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Hip hop identity in a township reality. - Poppunt

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apartheid, somebody that passed away or the fact that the street is not a good<br />

habitat for young people. When he has to do a performance, he firstly ‘screens’ his<br />

audience to know which songs he has to <strong>in</strong>clude. He also adjusts his songs to the<br />

mood the listeners are <strong>in</strong>.<br />

“Say there’s a show when I get there I’d see how people feel / right there and<br />

then / and do what will they relate to / that’s when I know which lyrics to<br />

give to them like not to be irrelevant not just come up with someth<strong>in</strong>g that<br />

doesn’t fit <strong>in</strong> / so if everybody’s all drunk and happy and wanna dance<br />

there’s a type for that too.”<br />

X states that the power of music lies <strong>in</strong> the fact that there is music for every mood:<br />

there are songs to listen to when you are happy, there are cheerful songs, and so<br />

on.<br />

Although most of his songs are creations ‘of the moment’, he does put a message <strong>in</strong><br />

some of the lyrics. One day he realised that he <strong>in</strong>fluenced the younger generation<br />

that were fans of his music, so he thought it would be good to take some<br />

educational topics and convert them <strong>in</strong>to a rap song. X has a song, for example,<br />

tell<strong>in</strong>g the people not to get <strong>in</strong>volved with drugs and gangsterism, and he tries to<br />

show that there is a way out of every situation, motivation is very important. He<br />

predom<strong>in</strong>antly uses the Xhosa variant of rap – spaza – to do this. He says this is a<br />

good k<strong>in</strong>d of rap because it conta<strong>in</strong>s less swear<strong>in</strong>g than some other k<strong>in</strong>ds and it<br />

also spreads a message.<br />

The reason why he has more lyrics describ<strong>in</strong>g negative th<strong>in</strong>gs than lyrics about the<br />

good side of life, is because of the situation he lived <strong>in</strong> himself and because of the<br />

people he raps for. X th<strong>in</strong>ks they can not relate to positive th<strong>in</strong>gs because they<br />

hardly experience that.<br />

“Like liv<strong>in</strong>g <strong>in</strong> Gugulethu if you gonna try and rap about nice th<strong>in</strong>gs and<br />

flowers and peaches and cream / people won’t get it / but if you tell them / yo<br />

I’m suffer<strong>in</strong>g / yo my man got killed / there’s gunshoots/ and like if you say<br />

people perhaps get an idea of what you’re go<strong>in</strong>g through / what you see /<br />

what you’ve learnt and stuff.”<br />

This viewpo<strong>in</strong>t can be connected to why X prefers South African rap to American<br />

rap. He can relate to the th<strong>in</strong>gs South African rappers s<strong>in</strong>g about because they live<br />

or lived <strong>in</strong> the same circumstances he lives <strong>in</strong>.<br />

“Because they also liv<strong>in</strong>g <strong>in</strong> <strong>township</strong>s <strong>in</strong> more or less the same <strong>township</strong>s that<br />

we liv<strong>in</strong>g <strong>in</strong> / like he talk about guys who gett<strong>in</strong>g drunk / and guys who hide

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