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Hip hop identity in a township reality. - Poppunt

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If he does not understand the language a rapper is us<strong>in</strong>g, he will concentrate on the<br />

flow and will at least be able to tell if that person is a good rapper or not, even<br />

though he can not understand what the rapper is say<strong>in</strong>g. He does th<strong>in</strong>k it is a bit<br />

stupid if you do not know what the person on stage is s<strong>in</strong>g<strong>in</strong>g about, and<br />

sometimes translations are necessary.<br />

Bad Luck from the Driemanskap group raps <strong>in</strong> English and <strong>in</strong> Xhosa, preferr<strong>in</strong>g the<br />

latter. Asked whether his audience would not be larger if they only rapped <strong>in</strong><br />

English, he did not th<strong>in</strong>k so. From his own experience he could tell that language<br />

was not a barrier for people lik<strong>in</strong>g their music or not. When they go and perform <strong>in</strong><br />

clubs uptown with a multiracial public, they all enjoy it, because they can all feel<br />

how the audience responds, <strong>in</strong>dicat<strong>in</strong>g it is not really about what is said, but how it<br />

is performed.<br />

Shaun from the U.N.I.C. group also chooses to rap <strong>in</strong> his mother tongue Xhosa. He<br />

made that choice because he th<strong>in</strong>ks it is the easiest way to reach the people who<br />

actually live the situations he writes about <strong>in</strong> his lyrics.<br />

“Because when I started writ<strong>in</strong>g I started writ<strong>in</strong>g <strong>in</strong> Xhosa / so I f<strong>in</strong>d out that I<br />

th<strong>in</strong>k it’s the easy way to reach these people liv<strong>in</strong>g out the situations that I<br />

write about / because people around me <strong>in</strong> Eastern Cape people <strong>in</strong> skwatta<br />

kamps you know / yeah so that’s why I want them to understand it.”<br />

On the other hand, he and his group also make music just to dance to, and <strong>in</strong> that<br />

case, lyrics and messages do not really matter.<br />

“On the other side there’s music to dance to it’s not about you know it’s not<br />

about lyrics and message and stuff it’s all about like danc<strong>in</strong>g.”<br />

To illustrate, he mentions situations where people could not understand what he<br />

was say<strong>in</strong>g, but they would still come to him and compliment him on the way he<br />

raps and his flow, because they could see he is do<strong>in</strong>g it with his heart and with a lot<br />

of passion. Although they do not understand his lyrics, they do feel it.<br />

Dirty Tale is a youngster liv<strong>in</strong>g <strong>in</strong> Wesbank, and is not part of the group of<br />

acqua<strong>in</strong>tances quoted above. He raps <strong>in</strong> Xhosa, which is his mother tongue, and <strong>in</strong><br />

English. He raps <strong>in</strong> Xhosa, because he is ‘a Xhosa person’ and wants to touch the<br />

people and wants them to feel he is connected to them. But he recognises English<br />

as an <strong>in</strong>ternational language, which br<strong>in</strong>gs us to the reason why he uses it as a<br />

second language <strong>in</strong> his lyrics. He feels he has to use English, for it is an<br />

<strong>in</strong>ternational language.

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