27.03.2015 Views

NODEM 2014 Proceedings

NODEM 2014 Proceedings

NODEM 2014 Proceedings

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

The Whisperers: An Interactive Exhibition. Using Voice as Navigation for an Experiential Interface in a Museum Environment<br />

“The Whisperers” is based upon this historical text, The Whisperers by Figes. The author’s descriptive and emotive<br />

writing was powerful enough for an impetus of depicting of lives inside small spaces during this time in<br />

history. But how could this be communicated physically, attempting to capture the emotions of the individuals<br />

who lived in these compartments? And can there be a direct participation of the viewer, or rather user, with this<br />

experience? How can the suffocation of statewide surveillance be communicated on the personal level?<br />

The exhibition design of Frederick Kiesler and his architecture within exhibits was examined for this project<br />

with doors and unattainable reveals (vents, windows, openings).<br />

Janet Cardiff’s work with the “Cabinet of Curiousness” (Cardiff/Miller) inspired ideas of closed spaces in an installation<br />

that trigged a mechanical and digital reaction.<br />

Figure 2. Janet Cardiff’s “Cabinet of Curiousness” (1991)<br />

Gaston Bachelard’s The Poetics of Space (Bachelard, 1994) was researched to assist the idea of how spaces<br />

contain memory and past histories. Psychological cases of individuals who conform when in groups and how<br />

“mob rule” takes over once a critical situation presents itself was examined. The infamous psychological testing<br />

data of the Milgram Experiment data was further explored.<br />

The current American governmental surveillance of the NSA, TSA, FBI and other authorities was another area<br />

of research for “The Whisperers.” How safe is our metadata, private information, expressions of our private lives?<br />

How is it that the Internet – the largest tool in history for a freedom of expression, is now the largest authoritarian<br />

device for monitoring? The current censorship of the Putin government also pushed this concept further.<br />

The idea of taking an innocent, loving family relationship using expressions such as “I love you,” and turning<br />

these phrases into dangerous sentiments was an interest to this author. What is the idea of “over”-surveillance<br />

between neighbors and loved ones? In other words – “over”-surveillance of the Internet through authorities<br />

<strong>NODEM</strong> <strong>2014</strong> Conference & Expo<br />

106

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!