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The Interactive Whiteboards, Pedagogy and Pupil Performance ...

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Science classroom that map onto existing pedagogic practices, but this is less<br />

the case in the English classroom. <strong>The</strong>re are canonical visual representations<br />

<strong>and</strong> demonstrations in the Maths <strong>and</strong> Science curriculum which the visual<br />

features of IWBs, such as drawing software <strong>and</strong> peripherals like visualizers,<br />

can enhance leading to new forms of display <strong>and</strong> collective analysis.<br />

• <strong>The</strong> IWB can represent concepts dynamically – rotate objects, represent<br />

objects moving in relation to one another, show process of change - in ways<br />

that overcome some traditional learning problems that have been produced by<br />

the static character of images in the Science <strong>and</strong> Maths classroom. This<br />

potential can enable concepts to be represented in ways that help students to<br />

see something newly <strong>and</strong> differently <strong>and</strong> in doing show shift the curriculum<br />

focus. For example dynamic representation of states of matter can enable<br />

students to engage with representations of the process of transformation of<br />

one state of matter to another (e.g. a liquid to a gas) in the Science<br />

classroom. <strong>The</strong> potential for dynamic representations to contribute to learning<br />

within the English curriculum is less clear, except in relation to the analysis of<br />

dynamic texts (e.g. films) <strong>and</strong> media concepts related to film <strong>and</strong> animation.<br />

• In the English classroom the focus is on the display of dynamic texts rather<br />

than their manipulation as is the case in Maths <strong>and</strong> Science. Often the work<br />

of the English curriculum is to ‘translate’ the visual <strong>and</strong> multimodal into written<br />

forms. Concepts may be represented in a variety of forms. <strong>The</strong> use of image<br />

in the English classroom occurs most often in lower ability classes – in which<br />

the visual is seen as a pedagogic tool for engaging less linguistically literate<br />

students: for example lower ability students may be shown the film of a play<br />

<strong>and</strong> read one or two acts of the play while higher ability students are more<br />

likely to read the whole play <strong>and</strong> be shown one or two acts on film. In this<br />

way the curriculum that is made available to students is intimately tied to the<br />

forms of representation of the classroom.<br />

Summary<br />

<strong>The</strong> question of what mode is ‘best’ for what purpose depends on the curriculum<br />

subject. This is key to underst<strong>and</strong>ing how the multimodal facilities of the IWB are<br />

taken up across the curriculum subjects <strong>and</strong> topics <strong>and</strong> applied according to the<br />

teachers’ perception of the abilities of the students.<br />

5.10.5 Interactivity<br />

<strong>The</strong> type of interaction <strong>and</strong> interpretation required in the English, Maths <strong>and</strong> Science<br />

classroom are different in character.<br />

• <strong>The</strong> stress on investigation, demonstration <strong>and</strong> physical manipulation as ways<br />

of engaging with concepts place different dem<strong>and</strong>s on learners in Maths <strong>and</strong><br />

Science compared with English.<br />

• <strong>The</strong> dominant focus on writing in the English classroom means that the texts<br />

that students make often come to st<strong>and</strong> for the student <strong>and</strong> represent their<br />

work <strong>and</strong> the end product of a process of learning. This provides a context<br />

50

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