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Falconer+-+John+Cheever

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Falconer 61<br />

find a church. In the provincial cities and towns of Europe I attend<br />

the Roman Mass. I am a croyant—I detest the use of French words<br />

in English, but in this case I can think of nothing better—and as<br />

croyants I’m sure we share the knowledge that to profess exalted<br />

religious experience outside the ecclesiastical paradigm is to make<br />

of oneself an outcast; and by that I mean to hear the cruel laughter<br />

of those men and women to whom we look for love and mercy; I<br />

mean the pain of fire and ice; I mean the desolation of being<br />

buried at a crossroads with a stake through one’s heart. I truly<br />

believe in One God the Father Almighty but I know that to say so<br />

loudly, and at any distance from the chancel—any distance at all—<br />

would dangerously jeopardize my ability to ingratiate those men<br />

and women with whom I wish to live. I am trying to say—and I’m<br />

sure you will agree with me—that while we are available to<br />

transcendent experience, we can state this only at the suitable and<br />

ordained time and in the suitable and ordained place. I could not<br />

live without this knowledge; no more could I live without the<br />

thrilling possibility of suddenly encountering the fragrance of<br />

skepticism.<br />

“I am a prisoner. My life follows very closely the traditional lives of<br />

the saints, but I seem to have been forgotten by the blessed<br />

company of all faithful men and women. I have prayed for kings,<br />

presidents and bishops, but I have never once said a prayer for a<br />

man in prison nor have I ever heard a hymn that mentioned jail.<br />

We prisoners, more than any men, have suffered for our sins, we<br />

have suffered for the sins of society, and our example should<br />

cleanse the thoughts of men’s hearts because of the grief with<br />

which we are acquainted. We are in fact the word made flesh; but<br />

what I want to do is to call your attention to a great blasphemy.<br />

“As Your Grace well knows, the most universal image of mankind<br />

is not love or death; it is Judgment Day. One sees this in the cave<br />

paintings in the Dordogne, in the tombs of Egypt, in the temples<br />

of Asia and Byzantium, in Renaissance Europe, England, Russia<br />

and the Golden Horn. Here the Divinity sifts out the souls of men,

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