Hip hop identity in a township reality. - Poppunt
Hip hop identity in a township reality. - Poppunt
Hip hop identity in a township reality. - Poppunt
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youths to imitate their idols, but as time passes, they will discover their own<br />
character and f<strong>in</strong>d what dist<strong>in</strong>guishes them from other people; this is just part of<br />
grow<strong>in</strong>g up.<br />
Bad Luck listens to a lot of American hip <strong>hop</strong> for the same reason as El N<strong>in</strong>o does,<br />
accessibility. When we asked if he thought that gangsta rap had a bad <strong>in</strong>fluence on<br />
hip <strong>hop</strong> culture <strong>in</strong> general, he disagreed totally for two reasons. Firstly, rap music is<br />
about express<strong>in</strong>g yourself, and secondly, when gangsta rappers threaten to kill<br />
someone, that is creativity. It is not because they say such th<strong>in</strong>gs that they are<br />
actually plann<strong>in</strong>g to do it, it is just a way of express<strong>in</strong>g a certa<strong>in</strong> feel<strong>in</strong>g; it is just<br />
music.<br />
“Like <strong>in</strong> hip <strong>hop</strong> you express yourself / so those cats express<strong>in</strong>g themselves /<br />
if they say I will shoot you or whatever / that’s just they show their creativity<br />
by that / obviously they not gonna shoot you / it’s music it’s just music.”<br />
He stresses the responsibility of the listener <strong>in</strong> this situation. The possible negative<br />
<strong>in</strong>fluence depends on the way the listener <strong>in</strong>terprets certa<strong>in</strong> lyrics and from which<br />
angle they approach them. He refers to the case of the Bible, which is for him an<br />
ambiguous book: how people read it depends on their <strong>in</strong>terpretation of the stories.<br />
Most hip <strong>hop</strong> CDs have stickers on them with warn<strong>in</strong>gs such as ‘Parental Advisory -<br />
Explicit Lyrics’. Children are thus not supposed to listen to them, so it is also a<br />
responsibility of the parents as to whether their children have the opportunity to<br />
listen or not.<br />
On the subject of American rap music, Shaun is <strong>in</strong>terested more <strong>in</strong> the<br />
underground rap artists than he is <strong>in</strong> the commercial ones. He only listens to<br />
rappers like 50 Cent when he goes to a party or to relax. He is not <strong>in</strong>terested <strong>in</strong> the<br />
content of the commercial rap songs, s<strong>in</strong>ce they are only show<strong>in</strong>g off about girls,<br />
cars and houses and boast about how many they have of all these. He is liv<strong>in</strong>g <strong>in</strong><br />
Gugulethu, so he does not have any of these th<strong>in</strong>gs, which means he can not relate<br />
to the life they are liv<strong>in</strong>g and it is not relevant to him.<br />
“But to me 50 Cent a<strong>in</strong>’t giv<strong>in</strong>g me messages / like some commercial hip <strong>hop</strong><br />
there they all about chicks like w<strong>in</strong>e houses big cars / that th<strong>in</strong>g doesn’t relate<br />
to me.”<br />
He th<strong>in</strong>ks that gangsta rap is really promot<strong>in</strong>g the gangsta life, and is thus not only<br />
portray<strong>in</strong>g it. That is the reason why people are so negative about gangsta rap,<br />
because it is portrayed as someth<strong>in</strong>g acceptable, as if there is noth<strong>in</strong>g<br />
fundamentally wrong with it. Young people might want to live that k<strong>in</strong>d of life,