, SU)<br />

Graduate-level study <strong>of</strong> the techniques and materials <strong>of</strong><br />

teaching voice.<br />

MUPD582V Conducting (1-2) (FA, SP, SU) Private<br />

lessons <strong>of</strong> 1/2 hour and 1 hour conducting laboratory each<br />

week. Development <strong>of</strong> skills in conducting symphony, choral,<br />

opera, oratorio, ballet, and band repertoire.<br />

MUPD584V Opera Workshop Techniques (1-2)<br />

(FA, SP, SU) A basic course in every phase <strong>of</strong> opera production,<br />

including staging, set design, music coaching, voice<br />

casting, and translation.<br />

MUPD585V String Techniques (1-2) (FA, SP, SU)<br />

A continuation <strong>of</strong> the undergraduate courses in techniques<br />

and materials for elementary and secondary school music<br />

teaching.<br />

MUPD586V Woodwind Techniques (1-2) (FA, SP,<br />

SU) A continuation <strong>of</strong> the undergraduate courses in techniques<br />

and materials for elementary and secondary school<br />

music teaching. Prerequisite: one year <strong>of</strong> similar class<br />

instruction in the field on the undergraduate level.<br />

MUPD587V Brass Techniques (1-2) (SU) A continuation<br />

<strong>of</strong> the undergraduate class brass instrument course.<br />

Emphasis is placed on teaching methods, techniques, concepts,<br />

and materials. Prerequisite: one year <strong>of</strong> similar class<br />

instruction in the field on the undergraduate level.<br />

MUPD591V Percussion Techniques (1-2) (FA, SP,<br />

SU) A continuation <strong>of</strong> the undergraduate class brass instrument<br />

course. Emphasis is placed on teaching methods, techniques,<br />

concepts, and materials. Prerequisite: one year <strong>of</strong> similar<br />

class instruction in the field on the undergraduate level.<br />

312<br />

MUPD599V Special Workshop in Music (1-6) (FA,<br />

SP, SU) Presented by visiting master artist-teacher in various<br />

fields <strong>of</strong> music performance, teaching and composition.<br />

Prerequisite: graduate standing.<br />

(MUSC) MUSIC<br />

MUSC4903H Honors Essay (IR) An honors research<br />

paper in Music History or literature, Music Theory, or Music<br />

Education. Open to seniors in honors.<br />

(MUSY) MUSICOLOGY<br />

MUSY5113 Proseminar: Ethnomusicology (FA,<br />

Odd years) An introduction to ethnomusicological study<br />

with practicum in technologies for fieldwork, preservation and<br />

presentation.<br />

MUSY5123 Proseminar: Musical Notations,<br />

Transnotation and Analysis (SP, Even years)<br />

Principles and practices for the study and musical analysis <strong>of</strong><br />

gestural, oral, and written notations for music and dance.<br />

MUSY5213 Proseminar: Historical<br />

Ethnomusicology (FA, Even years) An introduction<br />

to historical ethnomusicological study with readings and discussion<br />

<strong>of</strong> seminal writings in the field.<br />

MUSY5223 Seminar: Latin American Music (SP,<br />

Even years) A study <strong>of</strong> the process and result <strong>of</strong> musical<br />

hybridization in South America and the Caribbean, from<br />

European colonization to the present.<br />

MUSY5313 Proseminar: Topics in Asian and<br />

Middle Eastern Musics (SP) Research seminars on<br />

selected topics, such as The Performing Arts in East Asia;<br />

and Music and Ritual. May be repeated. May be repeated for<br />

6 hours.<br />

MUSY5323 Seminar: Topics in Asian and Middle<br />

Eastern Poetry and Music (IR) Reading seminars on<br />

selected topics, such as Poetry and Music in Persian, Arabic<br />

and Turkish Cultures <strong>of</strong> the Islamic World; and Poetry and<br />

Song in Early East Asia. May be repeated. May be repeated<br />

for 6 hours.<br />

MUSY5343 Seminar: Special Topics in Traditional<br />

Musics and Dance <strong>of</strong> Europe and the Americas<br />

(IR) Topics not covered in MUSY 5223 and MUSY 5423,<br />

including, but not limited to: European Folk Music; the musical<br />

or scholarly legacy <strong>of</strong> a particular figure.<br />

MUSY5353 Seminar: Topics in Systematic<br />

Musicology (IR) Seminars on selected topics such as<br />

Musical and A-musical Grammars (requires experience in<br />

functional programming languages); and Modes, Melodies,<br />

Instruments, and Singers. May be repeated. May be repeated<br />

for 6 hours.<br />

MUSY5363 Proseminar: Music Cognition (SP) An<br />

exploration <strong>of</strong> recent literature concerning the mental mechanisms<br />

that underlie our ability to perceive, understand, produce,<br />

perform, and enjoy music. Introductory in nature, with<br />

readings drawn from the fields <strong>of</strong> psychology, philosophy,<br />

musicology, computer science, and neuroscience.<br />

MUSY5371 Early Asian Music Performance<br />

Workshop (IR) Approaches to performing early Asian<br />

musics. Links with Summer School, the Ancient Asian Music<br />

Consort, and/or an Artist in Residence. May be repeated for<br />

2 hours.<br />

MUSY5383 Ethnomusicology Summer Fieldwork<br />

(IR) A minimum <strong>of</strong> 6 weeks summer fieldwork related to the<br />

topic <strong>of</strong> the student’s thesis, resulting in an extensive fieldwork<br />

report and the submission <strong>of</strong> collected material, to be<br />

deposited in the <strong>University</strong> Library. Prerequisite: MUSY 5113.<br />

MUSY5391 Ethnomusicology Performance<br />

<strong>Studies</strong> (IR) Applied vocal or instrumental studies relating<br />

to the performance activities <strong>of</strong> the International Center for<br />

Research in Early Asian and Middle Eastern Musics. (Private<br />

study, as available) May be repeated for 2 hours.<br />

MUSY5413 Proseminar: Cross-cultural<br />

Performance Practices (SP) A survey <strong>of</strong> performance<br />

practices from historic western art music through modern<br />

non-western music. An introductury course with readings<br />

from seventeenth- and eighteenth-century performance treatises<br />

as well as a study <strong>of</strong> written and aural traditions <strong>of</strong> nonwestern<br />

music.<br />

MUSY5423 Seminar: History <strong>of</strong> Jazz (FA) A study<br />

<strong>of</strong> the musical and cultural cross-fertilization which produced<br />

this influential twentieth-century art form, as well as a general<br />

examination <strong>of</strong> its major practitioners.<br />

MUSY600V Ethnomusicology Thesis (1-6) (FA,<br />

SP, SU) Thesis requirement for the Master <strong>of</strong> Arts in<br />

Ethnomusicology program. May be repeated for 6 hours.<br />

MUSY6313 Internship in Asian and Middle<br />

Eastern Music (FA, SP, SU) Internship in Asian and<br />

Middle Eastern Music Preservation in the Asian and Mid-<br />

Eastern International Music Preservation Collection, Music<br />

Division <strong>of</strong> the Library <strong>of</strong> Congress. Prerequisite: MUHS 5973<br />

and (MUSY 5123 or MUSY 5353).<br />

MUSY6333 Advanced studies in<br />

Ethnomusicology (IR) Advanced level studies, individually<br />

tailored and supervised, including Ethnomusicology (prerequisite<br />

MUSY 5113 or MUSY 5213); The Music or Dance<br />

<strong>of</strong> a Selected Area (prerequisite at least one <strong>of</strong> MUSY 5313,<br />

MUSY 5323, MUSY 5423, MUSY 5223, MUSY 5343, or<br />

HUMN 4243); Historic Performance Practices (prerequisite<br />

MUSY 5413); Historical East Asian Musicology (prerequisite<br />

MUSY 5313 or MUSY 5323); and Historical Central Asian or<br />

Middle- and Near-Eastern Musicology (prerequisite MUSY<br />

5313 or MUSY 5323).<br />

MUSY6363 Advanced <strong>Studies</strong> in Computer-Aided<br />

Asian Musicology (IR) Building a computational toolbox<br />

for research in early Asian musics. Prerequisite: MUSY 5353.<br />

(MUTH) MUSIC THEORY<br />

MUTH1003 Basic Musicianship (SU) Introductorylevel<br />

studies in music theory and aural perception for students<br />

not prepared for MUTH 1603 or MUTH 1621. Meets 4<br />

days per week.<br />

MUTH1603 Music Theory I (SP) A study <strong>of</strong> diatonic<br />

harmonic practice. Includes part-writing and analysis.<br />

Prerequisite: MUTH 1003.<br />

MUTH1621 Aural Perception I (SP) Development <strong>of</strong><br />

aural perception through ear training, sight singing, and keyboard<br />

harmony. Meets 2 hours per week.<br />

MUTH1631 Aural Perception II (SP) Continued<br />

development <strong>of</strong> aural perception through ear training, sight<br />

singing, and keyboard harmony. Meets 2 hours per week.<br />

Prerequisite: MUTH 1621.<br />

MUTH164V Composition (1-4) (FA, SP, SU) Private<br />

lessons <strong>of</strong> one-half hour, and one hour <strong>of</strong> composition laboratory<br />

session each week. Development <strong>of</strong> skills in creative<br />

musical expression specifically for composition-theory majors<br />

- others admitted by consent. May be repeated. May be<br />

repeated. Prerequisite: MUTH 164.<br />

MUTH2603 Music Theory II (SP) A continuation <strong>of</strong><br />

MUTH 1603. Also includes chromatic harmony. Prerequisite:<br />

MUTH 1603.<br />

MUTH2621 Aural Perception III (SP) A continuation<br />

<strong>of</strong> MUTH 1631. Two hours per week, one hour credit.<br />

Prerequisite: MUTH 1631.<br />

MUTH2631 Aural Perception IV (FA) A continuation<br />

<strong>of</strong> MUTH 2621. Two hours per week, one hour credit.<br />

Prerequisite: MUTH 2621.<br />

MUTH3603 Music Theory III (SP) A study <strong>of</strong> 18th<br />

century counterpoint. Writing and analysis <strong>of</strong> inventions,<br />

canons, fugues, etc. Three hours per week. Prerequisite:<br />

MUTH 2603.<br />

MUTH3613 Music Theory IV (FA) A study <strong>of</strong> the harmonic<br />

and melodic trends <strong>of</strong> the 20th century. Three hours<br />

per week. Prerequisite: MUTH 3603.<br />

MUTH364V Composition (1-4) (FA, SP, SU) Private<br />

lessons <strong>of</strong> one-half hour, and one hour <strong>of</strong> composition laboratory<br />

session each week. Development <strong>of</strong> skills in creative<br />

musical expression specifically for composition-theory majors<br />

- others admitted by consent. May be repeated. May be<br />

repeated. Prerequisite: MUTH 164.<br />

MUTH364VH Honors Composition II (1-4) (FA, SP,<br />

SU) Private lessons <strong>of</strong> one-half hour, and one hour <strong>of</strong> composition<br />

laboratory session each week. Development <strong>of</strong> skills<br />

in creative musical expression specifically for compositiontheory<br />

majors - others admitted by consent. May be repeated.<br />

May be repeated.<br />

MUTH398V Independent <strong>Studies</strong>, Honors (1-2)<br />

(FA, SP, SU) Independent projects in music theory. One<br />

hour credit per semester. Open to undergraduate in honors.<br />

MUTH4322 Score Reading (IR) (Formerly MUTH<br />

5322) A conductor’s approach to the technique <strong>of</strong> score reading<br />

and analysis <strong>of</strong> orchestra, band, and choral scores for the<br />

purpose <strong>of</strong> preparing composition for rehearsal and performance.<br />

MUTH4612 Orchestration (FA) A continuation <strong>of</strong> study<br />

<strong>of</strong> the capabilities <strong>of</strong> the various orchestral and band instru-<br />

<strong>University</strong> <strong>of</strong> <strong>Arkansas</strong>, Fayetteville

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