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Download - Future of the Internet – And how to stop it.

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Perfect Enforcement 121<br />

party innovation from multiple corners and through multiple business models<br />

(or no business model at all) ends up producing widely adopted, socially useful<br />

applications not readily anticipated or in<strong>it</strong>iated through <strong>the</strong> standard corporate<br />

production cycle. 92<br />

For example, in retrospect, perm<strong>it</strong>ting <strong>the</strong> manufacture <strong>of</strong> VCRs was a great<br />

boon <strong>to</strong> <strong>the</strong> publishers who were in<strong>it</strong>ially opposed <strong>to</strong> <strong>it</strong>. The entire video rental<br />

industry was not anticipated by publishers, yet <strong>it</strong> became a substantial source <strong>of</strong><br />

revenue for <strong>the</strong>m. 93 Had <strong>the</strong> Hush-A-Phones, Carterfones, and modems <strong>of</strong><br />

Chapter Two required preapproval, or been erasable at <strong>the</strong> <strong>to</strong>uch <strong>of</strong> a but<strong>to</strong>n<br />

<strong>the</strong> way that an EchoStar DVR <strong>of</strong> <strong>to</strong>day can be killed, <strong>the</strong> decisions <strong>to</strong> perm<strong>it</strong><br />

<strong>the</strong>m might have gone <strong>the</strong> o<strong>the</strong>r way, and AT&T would not have benef<strong>it</strong>ed as<br />

people found new and varied uses for <strong>the</strong>ir phone lines.<br />

Some in <strong>the</strong> music, television, and movie industries are embracing cheap<br />

networks and <strong>the</strong> free flow <strong>of</strong> b<strong>it</strong>s, experimenting w<strong>it</strong>h advertising models similar<br />

<strong>to</strong> those pioneered for free television, in which <strong>the</strong> more people who watch,<br />

<strong>the</strong> more money <strong>the</strong> publishers can make. For instance, <strong>the</strong> BBC has made a<br />

deal w<strong>it</strong>h <strong>the</strong> technology firm Azureus, makers <strong>of</strong> a peer-<strong>to</strong>-peer B<strong>it</strong>Torrent<br />

client that has been viewed as contraband on many univers<strong>it</strong>y campuses and<br />

corporate networks. 94 Users <strong>of</strong> Azureus’s s<strong>of</strong>tware will now be able <strong>to</strong> download<br />

BBC television programs for free, and w<strong>it</strong>h authorization, reflecting both a<br />

shift in business model for <strong>the</strong> BBC and a conversion <strong>of</strong> Azureus from devil’s<br />

<strong>to</strong>ol <strong>to</strong> helpful distribution vehicle. B<strong>it</strong>Torrent s<strong>of</strong>tware ensures that people upload<br />

<strong>to</strong> o<strong>the</strong>rs as <strong>the</strong>y download, which means that <strong>the</strong> BBC will be able <strong>to</strong> release<br />

<strong>it</strong>s programs online w<strong>it</strong>hout incurring <strong>the</strong> costs <strong>of</strong> a big bandwidth bill because<br />

many viewers will be downloading from fellow viewers ra<strong>the</strong>r than from<br />

<strong>the</strong> BBC. EMI is releasing music on iTunes w<strong>it</strong>hout dig<strong>it</strong>al rights management—in<strong>it</strong>ially<br />

charging more for such unfettered versions. 95<br />

The <strong>to</strong>ols that we now take as so central <strong>to</strong> <strong>the</strong> modern <strong>Internet</strong>, including<br />

<strong>the</strong> Web browser, also began and <strong>of</strong>ten remain on uncertain legal ground. As<br />

one surfs <strong>the</strong> <strong>Internet</strong>, <strong>it</strong> is easy <strong>to</strong> peek behind <strong>the</strong> curtain <strong>of</strong> most Web s<strong>it</strong>es by<br />

asking <strong>the</strong> browser <strong>to</strong> “view source,” <strong>the</strong>reby uncovering <strong>the</strong> code that generates<br />

<strong>the</strong> viewed pages. Users can click on nearly any text or graphic <strong>the</strong>y see and<br />

promptly copy <strong>it</strong> <strong>to</strong> <strong>the</strong>ir own Web s<strong>it</strong>es or save <strong>it</strong> permanently on <strong>the</strong>ir own<br />

PCs. The legal <strong>the</strong>ories that make <strong>the</strong>se activ<strong>it</strong>ies possible are tenuous. Is <strong>it</strong> an<br />

implied license from <strong>the</strong> Web s<strong>it</strong>e owner Perhaps, but what if <strong>the</strong> Web s<strong>it</strong>e<br />

owner has introduc<strong>to</strong>ry text that demands that no copies like that be made 96<br />

Is <strong>it</strong> fair use Perhaps. In <strong>the</strong> Un<strong>it</strong>ed States, fair use is determined by a fuzzy<br />

four-fac<strong>to</strong>r test that in practice rests in part on hab<strong>it</strong> and cus<strong>to</strong>m, on people’s

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