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Psychedelic-information-theory-Shamanism-in-the-age-of-Reason

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quick change <strong>in</strong> phase between vocal waves and halluc<strong>in</strong>ogenic<strong>in</strong>terrupt frequency to decrease and flatten <strong>in</strong>terrupt amplitude.Techniques <strong>of</strong> us<strong>in</strong>g resonance to drive and shape wave amplitudehave been exploited by modern DJs and music producers to eng<strong>in</strong>eer<strong>the</strong> hard-attack bass l<strong>in</strong>es associated with acid house and trance music.In <strong>the</strong> psychedelic musical genre known as Goa Trance, bass l<strong>in</strong>es ripthrough crowds <strong>of</strong> thousands <strong>of</strong> dancers with <strong>the</strong> resonant wave shapeand amplitude <strong>of</strong> electric saw blades. The <strong>in</strong>tensely amplified resonantpulse drivers <strong>of</strong> Goa Trance music are, <strong>in</strong> fact, <strong>the</strong> current bleed<strong>in</strong>gedgeritual technology <strong>of</strong> physical shamanism. Goa Trance orig<strong>in</strong>atedfrom India; Goa Trance DJs and producers are revered like gurus ortechno-shamen; and fans <strong>of</strong> Gao Trance travel to global music festivals<strong>the</strong> way o<strong>the</strong>r spiritual adherents make sacred pilgrim<strong>age</strong>s. Goa Trancemusic is <strong>the</strong> psychedelic essence <strong>of</strong> resonant halluc<strong>in</strong>ogenic tryptam<strong>in</strong>e<strong>in</strong>terrupt express<strong>in</strong>g itself through modern ritual entra<strong>in</strong>menttechnology. Us<strong>in</strong>g an electrically amplified sound system, a trance DJcan manipulate a tribe <strong>of</strong> thousands <strong>in</strong> <strong>the</strong> same way a traditionalshaman manipulates a tribe <strong>of</strong> dozens (Fig. 25). It is <strong>the</strong> sametechnology applied on a larger scale.Cellular Automata and Fractal Impr<strong>in</strong>t<strong>in</strong>gIt may be difficult to understand how a simple periodic <strong>in</strong>terrupt ormodulatory frame pulse can create such dramatic perceptual results,but <strong>the</strong> periodic <strong>in</strong>terrupt should be thought <strong>of</strong> as a l<strong>in</strong>ear resonantdriver which, over time, generates complex and salient nonl<strong>in</strong>ear wave<strong>in</strong>terference patterns. This would be a description <strong>of</strong> a dynamical<strong><strong>in</strong>formation</strong> process<strong>in</strong>g system generat<strong>in</strong>g complexity over time basedon a simple repetitive algorithm, such as a fractal or a cellularautomata. Fractals or cellular automata are perhaps <strong>the</strong> best visualmetaphors for <strong>the</strong> spontaneous recursive organization <strong>of</strong> psychedelicvisual halluc<strong>in</strong>ations, and <strong>the</strong>re is a very fractal or cellular element to<strong>the</strong> psychedelic experience which evolves along <strong>the</strong> flicker<strong>in</strong>g pulsation<strong>of</strong> <strong>the</strong> halluc<strong>in</strong>ogen’s <strong>in</strong>terrupt. The endless unfold<strong>in</strong>g <strong>of</strong> <strong>the</strong> <strong>in</strong>f<strong>in</strong>itepsychedelic fractal cont<strong>in</strong>ues until <strong>the</strong> halluc<strong>in</strong>ogen is metabolized, atwhich po<strong>in</strong>t <strong>the</strong> halluc<strong>in</strong>ogenic <strong>in</strong>terrupt wears <strong>of</strong>f, fades away, and

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