ARP2600 - Fundamentals of Music Technology - Cyborgstudio.com

040 - SECTION FIVE: NOISE GENERATOREXPERIMENTS FOR SECTION FIVE:1. Listen to the raw output of the noise generator by patching it into the mixer. CD track 182. Move the output level control and note the change in output.3. Adjust the frequency slider and observe the difference in sound. CD track 184. Use the noise generator to control pulse width on VCO-2. (Redundant patch) As before, all possibleparameters should be set in all possible combinations. This sort of experimentation can betedious, but is highly rewarding in terms of sound produced. Take careful notes on whichsettings produce which sounds. CD track 175. While conducting #4, try adjusting the noise generator’s frequency slider.6. While conducting #4, try varying the amount of PWM. CD track 177. Try using the noise generator for FM purposes. When might this sound be useful? CD track 168. While conducting #7, try adjusting the noise generator’s frequency slider.9. In general, what sorts of sounds benefit most from the addition (or use) of noise?10. Create a patch which sounds like a grungy bass guitar.11. Create a sound that sounds like a distorted guitar.12. Create a percussion-like sound.13. What other sounds can be created using the noise generator?