262012-2014 <strong>General</strong> <strong>Catalog</strong> Course Supplement and Policies and Requirements Addendumcommunication of complex ideas in the exhibitionenvironment. GE credit: ArtHum | AH, VL.—III. (III.)McNeil(change in existing course—eff. spring 13)194HA. Special Study for Honors Students(3)Independent study—9 hours. Prerequisite: qualificationfor Letters and Science Honors Program; seniorstanding; approval of Design Honors Program proposalby the Curriculum Committee and majoradviser. Limited enrollment. Preparation and presentationof a culminating project. Supervision of aninstructor in one of the creative or scholarly areas ofDesign. (Deferred grading only, pending completionof sequence.)—II. (II.)(new course—eff. spring 13)194HB. Special Study for Honors Students(3)Independent study—9 hours. Prerequisite: course194HA; qualification for Letters and Science HonorsProgram; senior standing; consent of instructor. Limitedenrollment. Preparation and presentation of aculminating project. Supervision of an instructor inone of the creative or scholarly areas of Design.(Deferred grading only, pending completion ofsequence.)—III. (III.)(new course—eff. spring 13)Dramatic ArtNew and changed courses inDramatic Art (DRA)Lower Division1. Theatre, Performance and Culture (4)Lecture—3 hours; discussion—1 hour. Introductoryinvestigation of the nature of performance, movingfrom performance theory to consideration of variousmanifestations of performance including theatre, filmand media, performance art, dance, sports, rituals,political and religious events, and other “occasions.”Not open to students who have completed course1S. GE credit: ArtHum, Div, Wrt | AH, DD, VL,WE.—I, II, III, IV. (I, II, III, IV.) Bogad, Hunter, Rossini(change in existing course—eff. fall 13)5. Understanding Performance:Appreciation of Modern Theatre, Dance,Film and Performance Art (4)Lecture/discussion—2 hours; discussion—5 hours;tutorial—1 hour. Relevance of theatre and performanceto modern culture and society. Approaches totheatre/dance/media/performance art, integratedinto Mondavi Centre for the Arts and Theatre andDance Department programs. GE credit: ArtHum,Div | AH, DD, OL, VL, WC.—I, II, III. (I, II, III.)(change in existing course—eff. fall 13)10. Introduction to Acting (3)Laboratory/discussion—4 hours; term paper. Fundamentalsof movement, speech, theatre games, andimprovisation. Selected reading and viewing of theatreproductions. Intended for students not specializingin Dramatic Art. GE credit: OL, VL.—I, II, III. (I, II,III.)(change in existing course—eff. fall 13)11. Introduction to Presentation Skills (2)Lecture/laboratory—4 hours. Class size limited to20 students. Development of clear oral and physicalcommunication skills that build confidence, presentationalstyle and clarity for students whose commandof English is at a basic level.—I, III. (I, III.)(new course—eff. spring 13)20. Introduction to Dramatic Art (4)Lecture—3 hours; discussion—1 hour. Understandingand appreciation of both the distinctive and collaborativecontributions of playwright, actor,director, and designer to the total work of dramaticart. Study of plays from the major periods of dramaticart in their cultural contexts. GE credit:ArtHum | AH, VL, WC, WE.—I, II, III, IV. (I, II, III,IV.)(change in existing course—eff. fall 13)24. Visual Aspects of Dramatic Art (4)Laboratory/discussion—4 hours. Understanding andappreciation of the visual aspects of dramatic art:theatre architecture, scenery, lighting, costume, andmakeup. GE credit: ArtHum | AH, VL.—Iacovelli,Morgan, Munn(change in existing course—eff. fall 13)Upper Division111. Advanced Presentation Skills (2)Lecture/laboratory—4 hours. Class size limited to20 students. Development of clear oral and physicalcommunication skills that build confidence, presentationalstyle and clarity for students whose commandof English is at a competent to fluent level. GEcredit: OL.—I, III. (I, III.)(new course—eff. spring 13)115. Advanced Study of Major Film Makers(4)Lecture/discussion—3 hours; film viewing—2 hours.Prerequisite: course 15. Analysis of the contributionof some outstanding film creators. Study of diverseaesthetic theories of the cinema and their applicationto selected films. GE credit: VL.—II. (II.)(change in existing course—eff. fall 13)120. Intermediate Acting/Gateway: TheActor's Toolkit (4)Lecture/laboratory—6 hours. Prerequisite: course21A or consent of instructor. Limited enrollment.Implementation of acting tools drawn predominantlyfrom Stanislavsky’s ‘system’. Gateway into theAdvanced Acting courses. GE credit: OL, VL.—I. (I.)Leavy, Merlin(new course—eff. spring 13)121A. Advanced Acting: Scene Study andScript Analysis (4)Lecture/laboratory—6 hours. Prerequisite: course120 and consent of instructor. Limited enrollment. Indepthstudy, analysis and performance of texts fromdifferent eras, genres and styles. Implementation oftools to undertake independent preparation of charactercreation. May be repeated up to eight units forcredit. Since acting requires repetition to habituatethe body and imagination to new practices, thiscourse may be taken twice. New scripts and scenesmust be undertaken in the repetition. Offered in alternateyears. GE credit: OL, VL.—(I.) Merlin(change in existing course—eff. spring 13)121B. Advanced Acting: RehearsalProcesses and Practices (4)Lecture/laboratory—6 hours. Prerequisite: course120 and consent of instructor. Limited enrollment.Development of rehearsal practice and etiquette,using a variety of scenes from different eras andgenres. May be repeated up to eight units for credit.The course has been established to enable visitingartists in residence to undertake the instruction, aswell as faculty. Therefore, this course may be takentwice, as students will be exposed to different professionalpractitioners’ working processes. New etudes,scripts and scenes must be undertaken in the repetition.Offered irregularly. GE credit: OL, VL.—II.(change in existing course—eff. spring 13)121C. Advanced Acting: Character andStyle (4)Lecture/laboratory—6 hours. Prerequisite: course120 and consent of instructor. Limited enrollment.Study of psycho-physical techniques to create characterswith an emphasis on non-realistic styles. Maybe repeated up to eight units for credit. Since actingrequires repetition to habituate the body and imaginationto new practices, this course may be takentwice. New scripts and scenes must be undertaken inthe repetition. Offered in alternate years. GE credit:ArtHum | OL, VL.—II.(change in existing course—eff. fall 12)122A. Advanced Acting: Devising andCollaboration (4)Lecture/laboratory—6 hours. Prerequisite: course120; consent of instructor. Study and practice of variousdevising techniques, to collaborate on and producea series of short etudes and dramatic scenes/short plays. May be repeated up to eight units forcredit. Since acting requires repetition to habituatethe body and imagination to new practices, thiscourse may be taken twice. New scripts and scenesmust be undertaken in the repetition. Limited enrollment.GE credit: OL, VL.—III. (III.)(change in existing course—eff. spring 13)122B. Advanced Acting: Shakespeare andHis Contemporaries (4)Lecture/laboratory—6 hours. Prerequisite: course120 and consent of instructor. Limited enrollment.Study and performance of classical texts (monologuesand dialogues), with a focus on Shakespeareand the Elizabethan world view. May be repeatedup to eight units for credit. Since acting requires repetitionto habituate the body and imagination to newpractices, this course may be taken twice. Newmonologues and scenes must be undertaken in therepetition. Offered in alternate years. GE credit: OL,VL.—(I.)(change in existing course—eff. spring 13)122C. Advanced Acting: Special Topics inActing (4)Lecture/laboratory—6 hours. Prerequisite: course120 and/or consent of instructor. Dramatic Artsmajors. Restricted to Dramatic Arts majors. Limitedenrollment. Intensive study and practical explorationof a specialized area (for example, World Theatre,Social Theatre, Physical Theatre, Musical Theatre,the Ancient Greeks, etc). May be repeated up toeight units for credit. This course is taught by visitingartists and/or faculty seeking to implement specialisedareas of practical research into the curriculum.Students may therefore repeat this course in order towork with a range of practitioners. Offered irregularly.—(III.)(new course—eff. spring 13)124A. Principles of Theatrical Design:Scenery (4)Lecture/discussion—4 hours. Prerequisite: course 24or consent of instructor. Scene design processes,working drawings, sketching techniques, scale models,methods and materials of scenery construction.GE credit: ArtHum | AH, VL.—I. (I.) Iacovelli(change in existing course—eff. fall 13)124B. Principles of Theatrical Design:Scenery (4)Lecture/discussion—4 hours. Prerequisite: course 24or consent of instructor. Analysis of plays in terms ofscene design, elements of design, execution ofdesigns for modern and period plays. GE credit:ArtHum | AH, VL.—II. (II.) Iacovelli(change in existing course—eff. fall 13)Quarter Offered: I=Fall, II=Winter, III=Spring, IV=Summer; 2013-2014 offering in parenthesesPre-Fall 2011 <strong>General</strong> Education (GE): ArtHum=Arts and Humanities; SciEng=Science and Engineering; SocSci=Social Sciences; Div=Domestic Diversity; Wrt=Writing ExperienceFall 2011 and on <strong>General</strong> Education (GE): AH=Arts and Humanities; SE=Science and Engineering; SS=Social Sciences;ACGH=American Cultures; DD=Domestic Diversity; OL=Oral Skills; QL=Quantitative; SL=Scientific; VL=Visual; WC=World Cultures; WE=Writing Experience
2012-2014 <strong>General</strong> <strong>Catalog</strong> Course Supplement and Policies and Requirements Addendum27124C. Principles of Theatrical Design:Lighting (4)Lecture/discussion—4 hours. Prerequisite: course 24or consent of instructor. Theories of lighting thestage, equipment and control systems, execution oflighting plots. GE credit: ArtHum | AH, VL.—III. (III.)Munn(change in existing course—eff. fall 13)124D. Principles of Theatrical Design:Costume (4)Lecture/discussion—4 hours. Prerequisite: course 24or consent of instructor. Source materials for theatricalcostuming, selecting fabrics, elements of design,analysis of plays in terms of costume design, executionof designs for modern and period plays. GEcredit: ArtHum | AH, OL, VL.—I. (I.) Morgan(change in existing course—eff. fall 13)124E. Costume Design for Film (4)Lecture/discussion—4 hours. Prerequisite: for DramaticArt majors; course 24 or 124D or consent ofinstructor. Theory and practice of the art and businessof film costume design. Script analysis, costumeresearch, developing design concepts, budgeting,and current production practices and methods. Executionof designs for period and contemporary films.Viewing of current films. (Same course as Cinemaand Technocultural Studies 124E.) GE credit:ArtHum | AH, OL, VL.—II. (II.) Morgan(change in existing course—eff. winter 14)125. Scenic Painting: Studio (4)Lecture—2 hours; studio—1 hour; laboratory—3hours. Prerequisite: upper division standing in DramaticArt, Art Studio, or Design; or course 24 or 25,or consent of instructor. Scene painting techniques,practices and materials including color mixing andmatching, wood graining, faux painting techniques,glazing, creating foliage, stone and brick. May berepeated one time with consent of instructor. Offeredirregularly. GE credit: ArtHum | AH, VL.—Iacovelli,Munn(change in existing course—eff. winter 14)130. Approaches to Theatrical Design:Practice and Theory (4)Seminar—2 hours; studio—4 hours. Prerequisite:upper division standing in Dramatic Art, Art Studioor Design; any class from course 124 series or consentof instructor. Advanced design study in specificareas including but not limited to: research, designstyles and concepts, new materials and techniques,scenery, lighting, costume, makeup, photography,projections, computer technology, spectacle and specialeffects, and alternative theatre forms andgenres. May be repeated three times for credit whentopic differs; when instructor differs. Offered irregularly.GE credit: ArtHum | AH, VL.(change in existing course—eff. fall 13)140A. Dance Composition (4)Lecture—3 hours; laboratory—3 hours. Prerequisite:course 40A, 41A, and 42A, or consent of instructor.Introduction to the craft of choreography. Composephrases and present movement studies based on theelements of choreography: motivation, space, time,force/energy. GE credit: VL.—II. (II.) Davidson(change in existing course—eff. spring 13)144C. Daoist Philosophy in TraditionalChinese Movement Culture (4)Lecture/discussion—4 hours. Prerequisite: coursecourse 144B. Daoist practices of movement andtheir relation to daoist philosophy, explored throughwork in dance laboratory conditions. Integration ofpractice with conceptual analysis, and critical philosophyaround values and ethical action. May berepeated two times for credit when content or instructorvaries and if student progression is required. GEcredit: ArtHum | AH, WC.—I, II, III, IV. (I, II, III, IV.)Hunter(change in existing course—eff. winter 13)154. Asian Theatre and Drama: Contextsand Forms (4)Lecture/discussion—4 hours. Prerequisite: upperdivision standing. Selected Asian plays and performanceforms in their cultural and artistic contexts;myth, ritual and the theatre; performance training,visual presentation of the text; political theatre; interculturalperformance-the fusion of Asian and Westerntraditions. Offered in alternate years. GE credit:ArtHum, Div, Wrt | AH, WC, WE.—(II.)(change in existing course—eff. fall 13)155A. African American Dance and Culturein the United States, Brazil and theCaribbean (4)Lecture/discussion—4 hours. Comparative study ofthe African American dance forms in the U.S.A.,Brazil, Haiti, Cuba, Jamaica, Barbados, and Trinidad.Examination of ritual, folk, and popular danceforms and the socio/historical factors that have influencedthese forms. (Same course as African Americanand African Studies 155A.) Offered in alternateyears. GE credit: ArtHum | AH, VL, WC.—II. (II.)(change in existing course—eff. winter 13)170. Media Theatre (4)Lecture—1 hour; rehearsal—2 hours; performanceinstruction—1 hour. Prerequisite: upper divisionstanding in Dramatic Art, Music, Art Studio, Design,Technocultural Studies, Film Studies, Computer Science,or Engineering: Computer Science, or consentof instructor. New media and application of in theatredevising and performance. Emphasis on collaborativeprocess in relationship to integration ofemerging technologies and formation of new theatricalworks. Development of collaborative performancethrough lecture, demonstration, improvisationand experimentation. May be repeated one time forcredit. GE credit: ArtHum | AH, VL.—III. (III.)(change in existing course—eff. fall 13)174. Acting for Camera (4)Lecture/laboratory—6 hours. Prerequisite: consentof instructor. Analysis and practice of acting skillsrequired for camera work and digital media. Maybe repeated eight times for credit when differentinstructor is assigned. (Same course as Cinema &Technocultural Studies 174.)—III. (III.) Anderson,Merlin(new course—eff. spring 13)180A. Theatre Laboratory: Performance (1-5)Rehearsal—12 hours. Prerequisite: consent ofinstructor. Limited enrollment. Rehearsal and performanceof a production directed or choreographedby visiting Granada Artists-in-Residence and/or faculty,and/or the UG Edge Festival. May be repeatedfor credit. Since each production involves differentscripts, directions, challenges of rehearsal practicesand performance processes, it is possible for studentsto appear in a variety of productions in thecourse of their education. Admission by audition.—I,II, III. (I, II, III.)(new course—eff. spring 13)180B. Theatre Laboratory: Design (1-4)Prerequisite: course 24, 25, 124A, 124B, 124C,124D and/or 130 or consent of instructor. Limitedenrollment. Design-related participation in theatreand dance productions involves research, creationand implementation of design concept in collaborationwith the director and other members of the productionteam. May be repeated for credit. Becauseeach theatrical piece is conceived and producedafresh with new source material, scripts, and productionstyle the challenges and assignments for thedesigners will be new each and every time theydesign a show. GE credit: ArtHum | AH, VL.—I, II,III. (I, II, III.)(new course—eff. spring 13)180D. Theatre Laboratory: Crew (2-4)Laboratory—6-12 hours. Prerequisite: consent ofinstructor. Participation in theatre and dance productionsas backstage running crew which will involveskill development, rehearsal and execution of performance.May be repeated for credit.—I, II, III. (I, II,III.)(new course—eff. spring 13)180E. Theatre Laboratory: Scenic (1-4)Laboratory—3-12 hours. Prerequisite: consent ofinstructor. Practical experience working on sceneryand properties for theatre and dance departmentproductions. Study and execution of basic sceneryand prop engineering, construction, painting, rigging.Study of techniques, materials, tools, andequipment use. Skill development, professional etiquette.Safety training requirement. May berepeated for credit.—I, II, III. (I, II, III.)(new course—eff. spring 13)180F. Theatre Laboratory: Costume (1-4)Laboratory—3-12 hours. Prerequisite: consent ofinstructor. Practical experience working on costumesfor theatre and dance department productions.Study and execution of basic costume constructiontechniques and materials, tools, and equipment use.Skills development, professional etiquette. Safetytraining requirement. May be repeated for credit.—I, II, III. (I, II, III.)(new course—eff. spring 13)180G. Theatre Laboratory: Lighting/Sound/Projection (1-4)Laboratory—3-12 hours. Prerequisite: consent ofinstructor. Practical experience working on lighting,sound or projections for theatre and dance departmentproductions. Study and execution of basic techniques,materials, tools, and equipment use. Skilldevelopment, professional etiquette. Safety trainingrequirement. May be repeated for credit.—I, II, III. (I,II, III.)(new course—eff. spring 13)180L. Genomics Laboratory (5)Lecture—2 hours; laboratory—6 hours; discussion—1 hour. Prerequisite: course 181; course 183 (maybe taken concurrently); Molecular and Cellular Biology182. Computational approaches to model andanalyze biological information about genomes, transcriptomes,and proteomes. Topics include genomeassembly and annotation, mRNA and small RNAprofiling, proteomics, protein-DNA and protein-proteininteractions, network analysis, and comparativegenomics. Computer programming experience notrequired. Students who have received credit for takingComputer Science Engineering 124 or Biotechnology150 will receive 3 units for completingcourse 180L. GE credit: SciEng | QL, SE, VL.—III.(III.) Brady, Chan, Dawson, Dinesh-Kumar, Harada,Korf, Maloof(change in existing course—eff. spring 13)EcologyNew and changed courses inEcology (ECL)Graduate201. Ecosystems and Landscape Ecology (4)Lecture—3 hours; discussion—1 hour. Prerequisite:courses 200A and 200B. Integration of concepts tounderstand and manage ecosystems in a complexand changing world. Emphasis on interactionsamong biotic, abiotic and human factors andchanges over space/time. Local to global controlsover water, carbon and nutrients across ecosystems/landscapes. GE credit: SciEng | SE.—II. (II.) Cadenasso,Eviner(change in existing course—eff. winter 13)Quarter Offered: I=Fall, II=Winter, III=Spring, IV=Summer; 2013-2014 offering in parenthesesPre-Fall 2011 <strong>General</strong> Education (GE): ArtHum=Arts and Humanities; SciEng=Science and Engineering; SocSci=Social Sciences; Div=Domestic Diversity; Wrt=Writing ExperienceFall 2011 and on <strong>General</strong> Education (GE): AH=Arts and Humanities; SE=Science and Engineering; SS=Social Sciences;ACGH=American Cultures; DD=Domestic Diversity; OL=Oral Skills; QL=Quantitative; SL=Scientific; VL=Visual; WC=World Cultures; WE=Writing Experience