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CW2001 Program - Computers and Writing

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10:00 — 11:30 Session J.1<br />

MOOre Unique Pedagogy Thoughts<br />

<strong>and</strong> Considerations<br />

RB 104<br />

Tari F<strong>and</strong>erclai, moderator<br />

Colleen Reilly<br />

Disrupting “Conversational Cohesion”:<br />

Synchronous Chat Spaces in Face-to-Face <strong>Writing</strong> Classes<br />

Although synchronous online discussions are a central element of<br />

distance education, they are not preferred for face-to-face, networked<br />

computer classroom discussions due, in part, to the loss of what Ken<br />

Schweller terms “conversational cohesion” in the online space, where<br />

the conversation can easily diverge in multiple directions.<br />

Michelle Trim<br />

The Hypertext of Collaboration:<br />

Using a Web-Based MOO to Facilitate Postmodern Collaboration<br />

in the College Classroom<br />

I share the kinds of activities I use in the MOO in my writing class as<br />

it has proved to have potential in both invention <strong>and</strong> peer evaluating.<br />

Finally, I conclude with some suggested uses for MOOs in connection<br />

with feminist composition pedagogy as a means for including different<br />

student voices <strong>and</strong> learning styles.<br />

Kay Robinson<br />

Digitalizing the Gap:<br />

Putting Northern Irel<strong>and</strong>’s Murals Online<br />

Originally painted to mark the annual celebration of the Battle<br />

of the Boyne, the Belfast wall murals have moved from being an<br />

act of Unionist celebration to st<strong>and</strong> as an act of Nationalist <strong>and</strong><br />

Unionist political protest. This presentation discusses the political <strong>and</strong><br />

interpretative implications of portraying Belfast’s murals on the “Web”<br />

as Northern Irel<strong>and</strong> seeks to articulate a lasting peace.<br />

<strong>Computers</strong> & <strong>Writing</strong> 2001<br />

111

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