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Art and design exemplification standards file level 1 - The National ...

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Virtual sketchbook<br />

Context<br />

This work was produced as part of an extended project exploring <strong>and</strong> celebrating the locality of the pupils’<br />

school <strong>and</strong> their place in the community. Pupils studied the work of Grayson Perry <strong>and</strong> Keith Haring. During<br />

the project they produced several pieces of work, including drawings <strong>and</strong> photographs, photocollages, an<br />

animated film, digitally manipulated images <strong>and</strong> two-dimensional sculptures (which were exhibited in the<br />

school).<br />

Pupils compiled a virtual sketchbook during the course of their work on the project. <strong>The</strong> following 4 sample<br />

pages are taken from the six completed.<br />

Assessment commentary<br />

Pupil C’s virtual sketchbook shows that he is selective when processing information <strong>and</strong> has used this to<br />

take ideas forward. It also shows that he has worked effectively with a range of materials <strong>and</strong> techniques to<br />

realise his ideas <strong>and</strong> intentions.<br />

Underst<strong>and</strong>ing art, craft <strong>and</strong> <strong>design</strong>:<br />

Pupil C has demonstrated an underst<strong>and</strong>ing of the sequential nature of the project <strong>and</strong> the key concepts<br />

<strong>and</strong> processes that underpinned all the elements of the work. He has drawn on his underst<strong>and</strong>ing of art<br />

to inform his own ideas, intentions <strong>and</strong> choices.<br />

Next steps<br />

To progress, Pupil C needs to:<br />

■ make reasoned evaluations of the purpose <strong>and</strong> meaning of his own work <strong>and</strong> that of others<br />

■ provide further evidence of an underst<strong>and</strong>ing of the cultural context, personal intentions <strong>and</strong><br />

effectiveness of artists studied<br />

■ organise <strong>and</strong> prioritise key activities in evaluations, demonstrating an underst<strong>and</strong>ing of the effective use<br />

of formal elements (for example, balancing pattern <strong>and</strong> colour).<br />

Page 39

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