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<strong>The</strong> First Interview of Dr. Jamisson <strong>Neruda</strong><br />

WingmakersTM<br />

<strong>The</strong> First Interview of Dr. Jamisson <strong>Neruda</strong><br />

By Sarah<br />

W<br />

hat follows is a session I recorded of Dr. <strong>Neruda</strong> on December 27, 1997.<br />

He gave permission for me to record his answers to my questions. This<br />

was the first of five interviews that I was able to tape-record before he<br />

left or disappeared. I have preserved these transcripts precisely as they occurred. No<br />

editing was performed, and I’ve tried my best to include the exact words and grammar<br />

used by Dr. <strong>Neruda</strong>.<br />

Sarah: “Are you comfortable”<br />

Dr. <strong>Neruda</strong>: “Yes, yes, I’m fine and ready to begin when you are.”<br />

Sarah: “You’ve made some remarkable claims with respect to the Ancient Arrow<br />

project. Can you please recount what your involvement in this project was and why you<br />

chose to leave it of your own freewill”<br />

Dr. <strong>Neruda</strong>: “I was selected to lead the decoding and translation of the symbol<br />

pictures found at the site. I have a known expertise in languages and ancient texts. I am<br />

able to speak over thirty different languages fluently and another twelve or so languages<br />

that are officially extinct. Because of my skills in linguistics and my abilities to decode<br />

symbol pictures like petroglyphs or hieroglyphs, I was chosen for this task.<br />

“I had been involved in the Ancient Arrow project from its very inception, when the<br />

ACIO took over the project from the NSA. I was initially involved in the site discovery<br />

and its restoration along with a team of seven other scientists from the ACIO. We<br />

restored each of the twenty-three chambers of the WingMakers’ time capsule and<br />

cataloged all of their attendant artifacts.<br />

“As the restoration was completed, I became increasingly focused on decoding their<br />

peculiar language and designing the translation indexes to English. It was a particularly<br />

vexing process because an optical disc was found in the twenty-third chamber, which<br />

was initially impregnable to our technologies. We assumed that the optical disc held<br />

most of the information that the WingMakers desired us to know about them.<br />

However, we couldn’t figure out how to apply the symbol pictures found in their<br />

chamber paintings to unlock the disc.<br />

“I decided to leave the project after I was successful in deducing the access code for<br />

the optical disc, and felt that the ACIO was going to prevent the public from accessing<br />

Page | 13

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