ARP2600 - Fundamentals of Music Technology - Cyborgstudio.com

CD TRACK LISTINGTrack Page Note(s) DescriptionSECTION 21 12 C1-C5 VCO-1 Saw Wave, VCO-1 Square Wave2 12 C3 VCO-1 is tuned to VCO-2 (Saw Wave both)3 15 LF VCO-1 in LF mode is gradually increased until it is audible. Sawthen square waveSECTION 34 22 -- VCO-1 FM’d by a saw wave from VCO-2 in LF mode.5 24, 28 -- Sidebands6 25, 28 C1-C5 PWM patch where VCO-1 causes a pulse width sweep.7 18, 28 C1-C5 Saw, Pulse, Sine, Triangle waves from VCO-2.8 28 C3 Pulse width is manually swept.9 28 -- FM patch, all parameters swept one by one.10 28, 106 C1-C5 FM patch, VCO-2 produces interval leaps with square wave.11 27, 28 C1-C5 Phat Tuning VCO-1 and 2 with saw waves, the square waves.SECTION 412 31, 34 C1-C5 Double FM modulation. VCO-1 and VCO-2 modulate VCO-313 32, 34 -- Cross FM modulation patch. VCO-2 and VCO-3 modulate eachother in the audio range. Second time deeper modulation than1st.14 32, 34 -- Series modulation. VCO-1 --> VCO-2 --> VCO-3.15 34 C3-C4 All three VCOs tuned in intervals. Major and minor chords oneach white key.SECTION 516 37 C1-C5 Noise Generator FMs VCO-3. Saw Wave timbre. First with littleFM, second time with a lot of FM17 39 C1-C5 Noise Generator PWMs VCO-2. First with small modulationdepth, second time with greater modulation depth.18 40 -- Noise Generator’s raw output, noise frequency slider is then swept.SECTION 619 45, 52 C1-C5 Filter sweeps close on a saw wave from VCO-220 46, 52 C1-C5 Resonant filter sweeps close on saw waves from VCO-1 and 221 47 C1-C3 The VCF is made to self-oscillate. Notice how tuning drifts.22 48 C1-C5 All White keys played key tracking on filter disabled. VCO-1, 2,and 3 in phat tuning.vi