ARP2600 - Fundamentals of Music Technology - Cyborgstudio.com

034 - SECTION FOUR: VCO-3EXPERIMENTS FOR SECTION FOUR:1. Create the double modulation patch shown in Figure 4-2 and experiment with each of the seven oreight parameters. Do not stop until all of the possibilities have been exhausted. Have patienceand try all of the possibilities. This is not a quick procedure. It is important to constantly ask thefollowing questions:1. How does this set of parameter values sound?2. Why does it sound like this?3. What exactly is happening between these two oscillators?It is also important to take notes on your findings so that you can understand other patches thatwill be illustrated later. CD track 122. Repeat #1, creating the cross modulation patch shown in Figure 4-3. CD track 133. Repeat #1, but this time, create the series modulation patch shown in Figure 4-4. Be sure to observethe master-submaster relationship which exists between VCO-1 and VCO-2. CD track 144. Practice tuning VCO-1 and VCO-3 together. CD track 125. Demonstrate phat sound by combining all three oscillators slightly detuned. CD track 116. Practice tuning in intervals. If more than two oscillators are needed at once, your teacher can help tomix the sounds together. Tune in a major chord, octaves and fifths, and three different octaves.What other cool combinations can be created? CD track 157. Use cross modulation to create a wavy sound which gradually increases and decreases in pitch.8. Use double modulation to create a sound that has sidebands and jumps up and down in octaves.9. Notice any modules normalled to VCO-3 which have been studied so far. To which modules isVCO-3 normalled?