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Art and design exemplification standards file level 1 - The National ...

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Assessment commentary<br />

Pupil D has gained confidence <strong>and</strong> begun to take risks. Her work is much more expressive than the<br />

analytical studies she produced earlier in the project. She has learnt that she can take other sources as<br />

inspiration <strong>and</strong> use her imagination to change these into something unique <strong>and</strong> original.<br />

Underst<strong>and</strong>ing art, craft <strong>and</strong> <strong>design</strong>:<br />

Pupil D has shown a good underst<strong>and</strong>ing of the work of other artists. In her pen drawing she has<br />

analysed the work of an artist (Mark Francis) <strong>and</strong> produced her own interpretation, using forms, lines <strong>and</strong><br />

shapes characteristic of the artist’s work. Her visual <strong>and</strong> written analysis of the work of two artists (Mark<br />

Francis <strong>and</strong> Rob Kesseler) shows a sound underst<strong>and</strong>ing of context. She has collected relevant imagery<br />

(from the internet) to support her work. She has linked her work in this project with her science<br />

coursework on plant <strong>and</strong> animal cells.<br />

Exploring <strong>and</strong> investigating:<br />

Pupil D has shown increasing confidence in her use of the materials <strong>and</strong> started to take creative risks in<br />

her application of paint on plastic. She has manipulated the materials to achieve an imaginative <strong>and</strong><br />

expressive piece.<br />

Creating art, craft <strong>and</strong> <strong>design</strong>:<br />

Pupil D shows a clear determination to refine her technical underst<strong>and</strong>ing <strong>and</strong> skills. She recognises <strong>and</strong><br />

exploits the qualities of the techniques she uses.<br />

Next steps<br />

To progress, Pupil D needs to:<br />

■ explain in her work journal how she has been<br />

influenced by the work of others.<br />

Image manipulation<br />

Context<br />

<strong>The</strong>se activities were part of an extended project on<br />

l<strong>and</strong> art that took place over two terms.<br />

In the second term, pupils built on what they had learnt<br />

in the first term about using the world as a visual<br />

resource <strong>and</strong> creatively collaborating on art works <strong>and</strong><br />

installations. <strong>The</strong>y shifted their focus from the local<br />

environment to aspects of the environment not visible<br />

to the naked eye. This was to stimulate their curiosity<br />

<strong>and</strong> explore their sense of wonder, as artists, at the<br />

appearance of the world at the cellular <strong>level</strong>. <strong>The</strong>y<br />

collaborated with the science department, using<br />

microscopes <strong>and</strong> slides to make studies of cell forms,<br />

patterns <strong>and</strong> structures. <strong>The</strong> objective was to develop<br />

ideas <strong>and</strong> create pieces for a large-scale group exhibit.<br />

In this sequence of activities, pupils used observational<br />

drawings <strong>and</strong> experimental work they had done<br />

previously to create a <strong>design</strong> in Photoshop. <strong>The</strong><br />

objective of this task was for pupils to learn how to<br />

manipulate, alter <strong>and</strong> layer images to create a final<br />

<strong>design</strong>.<br />

Page 55

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