Volume 4 No 1 - Journal for the Study of Antisemitism
Volume 4 No 1 - Journal for the Study of Antisemitism
Volume 4 No 1 - Journal for the Study of Antisemitism
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238 JOURNAL FOR THE STUDY OF ANTISEMITISM [ VOL. 4:237<br />
Maccoby, Léon Poliakov, Rosemary Rue<strong>the</strong>r, among o<strong>the</strong>rs). This tradition<br />
is as factually rich, chronologically wide-ranging, and geographically<br />
diverse as it is methodologically complex and is not, <strong>the</strong>re<strong>for</strong>e, readily<br />
accessible to <strong>the</strong> lay reader. Hence <strong>the</strong> concurrent emergence <strong>of</strong> two modes<br />
<strong>of</strong> knowledge dissemination, equally abundant in works and authors (with<br />
frequent overlaps): one is strictly academic, <strong>the</strong> o<strong>the</strong>r publicistic and intent<br />
on bringing scholarly research to wider audiences. Phyllis Goldstein’s A<br />
Convenient Hatred (2012) and Steven Baum’s <strong>Antisemitism</strong> Explained<br />
(2012) are only <strong>the</strong> most recent in <strong>the</strong> second group’s list <strong>of</strong> titles, ranging<br />
from Jules Isaac’s L’Antisémitisme a-t-il des racines chrétiennes (1960) to<br />
Robert Wistrich’s <strong>Antisemitism</strong> (1994), Paul Giniewski’s La Croix des Juifs<br />
(1994), and James Carroll’s Constantine’s Sword (2001). Intensifying in<br />
direct proportion to <strong>the</strong> vicissitudes <strong>of</strong> <strong>the</strong> Arab-Israeli conflict, whose<br />
flare-ups stimulate anti-Zionist rhetoric in <strong>the</strong> Western intelligentsia’s discourse<br />
about Jews and Israel, 1 this publishing activity, in both academic and<br />
publicistic modes, functions as a modern-day responsa literature. And like<br />
in <strong>the</strong> times <strong>of</strong> <strong>the</strong> rabbinical responsa to Christian attacks, <strong>the</strong>re are Jewish<br />
voices on <strong>the</strong> o<strong>the</strong>r side <strong>of</strong> <strong>the</strong> divide: after all, <strong>No</strong>am Chomsky, Judith<br />
Butler, and Naomi Klein trace <strong>the</strong>ir pedigree to Jewish converts in centuries<br />
past, whose entry ticket into Christian majority cultures included <strong>the</strong> public<br />
vilification <strong>of</strong> <strong>the</strong>ir ancestral community and <strong>the</strong> fabrication <strong>of</strong> “pro<strong>of</strong>s” in<br />
support <strong>of</strong> an assortment <strong>of</strong> fantastic crimes and conspiracies imputed to<br />
Jews (and today to <strong>the</strong> Jewish state).<br />
But despite <strong>the</strong> glut <strong>of</strong> academic and popularizing books about current<br />
attitudes toward Jews and Israel, more volumes continue to appear, <strong>the</strong>ir<br />
titles sounding as urgent as <strong>the</strong>y did <strong>for</strong>ty years ago. This fact alone speaks<br />
to <strong>the</strong> failure <strong>of</strong> such books to reach a broad audience. The public outreach<br />
project is sapped by two factors—<strong>the</strong> print medium and <strong>the</strong> inherent complexity<br />
<strong>of</strong> <strong>the</strong> subject matter, which resists popularizing simplification. The<br />
structure <strong>of</strong> <strong>the</strong> book market is such that every new work, even when<br />
widely publicized, is noticed or actively sought out by <strong>the</strong> same group <strong>of</strong><br />
readers with a pre-existing interest in its material and argumentation, and<br />
with previous experience <strong>of</strong> reading similar works (<strong>for</strong> some examples,<br />
scroll down a page on amazon.com to <strong>the</strong> section “Customers who bought<br />
this item also bought . . .”). Transition to online distribution and publishing<br />
1. Had our attention span not been shortened by <strong>the</strong> mass media, we would<br />
recall that every recent book like, say, Robert Wistrich’s A Lethal Obsession (2010)<br />
has counterparts responding to previous waves <strong>of</strong> anti-Zionism. The Six-Day and<br />
Yom Kippur Wars, <strong>for</strong> example, gave us Franklin Littel’s The Crucifixion <strong>of</strong> <strong>the</strong><br />
Jews (1973) and Zoé Oldenbourg’s Que vous a donc fait Israël? (1974); and <strong>the</strong><br />
First Lebanon War produced Alain Finkielkraut’s La Réprobation d’Israël (1983)<br />
and Paul Grosser’s and Edwin Halperin’s Anti-Semitism (1983).