ARP2600 - Fundamentals of Music Technology - Cyborgstudio.com

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SECTION NINE: THE MIXER SECTION - 073EXPERIMENTS FOR SECTION NINE:1. Could a mixer be helpful on a larger scale (i.e. more inputs) in the studio in general?2. Try moving a signal from side to side using the panning controller. How could this be useful on alarger scale?3. Locate the mixer post input/output jack. How is this helpful at times?4. Locate the 2600’s main audio outputs. When might these be used?5. Locate the 2600’s main inputs. When might these be used?6. Locate the mixer’s direct outputs. How are these useful?7. Patch VCO-1 to the reverberator’s input. Practice using different amounts of reverb. CD track 478. Add reverb to a signal coming into the mixer such as the noise generator gated by the VCF. How andwhy is this more effective than the results of #7? Try using diferent amounts of reverb. CDtrack 48 Try adding too much reverb and listen for the watery effect. (Also listen for addednoise) CD track 509. Determine how the reverberator is connected to the mixer by tracing the connecting lines on thefront panel.10. What is the electronic device which creates reverberation in the ARP 2600?11. Try jostling the springs in the reverb tank by thumping gently on the top of the cabinet or on thebottom of the table on which the cabinet sits. CD track 49
074 - SECTION NINE: THE MIXER SECTIONREVIEW QUESTIONS FOR SECTION NINE:1. What does the mixer do, and how many inputs does it have?2. What kinds of signals can the mixer mix?3. When would the mixer’s main outputs be used? How could this task be accomplished without usingthe main output jacks?4. How does reverberation occur in natural spaces?5. How does the ARP 2600 produce reverberation? Who invented this device?6. How does one use the direct outputs just above the mixer’s two sliders?7. How is the reverberator connected to the mixer?8. What does the panning control do? Why is this useful?9. Why isn’t it particularly useful to patch into the ARP’s main inputs?TERMS AND NAMES TO KNOW:EchoLes PaulMain InputsMain OutputsMixerPanPanoramic PotentiometerReflectionReverbReverb TankReverberationReverberator
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Secret Society ProductionsFundament
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TABLE OF CONTENTSTable of Contents.
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CD TRACK LISTINGTrack Page Note(s)
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CD TRACK LISTINGTrack Page Note(s)
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PREFACEto the first editionThis boo
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THANK YOUThis book is and has been
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SECTION1 GENERAL CONTROLSINTRODUCTI
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RELEASETIMESUSTAINVOLTAGEDECAYTIMEA
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SECTION ONE: GENERAL CONTROLS - 005
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SECTION2 VCO-1ALL ABOUT OSCILLATORS
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SECTION TWO: VCO-1 - 013MODULATION:
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SECTION TWO: VCO-1 - 015KBDCVOUTPUT
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SECTION TWO: VCO-1 - 017REVIEW QUES
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SECTION THREE: VCO-2 - 019NOT JUST
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SECTION THREE: VCO-2 - 021A NOTE AB
Page 38 and 39: SECTION THREE: VCO-2 - 023THE BLACK
Page 40 and 41: SECTION THREE: VCO-2 - 0251. VCO-1
Page 42 and 43: SECTION THREE: VCO-2 - 027beats are
Page 44 and 45: SECTION THREE: VCO-2 - 029REVIEW QU
Page 46 and 47: SECTION FOUR: VCO-3 - 031tion, two
Page 48 and 49: SECTION FOUR: VCO-3 - 033THE MASTER
Page 50 and 51: SECTION FOUR: VCO-3 - 035REVIEW QUE
Page 52 and 53: SECTION FIVE: NOISE GENERATOR - 037
Page 58 and 59: SECTION SIX: VCF - 043This analogy
Page 60: SECTION SIX: VCF - 045buzzy sound.
Page 63 and 64: 048 - SECTION SIX: VCFreason for th
Page 65 and 66: 050 - SECTION SIX: VCFTHE ROLE OF T
Page 67 and 68: 052 - SECTION SIX: VCFEXPERIMENTS F
Page 69 and 70: 054 - SECTION SIX: VCFREVIEW QUESTI
Page 71 and 72: 056 - SECTION SEVEN: ADSR AND AR GE
Page 79 and 80: 064 - SECTION EIGHT: THE VCATHE VCA
Page 81 and 82: 066 - SECTION EIGHT: THE VCAOF LAWS
Page 83 and 84: 068 - SECTION EIGHT: THE VCAEXPERIM
Page 85 and 86: SECTION9 MIXER SECTIONTHE MIXERThe
Page 87: 072 - SECTION NINE: THE MIXER SECTI
Page 91 and 92: 076 - SECTION TEN: S/H MODULECLOCK
Page 93 and 94: 078 - SECTION TEN: S/H MODULEYet an
Page 95 and 96: 080 - SECTION TEN: S/H MODULEEXPERI
Page 97 and 98: SECTION11 PREAMP ET ALTHE PREAMPFig
Page 99 and 100: 084 - SECTION ELEVEN: PREAMP, ENVEL
Page 107 and 108: 092 - SECTION TWELVE: VOLTAGE PROCE
Page 113 and 114: SECTION13KEYBOARD CONTROLSA KEYBOAR
Page 115 and 116: 100 - SECTION THIRTEEN: KEYBOARD CO
Page 125 and 126: 110 - SECTION FOURTEEN: PATCH DIAGR
Page 127 and 128: SUSTAIN RELEASEVOLTAGE TIMEDECAYTIM
Page 135 and 136: 120 - SECTION FIFTEEN: THE ARP SEQU
Page 137 and 138: 122 - SECTION FIFTEEN: THE ARP SEQU
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124 - SECTION FIFTEEN: THE ARP SEQU
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126 - GLOSSARYATTENUATION - The act
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128 - GLOSSARYENVELOPE FOLLOWER - A
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130 - GLOSSARYLINEAR TO EXPONENTIAL
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132 - GLOSSARYPOLYPHONIC - A musica
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134 - GLOSSARYSUPERSONIC - A tone w
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INDEXAADSR 57Amplitude Modulation 8
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BIBLIOGRAPHYColbeck, Julian. Keyfax
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Appendix One:ADDITIONAL RESOURCESBO
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142 - ADDITIONAL RESOURCESYamaha Sy
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144
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BY USING THIS CD, YOU INDICATE YOUR
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