NODEM 2014 Proceedings

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Evaluation of an Interactive Multimedia Exhibit in the National Museum of Korean Contemporary History, South Korea Economou, M. (2008). A world of interactive exhibits. In Marty, P., & Jones, K. (Eds.), Museum Informatics (Routledge Studies in Library and Information Science (pp.137-156), New York: Taylor & Francis. Economou, M. & Pujol, L. (2008). Educational tool or expensive toy? Evaluating VR evaluation and its relevance for virtual heritage. In Kalay, Y., Kvan, T. & Affleck, J. (Eds.), New Heritage: New Media and Cultural Heritage (pp.242-260), London: Routledge. Hauser,W., Roos,A.N., Reussner,E.,& Zahn,C. (2009). Design-based research on digital media in a museum environment. Visitor Studies, 12(2), 182-198. Hein,G.E. (1995). Evaluating teaching and learning in museums. In Hooper-Greenhill, E.(Eds.), Museum, Media, Message (pp.189- 203), London: Routledge. Parés,N.,& Parés,R. (2001). Interaction-driven virtual reality application design (a particular case: El Ball Del Fanalet or Lightpools). Presence:Teleoperators & VirtualEnvironments, 10(2), 236-245. NODEM 2014 Conference & Expo 284
Literary Museums as Part of Tradition Mediation Niels D Lund University of Copenhagen, Denmark Abstract: This paper will discuss the role, conditions and possibilities of museums concerning the maintenance of the literary tradition, the literary cultural heritage, the classics etc. The latest decades seem to have shown an increase in varied museum installations regarding books, literature and authors. As for the landscape of memory institutions the situation is interesting partly because the museum in general – and especially it’s mediating activity – has gone through a dynamic renewing development, partly because they have invaded the field of literary tradition which as a rule has been the prerogative of libraries and archives. Keywords: literary museums, tradition mediation, materialize intangible heritage Challenge – reasoning Besides the general growth and development of institutions several specific circumstances and reasons behind the literary museums’ trends may call for explanations and generate fruitful questions. The development in the Nordic countries does not seem to be the stronger, their scholarly literature not very voluminous neither; the discussion of this field of growth must take in from other countries. Especially it is of interest to investigate how literature, partly as an aesthetic, spiritual and immaterial phenomenon, partly as mass-produced printed media, can interfere with the raison d’être of museums – i.e. place, space, presence, materiality and physical visualization of unique artefacts. Furthermore how literature, understood as language and in this respect second to none confined by and defining groups and nations, can be linked with museums which as institutions have roles and functions concerning identity, especial national identity. A national literary tradition via language bound to national identity may interfere with a time of globalization, trans-nationalization, and migration according to an overall increasing attention towards politics of identity, memory, and cultural heritage. Historically seen, museums within the field of literature have been connected with a culture of writing, printing and the classic literary system. The increase of this type of museums may be seen in the light of the comprehensive change of this system: the digital production, distribution, mediation and reading. So, as literary museums are being more frequent and visible, it may be seen as a reaction to the upcoming digital culture – as often seen in history: when something disappears, it will be musealized. Literary museums today reflect and retain a situation of shrinking, change, and new constellations in the keeping up of literary culture and history. In a modern mediation context The literary museums are one of the ways of maintaining literary traditions. Through care and management, making visible and mediating there are many tradition activities and functionalities – partly interacting and NODEM 2014 Conference & Expo 285
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Engaging Spaces Interpretation, Des
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Welcome to the NODEM 2014 Conferenc
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Editorial board Andrea Nanetti, Sha
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Parallel Exhibits: Combining Physic
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TACTEC, Transforming Art and Cultur
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Restaging a Garden Party: Sharing S
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Authenticity and Authorship: The Ch
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Proactive Spaces. An Insight on the
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Archives as New Spaces for Engaging
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Seen/Unseen. Dancing Art Inside and
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Seen/Unseen. Dancing Art Inside and
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Cross Cutting Concepts for Change:
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ArtMaps: Framing Public Engagement
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Thresholds of Technological Remembe
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The Rotterdam Heritage Coalition: C
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“You could have told me!” Colla
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The Widget Art Gallery - A Gallery
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The Whisperers: An Interactive Exhi
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Towards a Significant Portuguese Cu
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Confabulated Architecture surfaces.
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Confabulated Architecture Mapping (
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Confabulated Architecture Findings
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Exhibiting Fashion: Museums as Myth
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The Exquisite Cabinet: An Experimen
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The Exquisite Cabinet: An Experimen
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Wonderful Stories on Digital Device
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When Different Types of Visitors Si
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Mobile Technology and Museum Educat
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Transmedia & Charms: The Opportunit
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Mobile Solutions and the Museum Exp
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Domus: An On-Gallery Digital Museum
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Innovative Museum Exhibits: Telling
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Materials Story of Sir John Soane
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Materials Story of Sir John Soane
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Spiritual Wonder Project: Crossing
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A Case Study to Make Use of Cross-c
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The Luostarinmäki Adventure - An A
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Page 243 and 244: Service Design for a Unique Experie
Page 249 and 250: Multi-narrative Serious Game Design
Page 259 and 260: Developing Awareness in Contemporar
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NODEM 2014 Proceedings

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