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Hip hop identity in a township reality. - Poppunt

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members of the American hip <strong>hop</strong> scene. Language is an <strong>in</strong>strument to make the<br />

<strong>identity</strong> of another (social or ethnic) group your own for a certa<strong>in</strong> period of time.<br />

S<strong>in</strong>ce most of our <strong>in</strong>terviewees want to show and prove their surround<strong>in</strong>gs and the<br />

rest of the outside world that they are ‘real’ rappers, they make use of this k<strong>in</strong>d of<br />

speech. Interest<strong>in</strong>g to know is that they adjust their <strong>identity</strong> accord<strong>in</strong>g to for<br />

<strong>in</strong>stance the situation, the <strong>in</strong>terlocutors, the topic and so on. They do not have the<br />

<strong>identity</strong> of be<strong>in</strong>g a rapper twenty four hours a day. What they actually do is shift<br />

from one <strong>identity</strong> to another by mak<strong>in</strong>g use of different sorts of speech. If we take a<br />

look at the <strong>in</strong>terviews, these shifts are very clear most of the time. In the beg<strong>in</strong>n<strong>in</strong>g<br />

of every <strong>in</strong>terview, we asked the <strong>in</strong>formants some biographical questions like how<br />

old they are, where they live for the moment, if they attend school or if they work.<br />

The given answers almost never consist of any slang whatsoever. But from the very<br />

first question about hip <strong>hop</strong>, the slang appears. Also the amount of slang was<br />

consistently higher after questions about American rap <strong>in</strong> general or gangsta rap<br />

specifically. The k<strong>in</strong>d of speech they use <strong>in</strong> their answers, needs to conv<strong>in</strong>ce us<br />

about the knowledge they have about the topic of gangsta rap. They are namedropp<strong>in</strong>g<br />

a lot and they make extensive use of the hip <strong>hop</strong> slang to confirm their<br />

<strong>identity</strong> of belong<strong>in</strong>g to the hip <strong>hop</strong> community of Cape Town (and South Africa <strong>in</strong><br />

general). This belong<strong>in</strong>g needs to be constructed by us<strong>in</strong>g someone else’s code<br />

though. Note that not the whole repertoire of the code needs to be known to be able<br />

to cross. It is perfectly possible to pass for a real hip <strong>hop</strong>per <strong>in</strong> Cape Town when<br />

your vocabulary consists of only ten slang words. In that local sett<strong>in</strong>g a few words<br />

are sufficient to be identified as a rapper. In the Bronx however, you would make a<br />

poor show<strong>in</strong>g.<br />

The fact that our <strong>in</strong>terviewees make use of American hip <strong>hop</strong> slang can be seen as<br />

somewhat contradictory, s<strong>in</strong>ce they see American rap as too commercial and too<br />

violent. Also, <strong>in</strong> South Africa the American rap gets much more airplay and is more<br />

successful than the rap music made by people from the mother country. The<br />

<strong>in</strong>terviewees state that they want this to change, that there is a need of appreciation<br />

and a need of a sense of pride for the South African rap music. Still, American hip<br />

<strong>hop</strong> culture is the source of <strong>identity</strong> construction for them, <strong>in</strong> terms of language but<br />

also <strong>in</strong> terms of material th<strong>in</strong>gs like cloth<strong>in</strong>g.<br />

The question is if they lack hip <strong>hop</strong> slang <strong>in</strong> their mother tongue. Maybe this k<strong>in</strong>d<br />

of slang has not been developed yet throughout the years, because rap music is<br />

quite new <strong>in</strong> South Africa <strong>in</strong> comparison with America. Also, American rap music<br />

was the first k<strong>in</strong>d they had access to, so that can be a reason why they borrow the

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