ARP2600 - Fundamentals of Music Technology - Cyborgstudio.com

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TABLE OF CONTENTSUNIT THREE: FINISHING TOUCHESSection Nine: The Mixer Section and Reverberator.......................................................................... 070Experiments........................................................................................................................... 073Review Questions.................................................................................................................. 074Section Ten: The Internal Clock, Electronic Switch, and S/H Circuits............................................. 075Experiments........................................................................................................................... 080Review Questions.................................................................................................................. 081Section Eleven: The Ring Modulator, Preamp and Envelope Follower ........................................... 082Experiments........................................................................................................................... 088Review Questions.................................................................................................................. 090UNIT FOUR: ADDITIONAL MODULESSection Twelve: The Voltage Processors........................................................................................... 091Experiments........................................................................................................................... 095Review Questions.................................................................................................................. 097Section Thirteen: Keyboard Controls................................................................................................ 098Experiments........................................................................................................................... 106Review Questions.................................................................................................................. 108Section Fourteen: Patch Analysis and Diagramming........................................................................ 109Experiments........................................................................................................................... 118Review Questions.................................................................................................................. 118Section Fifteen: Further experiments with the ARP Sequencer.........................................................119Experiments........................................................................................................................... 123Review Questions.................................................................................................................. 124Glossary..............................................................................................................................................125Index.................................................................................................................................................. 136Bibliography.......................................................................................................................................138About the Author................................................................................................................................139APPENDICESAppendix One: Additional Resources for students of Electronic Music........................................... 140Appendix Two: ARP 2600 + ARP sequencer patch sheets................................................................ 143v
CD TRACK LISTINGTrack Page Note(s) DescriptionSECTION 21 12 C1-C5 VCO-1 Saw Wave, VCO-1 Square Wave2 12 C3 VCO-1 is tuned to VCO-2 (Saw Wave both)3 15 LF VCO-1 in LF mode is gradually increased until it is audible. Sawthen square waveSECTION 34 22 -- VCO-1 FM’d by a saw wave from VCO-2 in LF mode.5 24, 28 -- Sidebands6 25, 28 C1-C5 PWM patch where VCO-1 causes a pulse width sweep.7 18, 28 C1-C5 Saw, Pulse, Sine, Triangle waves from VCO-2.8 28 C3 Pulse width is manually swept.9 28 -- FM patch, all parameters swept one by one.10 28, 106 C1-C5 FM patch, VCO-2 produces interval leaps with square wave.11 27, 28 C1-C5 Phat Tuning VCO-1 and 2 with saw waves, the square waves.SECTION 412 31, 34 C1-C5 Double FM modulation. VCO-1 and VCO-2 modulate VCO-313 32, 34 -- Cross FM modulation patch. VCO-2 and VCO-3 modulate eachother in the audio range. Second time deeper modulation than1st.14 32, 34 -- Series modulation. VCO-1 --> VCO-2 --> VCO-3.15 34 C3-C4 All three VCOs tuned in intervals. Major and minor chords oneach white key.SECTION 516 37 C1-C5 Noise Generator FMs VCO-3. Saw Wave timbre. First with littleFM, second time with a lot of FM17 39 C1-C5 Noise Generator PWMs VCO-2. First with small modulationdepth, second time with greater modulation depth.18 40 -- Noise Generator’s raw output, noise frequency slider is then swept.SECTION 619 45, 52 C1-C5 Filter sweeps close on a saw wave from VCO-220 46, 52 C1-C5 Resonant filter sweeps close on saw waves from VCO-1 and 221 47 C1-C3 The VCF is made to self-oscillate. Notice how tuning drifts.22 48 C1-C5 All White keys played key tracking on filter disabled. VCO-1, 2,and 3 in phat tuning.vi
Page 3 and 4: Secret Society ProductionsFundament
Page 5: TABLE OF CONTENTSTable of Contents.
Page 10 and 11: CD TRACK LISTINGTrack Page Note(s)
Page 12 and 13: PREFACEto the first editionThis boo
Page 14 and 15: THANK YOUThis book is and has been
Page 16 and 17: SECTION1 GENERAL CONTROLSINTRODUCTI
Page 18 and 19: RELEASETIMESUSTAINVOLTAGEDECAYTIMEA
Page 20 and 21: SECTION ONE: GENERAL CONTROLS - 005
Page 26 and 27: SECTION2 VCO-1ALL ABOUT OSCILLATORS
Page 28 and 29: SECTION TWO: VCO-1 - 013MODULATION:
Page 30 and 31: SECTION TWO: VCO-1 - 015KBDCVOUTPUT
Page 32 and 33: SECTION TWO: VCO-1 - 017REVIEW QUES
Page 34 and 35: SECTION THREE: VCO-2 - 019NOT JUST
Page 36 and 37: SECTION THREE: VCO-2 - 021A NOTE AB
Page 38 and 39: SECTION THREE: VCO-2 - 023THE BLACK
Page 40 and 41: SECTION THREE: VCO-2 - 0251. VCO-1
Page 42 and 43: SECTION THREE: VCO-2 - 027beats are
Page 44 and 45: SECTION THREE: VCO-2 - 029REVIEW QU
Page 46 and 47: SECTION FOUR: VCO-3 - 031tion, two
Page 48 and 49: SECTION FOUR: VCO-3 - 033THE MASTER
Page 50 and 51: SECTION FOUR: VCO-3 - 035REVIEW QUE
Page 52 and 53: SECTION FIVE: NOISE GENERATOR - 037
Page 54 and 55: SECTION FIVE: NOISE GENERATOR - 039
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SECTION FIVE: NOISE GENERATOR - 041
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SECTION SIX: VCF - 043This analogy
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SECTION SIX: VCF - 045buzzy sound.
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048 - SECTION SIX: VCFreason for th
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050 - SECTION SIX: VCFTHE ROLE OF T
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052 - SECTION SIX: VCFEXPERIMENTS F
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054 - SECTION SIX: VCFREVIEW QUESTI
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056 - SECTION SEVEN: ADSR AND AR GE
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064 - SECTION EIGHT: THE VCATHE VCA
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066 - SECTION EIGHT: THE VCAOF LAWS
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068 - SECTION EIGHT: THE VCAEXPERIM
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SECTION9 MIXER SECTIONTHE MIXERThe
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072 - SECTION NINE: THE MIXER SECTI
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074 - SECTION NINE: THE MIXER SECTI
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076 - SECTION TEN: S/H MODULECLOCK
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078 - SECTION TEN: S/H MODULEYet an
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080 - SECTION TEN: S/H MODULEEXPERI
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SECTION11 PREAMP ET ALTHE PREAMPFig
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084 - SECTION ELEVEN: PREAMP, ENVEL
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092 - SECTION TWELVE: VOLTAGE PROCE
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SECTION13KEYBOARD CONTROLSA KEYBOAR
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100 - SECTION THIRTEEN: KEYBOARD CO
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110 - SECTION FOURTEEN: PATCH DIAGR
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SUSTAIN RELEASEVOLTAGE TIMEDECAYTIM
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120 - SECTION FIFTEEN: THE ARP SEQU
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126 - GLOSSARYATTENUATION - The act
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128 - GLOSSARYENVELOPE FOLLOWER - A
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130 - GLOSSARYLINEAR TO EXPONENTIAL
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132 - GLOSSARYPOLYPHONIC - A musica
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134 - GLOSSARYSUPERSONIC - A tone w
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INDEXAADSR 57Amplitude Modulation 8
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BIBLIOGRAPHYColbeck, Julian. Keyfax
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Appendix One:ADDITIONAL RESOURCESBO
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142 - ADDITIONAL RESOURCESYamaha Sy
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144
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BY USING THIS CD, YOU INDICATE YOUR
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