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CONTENTS 1. Introduction 1.1 Course Outline 1 1.2 Introduction ...

CONTENTS 1. Introduction 1.1 Course Outline 1 1.2 Introduction ...

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Teaching and Learning Methods:<br />

The module consists of lectures and seminars, supported by laboratory based practical work in<br />

the ratio of 1:2.<br />

Assessment Rationale:<br />

The importance of practical understanding of, and ability to communicate, scientific information<br />

concerning colour measurement and reproduction is reflected in the weighting of assessment<br />

marks with a total of 75 % being awarded for laboratory work. (Learning outcomes: 2-3,5).<br />

Written coursework may consist of an essay (15%), and a number of problems relating to colour<br />

measurement and representation (10%), requiring a detailed and accurate analysis at the<br />

appropriate level, with justifications and assumptions as necessary. Students are encouraged to<br />

consult a range of sources, and assignments are timed to enable valuable feedback. (Learning<br />

outcomes (1-2,4)<br />

Assessment Criteria:<br />

The extent to which the student is able to demonstrate:<br />

• Knowledge of measurement of various sources and colour samples.<br />

• Understanding of the reproduction of colour in digital imaging systems.<br />

• Ability to carry out measurement from images to evaluate the colour transfer<br />

characteristics of various imaging systems.<br />

• Interpret experimental results with due regard for experimental errors, discuss and<br />

conclude on the findings in the light of other published results or expected outcomes.<br />

Assessment Methods and Weightings:<br />

Practical work (3 laboratory report): 75%<br />

Written <strong>Course</strong>work: 10%<br />

End of module essay: 15%<br />

Sources:<br />

Essential reading<br />

R.W.G. Hunt (1998) Measuring Colour (3rd ed.), Fountain Press, Kingston-upon-Thames, England.<br />

R.E.Jacobson, S.F.Ray, G.G.Attridge and N.R.Axford., The Manual of Photography (9 th ed), Focal<br />

Press, Oxford (2000).<br />

J.Egglestone, Sensitometry for Photographers, Focal Press, Oxford, England (1984).<br />

R.W.G. Hunt (1995) The Reproduction of Colour (5th ed.), Fountain Press, Kingston-upon-<br />

Thames, England.<br />

R.W.G. Hunt (2004) The Reproduction of Colour (6th ed.), The Wiley-IS&T Series in Imaging<br />

Science and Technology, USA.<br />

M.D. Fairchild (2004), 2 nd ed. Colour Appearance Models, The Wiley-IS&T Series in Imaging<br />

Science and Technology, USA.<br />

M.D. Fairchild (1998), Colour Appearance Models, Addison Wesley,USA.<br />

R.S. Berns (2000), Principles of Colour Technology, Wiley & Sons, USA.<br />

G. Wyszeski and W. S. Stiles (1982), Colour Science: Concepts and Methods, Quantitative Data<br />

and Formulae, John Wiley & Sons.<br />

Further reading:<br />

K.McLaren (1986) The Colour Science of Dyes and Pigments (2nd ed.), Adam Hilger, Bristol,<br />

England.<br />

K.Nassau (Ed.) (1998) Colour for Science, Art and Industry, Elsevier Science, B.V., Amsterdam,<br />

The Netherlands.<br />

L.E.MacDonald and M.R.Luo (1999) Colour Imaging, John Wiley and Sons, Chichester, England.<br />

Papers in Journals and Conference Proceedings<br />

G.G.Attridge and M.R. Pointer(1994) “Colour Science in Photography”, J.Photogr.Sci., 42, 197.<br />

A.M.Ford, R.E.Jacobson, and G.G.Attridge (1996) “Assessment of a CRT Display System”,<br />

J.Photogr.Sci., 44, 147.<br />

M.R.Pointer (1986) “Measuring Colour Reproduction”, J.Photogr.Sci., 34, 8<strong>1.</strong><br />

DPI_Hbook 64 ©University of Westminster

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