Art and design exemplification standards file level 1 - The National ...
Art and design exemplification standards file level 1 - The National ...
Art and design exemplification standards file level 1 - The National ...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Virtual sketchbook<br />
Context<br />
This work was produced as part of an extended project exploring <strong>and</strong> celebrating the locality of the pupils’<br />
school <strong>and</strong> their place in the community. Pupils studied the work of Grayson Perry <strong>and</strong> Keith Haring. During<br />
the project they produced several pieces of work, including drawings <strong>and</strong> photographs, photocollages, an<br />
animated film, digitally manipulated images <strong>and</strong> two-dimensional sculptures (which were exhibited in the<br />
school).<br />
Pupils compiled a virtual sketchbook during the course of their work on the project. <strong>The</strong> following 4 sample<br />
pages are taken from the six completed.<br />
Assessment commentary<br />
Pupil C’s virtual sketchbook shows that he is selective when processing information <strong>and</strong> has used this to<br />
take ideas forward. It also shows that he has worked effectively with a range of materials <strong>and</strong> techniques to<br />
realise his ideas <strong>and</strong> intentions.<br />
Underst<strong>and</strong>ing art, craft <strong>and</strong> <strong>design</strong>:<br />
Pupil C has demonstrated an underst<strong>and</strong>ing of the sequential nature of the project <strong>and</strong> the key concepts<br />
<strong>and</strong> processes that underpinned all the elements of the work. He has drawn on his underst<strong>and</strong>ing of art<br />
to inform his own ideas, intentions <strong>and</strong> choices.<br />
Next steps<br />
To progress, Pupil C needs to:<br />
■ make reasoned evaluations of the purpose <strong>and</strong> meaning of his own work <strong>and</strong> that of others<br />
■ provide further evidence of an underst<strong>and</strong>ing of the cultural context, personal intentions <strong>and</strong><br />
effectiveness of artists studied<br />
■ organise <strong>and</strong> prioritise key activities in evaluations, demonstrating an underst<strong>and</strong>ing of the effective use<br />
of formal elements (for example, balancing pattern <strong>and</strong> colour).<br />
Page 39