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ARP2600 - Fundamentals of Music Technology - Cyborgstudio.com

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SECTION14PATCH DIAGRAMMINGTHE MEANING OF LIFEWhy devote an entire section <strong>of</strong> this book to patch diagramming and analysis? This question can bestbe answered by discovering the purposes <strong>of</strong> diagramming and analyzing patches. One reason whichhas probably be<strong>com</strong>e obvious throughout the course <strong>of</strong> this book is that patch diagrams can be anexcellent way to learn about how each module functions in a particular patch, and how modules areconnected together to make a patch. Another useful aspect <strong>of</strong> patch diagramming is that it allows usersto plan sounds ahead <strong>of</strong> time, as well as notate the sounds they have created when they are finished.PATCH DIAGRAMMINGThere are many different styles <strong>of</strong> diagramming patches. There is not a single ‘best’ way to diagrampatches because the purpose <strong>of</strong> the diagram should dictate how the diagram looks. For instance, thisbook uses a very <strong>com</strong>plex diagramming scheme, <strong>com</strong>plete with colors to indicate which modules arecarriers and modulators, and specially colored arrows to indicate control and audio signals. This style<strong>of</strong> diagramming is great for relating a lot <strong>of</strong> information about a patch, and helps people who are tryingto understand the relationships <strong>of</strong> different signals <strong>com</strong>ing and going in the 2600. However, for aseasoned pr<strong>of</strong>essional who is trying to quickly document a patch he or she has made, using specialcolors and paying close attention to which side <strong>of</strong> a module a particular signal exits from is a colossalwaste <strong>of</strong> time.THE 2600 MANUALThe 2600’s manual contains many patches to illustrate its abilities and to introduce the reader to whatwas presumably a new concept. The manual presents these patches in two general styles. First, simpleblocks are connected with lines and arrows. Audio signals enter and exit from the side <strong>of</strong> these blocks,while control signalsenter and exit from thetop or bottom <strong>of</strong> theseblocks. One examplecan be seen in Figure14-1. The writers <strong>of</strong> themanual preferred to indicatethose connectionswhich were notnormalled by notating“P cord” next to each(not shown in Figure14-1) rather than indicatingthose which arenormalled with a large“N” as this book does. Figure 14-1: Block-style diagramming from the ARP 2600109

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