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Hip hop identity in a township reality. - Poppunt

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most cases they refer to the media as a major factor <strong>in</strong> the popularity of gangsta rap<br />

and its attractiveness to young people. The media spend much attention to gangsta<br />

rappers and are very eager to give them a platform. Instead of promot<strong>in</strong>g people<br />

who write songs conta<strong>in</strong><strong>in</strong>g positive and conscientious lyrics, they promote gangsta<br />

rappers. This is probably due to the fact that they can make a lot of money from it,<br />

s<strong>in</strong>ce rap music has become big bus<strong>in</strong>ess with a lot more to sell than only CD’s;<br />

today it seems that every self-respect<strong>in</strong>g rapper needs to have his/her own cloth<strong>in</strong>g<br />

or shoe range. This also causes the negative image that hip <strong>hop</strong> has for a lot of<br />

people, because these are the only k<strong>in</strong>d of rappers that they are presented with.<br />

Some of our <strong>in</strong>terviewees <strong>in</strong>dicate other factors that should prevent us from<br />

exaggerat<strong>in</strong>g the guilt of gangsta rap for all what goes wrong <strong>in</strong> this world. Mayja<br />

says it is normal for youths to go through a phase where they want to imitate their<br />

idol. Bad Luck also po<strong>in</strong>ts to the responsibility of the listeners themselves. They<br />

should be careful with the <strong>in</strong>terpretations they make. In Compton L.A. there might<br />

be a lot of kill<strong>in</strong>gs, but if there would be a murder for every ‘I’ll kill you’ <strong>in</strong> a rap<br />

song, it would be rather empty by now. Just to say, “you do not have to take<br />

everyth<strong>in</strong>g literally, there is also the poetic licence”, which is not only applicable to<br />

hip <strong>hop</strong>, but also to the Bible or to Nick Caves ‘Murder Ballads’. In this respect Bad<br />

Luck also po<strong>in</strong>ts to the responsibility of the parents who should keep a better<br />

control over what their children are listen<strong>in</strong>g to.<br />

3. Conclusion<br />

What strikes us most <strong>in</strong> our f<strong>in</strong>d<strong>in</strong>gs, is the fact that all of our <strong>in</strong>terviewees<br />

approached this matter of gangsta rap quite subtly and thoughtfully. As we have<br />

already mentioned, rap music and especially gangsta rap, is often the subject of<br />

controversy. Nevertheless, our <strong>in</strong>terviewees do not let themselves be talked <strong>in</strong>to a<br />

black-and-white po<strong>in</strong>t of view, although we always asked the rather biased<br />

question: ‘Do you not th<strong>in</strong>k that gangsta rap has a bad <strong>in</strong>fluence on young people?’.<br />

Although none of our <strong>in</strong>terviewees relate <strong>in</strong> any way to the lifestyle described <strong>in</strong><br />

gangsta rap songs, they do not perceive it as hav<strong>in</strong>g an all around bad <strong>in</strong>fluence.<br />

They all live <strong>in</strong> violent and disadvantaged neighbourhoods and they all write stories<br />

about it, but focus on different elements. Most of them are conv<strong>in</strong>ced that gangsta<br />

rap can have a possible negative <strong>in</strong>fluence on young children, because gangsta<br />

rappers are mostly portrayed as liv<strong>in</strong>g an extremely luxurious life, which suggests<br />

that crime gets rewarded <strong>in</strong> the end.

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